Ghost Cult caught up with progressive music legend Neal Morse (Neal Morse Band, Transatlantic, Spock’s Beard) recently over Zoom to discuss his upcoming new covers album Cover 3 Cover (InsideOut Music), his third such album with his frequent collaborators Mike Portnoy and Randy George. The new album is releasing at the same time as a new collection of all three. Neal chatted extensively about the project, his personal take on covers, the mystery of the secret Sax Man in the ‘Baker Street’ video, how all the cover songs were chosen, how he approaches songcraft for his different projects, his upcoming Sola Gratia solo Progressive Rock concept album, what Morsefest looks like during the pandemic, future projects and his entire catalog appearing on the new Waterfall music streaming app from Radiant Records. Purchase and support all of Neal’s projects at this link and check out our chat. Continue reading
Tag Archives: Neal Morse
Flying Colors Share New Music Video For “The Loss Inside”
Prog Rock supergroup Flying Colors have shared a new video for their song ‘The Loss Inside’, which you can watch below! Their new album Third Degree on 4th of October. The group includes progressive rock and metal stars such as Steve Morse, Casey McPherson, Neal Morse, Dave LaRue, and Mike Portnoy.Continue reading
Flying Colors Release New Single and Video, New Album Due This Fall
Progressive Rock supergroup Flying Colors (Steve Morse, Mike Portnoy, Neal Morse, Dave LaRue, Casey McPherson) have announced their new album Third Degree will arrive October 4th via Mascot Label Group. To kick off the album cycle, the band have released a new single and video for the track More which you can watch below! Pre-orders are also live at the link in this post. Continue reading
The Neal Morse Band Live at The Space, Westbury, Long Island
There are talents and there are rare talents in this world like Neal Morse. The prolific progressive rock genius seems to top himself over and over throughout his storied career. Where others would just stand pat and repeat themselves, Neal continually writes, records and performs across a spectrum of styles. All of this has synthesized in The Neal Morse Band. Certainly not his final destination musically by a long shot, with 2016’s The Similitude of a Dream and the sprawling double album The Great Adventure (both InsideOut Music) he has gelled all of his various elements together impressively. Continue reading
The Neal Morse Band Shares New Video “I Gotta Run”
The Neal Morse Band led by Neal Morse (lead vocals, guitars, keyboards), will Mike Portnoy (drums, vocals), Randy George (bass), Bill Hubauer (keyboards, vocals), Eric Gillette (guitars, vocals) released their new album The Great Adventure on January 25, 2019, via Radiant Records via Metal Blade Worldwide. The band has shared a new video for their new single ‘I Gotta Run’, which you can see right now!Continue reading
The Neal Morse Band Shares New Video “Welcome To The World 2”
As we previously reported The Neal Morse Band led by Neal Morse (lead vocals, guitars, keyboards), will Mike Portnoy (drums, vocals), Randy George (bass), Bill Hubauer (keyboards, vocals), Eric Gillette (guitars, vocals) will release their new album The Great Adventure January 25, 2019, on Radiant Records via Metal Blade Worldwide. Watch the new video for their third single, ‘Welcome To The World 2’ right now! Continue reading
The Neal Morse Band Shares New Video, New Album Coming Soon
Prog legends The Neal Morse Band has shared a new single and lyric video for their track ‘Welcome To The World’! The song comes from their upcoming new album, The Great Adventure, due out on January 25, 2019, via Radiant Records/Metal Blade Worldwide. In addition to Neal Morse (lead vocals, guitars, keyboards), the band includes greats such as Mike Portnoy (drums, vocals), Randy George (bass), Bill Hubauer (keyboards, vocals), Eric Gillette (guitars, vocals). ‘Welcome To The World’ was directed by Christian Rios and you can watch it below. Continue reading
We Can Be Heroes: Mark Menghi And Metal Allegiance
We caught up with Mark Menghi of Metal Allegiance, in the middle of hellishly busy week for him. He was rehearsing for a tribute performance to Deep Purple’s Made In Japan album at Saint Vitus Bar, in Brooklyn. We has also rehearsing for their first UK performance ever, at Bloodstock Open Air 2016. So when Mark squeezed us in for a chat, we were pleasantly supposed by his calm, humble demeanor. Mark talked a lot about the profound losses to the music world that led the band to create their new EP, Fallen Heroes (Nuclear Blast).
Video: RIVERSIDE Release Album Trailer: Love, Fear And The Time Machine
Polish progressive band RIVERSIDE have released the new trailer for their upcoming album Love, Fear And The Time Machine (InsideOut Music) You can video the trailer at this link or below:
Releasing on September 4th, Love, Fear And The Time Machine is the bands 6th studio album features cover artwork by longtime design-partner Travis Smith/Seempieces (Katatonia, Opeth, Nevermore)
The band is tour in advance of the album drop, including this coming weekends’ “Night Of The Prog” festival in St. Goarshausen, DE on July 18th. Other bands appearing this coming weekend at NOTP include IOM labelmates Pain Of Salvation, Steve Rothery, Steve Hackett, Haken, Kaipa, Beardfish, Anneke van Giersbergen / The Gentle Storm, Neal Morse and many more. Get tickets here: http://www.wiventertainment.de/projekte/21-notp.html
RIVERSIDE – Love, Fear and the Time Machine track listing
1. Lost (Why Should I Be Frightened By a Hat?)
2. Under the Pillow
3. #Addicted
4. Caterpillar and the Barbed Wire
5. Saturate Me
6. Afloat
7. Discard Your Fear
8. Towards the Blue Horizon
9. Time Travellers
10. Found (The Unexpected Flaw of Searching)
Next To None – A Light In The Dark
Not many bands can say their début album has been produced by Prog icon Mike Portnoy, nor features a cameo from Neal Morse or a release deal with one of the major record labels in the modern Prog scene, InsideOut, especially when its members ages range from 16-17 years of age. Not so surprising however when one Max Portnoy resides on the drum stool, clearly bring some weight with it. Fortunately they also have a wealth of talent and songwriting prowess way beyond their years, as A Light In The Dark (InsideOut/Radiant) showcases.
The big elephant in the room it has to be said is how strikingly similar their music is to Dream Theater, of course the band where Portnoy senior made his name before the infamous split. Their take on progressive rock influenced metal seems to come from the same line of inspiration as the aforementioned stalwarts, sounding symmetrical in tone and formula with use of unusual samples and keyboard leads. Even vocalist Thomas Cuce sounds eerily like a younger James LaBrie with his soaring and powerful voice – on the ballad, ‘A Lonely Walk’ particularly the resemblance is uncanny – although he does also have harsh growls in his palette, which add an obvious enough distinction.
Where there may be some degree of idol worship at hand here, there is also a resulting level of well thought out and complex song structures, and beneath the surface some clear signs of their youth and their own identity. Album opener ‘The Edge Of Sanity’ uses a range of strange samples during one breakdown for example, including an elephant trumpeting and what sounds like a segment from the original Super Mario games. Elsewhere the likes of ‘Runaway’ offer signs of contemporary prog metal, if seen through the DT lens.
It also has to be acknowledged at just how talented they are individually. Yes the focus point for many may be the presence of Max Portnoy but throughout there are performances that grab your attention, in particularly the Cuce’s sporadic keys in ‘Control’, if his vocals are found wanting at times, both in identity and in strength.
It is a sad state of affairs; the fact that their sound all too closely resembles that of one of the genre’s premier acts, making the family ties with Mike Portnoy all the more too difficult to shake off their back. A Light In The Dark is an album that clearly displays a wealth of talent and surprising maturity, but little of its own recognizable stamp.
6.0/10
CHRIS TIPPELL