Ryan Michalski, who has been making music for many years under many names and bands, is currently going by Ryan Cosmonaut. He just released his new album Stars Are Coming, on The Doorway To label, and it’s an exploration of thoughtful lyricism and eclectic and killer songcraft. Ryan has given us a track-by-track breakdown of the depth and meaning behind each song on the record. Continue reading →
Messa’s fourth album, The Spin (Metal Blade Records), finds the band embracing their inner prog rock guitar gods, and channeling that energy in a few different directions. The first few songs might fake you out as they sound as if the band is heading in a more post-punk direction. The guitars gallop with more tension at a fairly brisk pace. This is certainly a shift from their earlier material that found them as more of a doom band. The vocals are very strong and well-defined from a songwriting perspective, which is the most important element of their sound. The band has always carried a smoky blues-based undercurrent, which is still present, though at times they wander off into more atmospheric shadows, as heard on ” At the Races”. Their guitarist begins to shine on this one, and his heroics do not let up from here. Continue reading →
London’s WREN have been releasing music for over a decade and Black Rain Falls (Church Road Records) is their third full-length record. The band describe it as “a crystallisation of the conceptual voice-giving to natural collapse, humanity’s decline and the shadowed spectre that has imbued WREN since the beginning.” Continue reading →
