Monuments – Phronesis


Back in the early days of the djent scene, British metallers Monuments were seen as one of the early originators of the style and rose alongside the likes of Textures and TesseracT (plus, of course to some influential degree Meshuggah and SikTh), yet seemed slower than most to ride the tide of momentum, with a full-length debut release coming significantly later than other bands from that cadre. Continue reading →


Dead Letter Circus – Dead Letter Circus


The self-titled album is an interesting concept. Where the eponymous opus is not a debut, it is usually installed into a band’s canon as a way of stating that a specific album is either a summation of everything that represents a band – their pinnacle and natural conclusion of a journey of sound – or a launch of a bold new chapter, a “look at me now” redesign and rebranding. Fourth album in, and Australian Alternative Rock act Dead Letter Circus have opted to go down that route as a way of combining both those factors – a presentation of all that they have been, and a refocusing and refining of direction. Continue reading →