Nothing about Skin Failure resembles the status quo. The artwork is cartoonishly metal; the band’s logo is metallic spray paint; and their debut is a concept album that follows the travails of an interdimensional Jesus.
Nothing about Skin Failure resembles the status quo. The artwork is cartoonishly metal; the band’s logo is metallic spray paint; and their debut is a concept album that follows the travails of an interdimensional Jesus.
It’s a sell-out. This won’t come as any surprise to those who have followed the rapid, upward trajectory of Brighton’s Black Peaks but this is, as they say, a bit of a “moment” for a band that many have got justifiably excited about. This current tour, a showcase for their second album, the widely admired All That Divides (Rise Records), will see the band traverse the UK, but this stop off in the capital, on the same day that Marmozets are playing up the road and Crossfaith playing down the road still has touts asking (and getting) silly amounts of money outside the tube station is proof positive that this band have engineered more than a little bit of excitement about them.Continue reading
It is refreshing to know that it is still possible for bands to make a genuine impression and progress on merit. Black Peaks have not arisen on wings of hot air belched from a hype machine based on market research, haircuts, stylists, or a neat-line in zeitgeist paraphernalia and right-here-right-now shallow bandwagonistic anthems, but as a collective who are on the cusp of succeeding, of truly making an impression on the alternative music landscape, due to the fact of being talented musicians with obvious chemistry, and the ability to craft great works of art distinctive to them alone.Continue reading