ALBUM REVIEW: Smoulder – Violent Creed of Vengeance


 

Formed in 2013, life has been anything but normal for US/Canadian act Smoulder. With one full-length album under their belts, singer Sarah Ann Kitteringham and guitarist Shon Vincent moved to Finland in 2022, leaving guitarist Collin Wolf, bassist Adam Blake and drummer Kevin Hester behind, but having already written new album Violent Creed of Vengeance (Cruz Del Sur Music).

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ALBUM REVIEW: Pharaoh – The Powers That Be


With nine years spent waiting since the release of their last album, 2012’s Bury The Light, Pharaoh returns in forceful fashion with their fifth full-length. The Powers That Be (Cruz Del Sur Music) could very well be the Power Metal veterans’ most aggressive outing since 2006’s The Longest Night, bringing in a borderline thrash undercurrent with the guitar’s blazing technical runs along with the vocals’ established grit. This is established right off the bat with the title track’s assertive crunch and ‘Will We Rise’ follows up the intensity with some added Classic Metal flavor.

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ALBUM REVIEW: Project Roenwolfe – Edge Of Saturn


Project: Roenwolfe occupies a prime position in one of the Heavy Metal world’s more overlooked niches. Their Power/Thrash Metal fusion provides a trifecta of melodicism, intricacy, and aggression that is most directly in line with Iron Savior while also triggering associations with Helstar and Heathen, among others. Edge Of Saturn (Divebomb Records) is their first album since they debuted with 2013’s Nightmare Dreamscape. And as expected, there have been some upgrades in that eight-year timeframe.

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ALBUM REVIEW: Agent Steel – No Other Godz Before Me


As fitting for such an enigmatic entity, the sixth album from Speed Metal legends Agent Steel has been released under some rather bizarre circumstances. In addition to being the first album to feature their original vocalist John Cyriis since 1987’s Unstoppable Force, he also ends up being the only original member left in the band after the fallout of their last reunion. Subsequent live festival debacles and his eccentric responses to preemptive concerns regarding this album’s quality certainly haven’t helped matters, leaving fans to wonder whether it will be a return to form or an insane conundrum.

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ALBUM REVIEW: Pounder – Breaking The World


When listening to Pounder’s second album, Breaking The World, one immediately notices an improvement in lead singer/guitarist Matt Harvey’s (Exhumed/Gruesome) vocal performance. His voice still has the husky, untrained timbre that was an unfortunate liability on 2019’s Uncivilized, but also has more conviction and grit behind it this time around. It may still be a dealbreaker for some listeners, but at least they didn’t attempt to put a power ballad on here…

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ALBUM REVIEW: Eternal Champion – Ravening Iron


It”s been four years since Eternal Champion unleashed The Armor Of Ire in 2016, but the hype has only intensified with their sophomore full-length. Ravening Iron (No Remorse Records) continues the Austin group”s Epic Metal aspirations as the coarse but melodic guitar work casts a dungeon friendly atmosphere and the vocals forever echo Manilla Road”s Mark Shelton (RIP) with their nasally yet bombastic character. Thankfully, there are enough alternate approaches explored that keep this album from feeling like a retread. Continue reading


ALBUM REVIEW: Judicator – Let There Be Nothing


While Judicator’s fifth full-length offers their signature brand of historically themed Power/Prog Metal, it comes at a more personal angle this time around. The story of Let There Be Nothing (Prosthetic Records) is based on the life of Belisarius, a 6th century Byzantine general who reclaimed remnants of the Western Roman Empire while wrestling with a crippling marriage. The album never quite reaches the catharsis of 2015’s At The Expense Of Humanity, but it’s nice to see their Blind Guardian worship be tempered with a little extra pathos.Continue reading


ALBUM REVIEW: Greyhawk – Keepers Of The Flame


The first full-length album from Seattle’s Greyhawk is a particularly interesting iteration of the NWOTHM scene. A focus on hooky songwriting with an epic tone makes for easy comparisons to such contemporaries as Visigoth and Traveler as the production carries a polished sheen similar to the likes of Haunt or Idle Hands. While these factors would initially suggest that the band is just another notch in a long line of derivatives, they find a lot of ways to set themselves apart on Keepers Of The Flame (Fighter Records).

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