ALBUM REVIEW: Zulu – A New Tomorrow


 

Fifteen unfinished chapters don’t combine to make a novel. 

A New Tomorrow, the debut long-player from eclectic power-violence outfit Zulu (released via Flatspot Records), feels too much like a compendium of skeletal songs that largely fail to take off to truly work. Three of the first four tracks – the exception being the introductory ‘Africa,’ a piano and strings-infused number – start off heavy and emphatic, but they all conclude with a divergence. ‘For Sista Humphrey’ turns gospel; ‘Our Day Is Now’ descends into sound clips; and ‘Music To Driveby’ is marred by soft singing. 

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Minors – Atrophy


Well, bugger me! Holy Roar Records just continue to bring us some of the best underground heavy music around at the moment. I had previously reviewed The Barn from Idylls from the label and the quality is matched and even bettered here on Atrophy which is the début album from Windsor, Ontario’s Minors. The overriding feeling here is a sense of oppression and being pinned to my seat as the band dealt out wave upon wave of hardcore Sludge drenched in feedback, a stylistic choice which was very prevalent throughout. Continue reading


Nails – Inherit: Live At Birthdays, London


 Nails-Euro-Tour-2014

 

Buried in the heart of Dalston, Birthdays seems an unlike venue to host one of the US’s finest hardcore bands, Nails. Packed full of neon lighting and modern décor the hoard of hardcore and metal fans invading the establishment for the evening seem mildly out of place. While the venue may not have been ideal, this didn’t deter the fans as the show sold out a week in advance.

 

With only two bands on that evening, it’s a late start at half eight for Inherit. Heading up from the southeast, this 5-piece opened an excited buzz of people already crushing in to gain the prized places at the front. Playing a mix of hardcore and thrash their music is abrasive, launching into an all-out assault of sound. Vocalist Adam Malik is chatty, energetic and enthusiastic pacing the stage and attempting to enthuse the audience. Despite his best efforts, the atmosphere wasn’t there for them that night and the music fell a little flat.

 

The popularity of Nails is evident as the venue becomes a mass of bodies and the walls begin to drip with sweat. Although the venue may have sold out, but there was not a hint of selling out from the band. With a heartfelt thank you to the audience and the people who have helped bring them over, Nails seem genuinely touched by the reception that evening.

 

Not a band for long or gentle intros, the band catapult full force into the set. The energy and atmosphere is intoxicating as limbs began to fly and the crowd mirror the chaotic madness spilling from the stage. With such short tracks, it quickly became hard to keep up with which song was being played and what tracked had preceded that, but ultimately this was unimportant. Nails music may be carefully crafted from across the most violent aspects of both punk and metal but to really get the most from seeing this band live you have to put away the analysis and loose yourself in the moment. Their high-energy performance keeps the crowd moving from beginning to end, and while the majority staggered out the venue appearing to have been through a mixture of an intense beating and a sauna, the cries of appreciation at the end of the set were unmistakable. With the promise of a new album and a return to the UK, it seems this band are not a force that will be stopping any time soon.

 

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CAITLIN SMITH