Converge recently announced that they will be recording a new album this year, but that’s not all they have in store for fans in 2017. Continue reading
Tag Archives: Kurt Ballou
Jacob Bannon Of Converge Announces Solo Project – Wear Your Wounds
Converge frontman Jacob Bannon has announced the details of his new solo project, Wear Your Wounds, with its début album out next April 7th from Bannon’s label Deathwish Inc. Continue reading
Iron Reagan Announces New Album For 2017 Tour Dates Booked
Punky neo-thrash lords Iron Reagan have announced a new album for 2017, Crossover Ministry due out on February 3rd via Relapse Records. You can watch the album teaser below:Continue reading
Audio: Kurt Ballou Of Converge Guests On The Jasta Show
Kurt Ballou, legendary producer and guitarist for Converge is the latest guest on the Jasta Show Podcast with Jamey Jasta of Hatebreed. You can hear the podcast exclusively at Gaslight Media’s website, by using the code JASTA for a free trial. You can hear the podcast at this link:
https://soundcloud.com/jameyjasta/episode-192-josh-james-stick
Audio: Nails – You Will Never Be One Of Us, Full Album Streaming
Nails are streaming their new album You Will Never Be One Of Us, due out tomorrow from Nuclear Blast. You can hear the album at this link:
You Will Never Be One Of Us was recorded, mixed and produced by Kurt Ballou (Converge, High On Fire, Vallenfyre, Misery Index, Today Is The Day). Artwork was created by WHTHD. Pre-order the album now in various formats from in CD or vinyl format from Nuclear Blast, or digitally right now through iTunes or Amazon and get the title-track and ‘Savage Intolerance’ as an instant grat track.
You Will Never Be One Of Us track listing:
01. You Will Never Be One Of Us
02. Friend To All
03. Made To Make You Fall
04. Life Is A Death Sentence
05. Violence Is Forever
06. Savage Intolerance
07. In Pain
08. Parasite
09. Into Quietus
10. They Come Crawling Back
Audio: Magrudergrind – Sacrificial Hire
DC metal extremists Magrudergrind have returned after a six year hiatus with II, out February 12, 2016 via Relapse Records. The record was recorded with engineer Kurt Ballou at Godcity Studios and mastered by Brad Boatright (Obituary, Nails). Stream “Sacrificial Hire” below.
They have announced an upcoming European tour with Primitive Man below, with North American dates expected shortly.
Feb 26: Netherlands Deathfest – – Tilburg (NL)
Feb 27: Gasweck – Winterthur (SI)
Feb 28: Le Romanadie – Lausanne (SI)
Feb 29: Cafe Charbon – Nevers (FR)
Mar 01: Pavillion Sauvages – Toulouse (FR)
Mar 02: Rocksound – Barcelona (ES)
Mar 03: Baracudas – Madrid (ES)
Mar 04: Mogamos – Donsoti (ES)
Mar 05: Secret Place – Montpellier (FR)
Mar 06: Lo Fi – Milano (IT)
Mar 07: Freakout Club – Bologna (IT)
Mar 08: Gromka – Ljubljana (SL)
Mar 12: Durer Kert – Budapest (HU)
Mar 14: Feierwerk – Munchen (DE)
Mar 15: Cairo – Wurzburg (DE)
Mar 17: 1000 Fryd – Aalborg (DK)
Mar 18: Truckstop Alaska – Gothenburg (SE)
Mar 19: Bergsunds Strand 43 – Stockholm (SE)
Mar 20: Pumpehuset – Copenhagen (DK)
Mar 21: Hafenklang – Hamburg (DE)
Mar 22: Westwerk – Leipzig (DE)
Mar 23: Modra Vopice – Prague (CZ)
Mar 24: Casiopeia – Berlin (DE)
Mar 25: DB’s – Utrecht (NL)
Mar 26: Garage – Saarbrucken (DE)
Mar 27: Het Bos – Antwerpen (BE)
Black Breath – Slaves Beyond Death
Placing Metal bands into neat, convenient little pigeon-holes used to be easy. However, with so many sub-divisions, sub-sub-categories and “core” bands out there these days, it’s become a virtually impossible, not to mention pointless and tedious, task.
Do I really want to know that band A is Hardcore Ambient Techno-Speed Viking Doomcore, or that band B are Progressive Christian Grindcore Electro-Folk? No, not really. All I want to know is which broader category they fall under. Because it’s easy and I’m lazy that way.
So, while Washington’s Black Breath are hardly the most eclectic band in the box, they do actually have a sound which makes that relatively simple task appear quite difficult. Although the immediate reaction would be to just lump them onto the Death Metal pile, one quick listen to Slaves Beyond Death (Southern Lord) shows they just have as much in common with Thrash, Doom, Crust, Hardcore, and even Black Metal.
Comparisons are usually an equally effective method of describing a band (“Band A sound like band B with bits of band C and D”), but again, this is made difficult by the volume of acts from whom Black Breath draw their influences. A quick namechecking of three or four bands quickly turns into a full blown list. There are nods and winks to other bands all over Slaves Beyond Death but never once at the expense of their core sound. Nothing sounds crowbarred in or there just for the sake of it. If you hear something familiar, it’s in there only because it fits.
Produced by Kurt Ballou (Converge) at his GodCity studio in Salem, Massachusetts, the album crawls, kicks, stamps, and screams abuse into your face like an enraged footballer. The production is as dirty and fuzzy as the guitar tone, yet also sounds crisp and clear, most notably on two of the albums (many) highlights ‘Seed of Cain’, and instrumental closer ‘Chains of the Afterlife’. ‘Reaping Flesh’ and ‘A Place of Insane Cruelty’ pulverize you in a variety of different ways, and considering the death rattle vocals of singer Neil McAdams, the lyrics are surprisingly easy to understand. Slaves Beyond Death is a slow to mid-paced affair for the most part, but never dull with the slower parts merely serving to accentuate the chaotic flurries of speed and aggression when they do arrive.
8.0/10
GARY ALCOCK
Exclusive Album Stream: Ramming Speed- No Epitaphs
Ghost Cult is proud to partner with Prosthetic Records to deliver the full album stream of the new Ramming Speed album, No Epitaphs, due out on September 4th. You can hear the album below:
Gearing up for their pivotal third album, Ramming Speed stepped up their game considerably following their move from their hometown of Boston to Richmond, Virginia. The simple southern life certainly hasn’t tempered the bands hunger to write crushing, intelligent songs that owe equal parts to classic thrash, heavy metal and more current brutal flavors such as grindcore and d-beat. Working with longtime producer and Converge guitarist, Kurt Ballou at his GodCity Studios, No Epitaphs is a killer metal album that likes to party, but also sounds like Howard Zinn, Gore Vidal and John Stewart combined.
No Epitaphs track listing
1. No Forgiveness in Death
2. Choke Holds and Bullet Holes
3. Beasts of Labor
4. Don’t Let This Stay Here
5. This Is The Life We Chose
6. Walls
7. Break In The Chain
8. Truth To Power
9. Super Duty
10. Horns of War
11. Momentary Masters
Pre-order links are:
http://store.prostheticrecords.com/bands/ramming-speed
iTunes preorder link – http://hyperurl.co/2957j7
Amazon preorder link – http://hyperurl.co/qk28xo
Peter Gallagher – Vocals
Kallen Bliss – Guitars
Snake Chuffskin – Guitars
Ben Powell – Bass
Jonah Livingston – Drums
Creating An Odyssey: Eric Wallace of Black Breath
On their recent tour with Goatwhore, Black Breath (Southern Lord) guitarist, Eric Wallace had a quick chat with Ghost Cult prior to the Boston, MA show at Brighton Music Hall. With their latest release, Slaves Beyond Death (due out September 25), being announced, Eric expressed what could be expected from the upcoming record.
“Expectations… I don’t think I like that word. I like to approach other people’s stuff as open minded as I can and then be surprised. I realize it sounds like I’m setting the bar low but I mean there’s elements of stuff we’ve done in the past for sure and then there’s also kind of new takes on all of it. To me it’s more expansive in a way. Not like it’s going to be a prog record or anything! Sure the songs are all longer and stuff we haven’t done in the past that we’re trying out on this record and I think turned out pretty rad. I’m excited for it to come out because I think it’s cool and I want to start playing the songs more, live. I hesitate to say too much because I want to hear what others think of it. I mean what are you supposed to say? “It’s the heaviest record we’ve ever done! It’s gunna fucking blow your mind!” I mean it either is or it isn’t. It’s up to the listeners and how they receive it. We made a record that were excited about and I think I can leave it at that.”
Eric also spoke highly of the continued success of recording with Kurt Ballou at Godcity Studios in Salem, MA:
“At this point we’ve spent the better part of 2 months there now over 3 albums. Pretty damn easy to work with him especially where we’ve toured with his band and recorded with him in that space with generally the same setup before. Not much arguing there as we just do it and if it doesn’t sound good how can we make it better. It goes pretty fast which is why we were pretty excited to go back for this record with the amount of work we’ve done, just building on that makes more sense than starting fresh somewhere else. It’s killer. I think it works out great. We did get it mastered with our buddy Brad (Boatwright) in Portland at Audio Siege. He’s been doing a ton of mastering for a lot of different bands, first time we went to him and that sounds awesome as well. It all turned out nice.”
Continuing on the topic of writing, and how it has evolved over Black Breath’s career: “With our EP we just threw what songs we had up there since we didn’t have a contract or anything. Basically let’s get this out there and see if it sticks. So we did that and got hooked up with Southern Lord. With Heavy Breathing we got together with Kurt since no one in the band had done that before and Greg from Southern Lord was really into the idea. Whatever songs we had after that EP through the touring up until the recording process, that turned into the album. The album itself was written well before we even got there really. Nothing specific up to this point really. With Sentenced to Life, I think we as a group consciously decided that we would sort of stream line everything a lot more as in trim the fat, shorten things up, get to the fucking point and then get out. And that was basically what we did with Sentenced. Make it to the point, shorten the songs, and get rid of the unnecessary stuff really. With this new album, since we already did the shortened approach to writing, we pretty much did the opposite approach on this one to expand and make way longer songs. Same style of riffs and song writing we had going, but how do we make this more of an odyssey? There’s a lot of tracks on the new album that has fast stuff and slow stuff but there’s a mix of both in almost every song so I don’t know what you would call that approach necessarily, but plenty of bands have done it.”
TIM LEDIN
Audio: High On Fire Debut New Single- The Sunless Years
High on Fire released another new single today from the upcoming Luminiferous album, due on June 16th from eOne. Stream the new song ‘The Sunless Years’ here:
Luminiferous was recorded at the acclaimed Godcity Studios in Salem, MA with producer Kurt Ballou (Converge) and is the follow up to 2012’s De Vermis Mysteriis (also eOne).