On Cutting the Throat of God (Debemur Morti Productions) Auckland, New Zealand’s Death Metal three-piece Ulcerate continue to refine their musical representation of an exploding volcano raining down molten rock and laying waste to all below.
Tag Archives: Jamie Saint Merat
Ulcerate – Bell Witch – Ageless Oblivion: Star and Garter, Manchester (UK)
This multinational bill covered three continents and crossed several extreme sub-genres, which may have accounted for a disappointing attendance. A mere dozen witnessed Hampshire quintet Ageless Oblivion take to the stage but a Death-Groove explosion, orchestrated by the phenomenal drumming of Noah See, steadily roused the populace. The brooding, savage ‘Penthos’ displayed the band’s versatility, a pensive progression offset by bone-crushing main sections, and was the high point of a dramatic and technically superb performance.
Ageless Oblivion. Star & Garter, Manchester, 2015. Photo Credit: Rich Price
The intensity with which Bell Witch drummer Jesse Shreibman leant over his kit whilst studiously watching bassist Dylan Desmond, accurately portrayed the belief and intent with which he subsequently laid waste to it. Desmond’s huge 6-string bass towered over the bewitched throng as he softly intoned into the mic, his fingers caressing the fretboard and producing notes usually out of reach to mere mortals. ‘…Awoken (Breathing Teeth)’ was harrowing, omnipotent and bewildering: Desmond’s mournful strings weighing on Schreibman’s bowed head until he pounded back in with the force of a fucked-off juggernaut, roaring to the sky like a wounded musk ox. The track’s frame-shuddering and impossibly moving finale sent more than one person to the benches, overwhelmed by emotion.
Bell Witch. Star & Garter, Manchester, 2015. Photo Credit: Rich Price
Michael Hoggard, Ulcerate. Star & Garter, Manchester, 2015. Photo Credit: Rich Price
Auckland Technical Death purveyors Ulcerate displayed every element of their undoubted proficiency with urgency and muscular action. Guitarist Michael Hoggard and frontman / bassist Paul Kelland jerked lithely in almost reptilian fashion, their heads pouncing on the buckling beat like raptors. Jamie Saint Merat, meanwhile, considered one of the best sticksmen in the world, danced around his kit with the dexterity of Nijinsky whilst pounding the crap out of it. Involving yet brutal, the groove of ‘Soullessness Embraced’ was pushed through every bone by a wiry frontman wielding his bass like a demanding lover; while Hoggard, his freakishly long, flexing neck moving with the articulation of a Bosc Monitor, flung his instrument around like a toy in a kid’s hand. ‘Weight of Emptiness’ meanwhile, its sinister clashes and clangs shot through with brutal portent, highlighted again the incredible work of Merat who hypnotised all by slamming perfected, multiple rhythms down our throats whilst appearing to do nothing.
For a New Zealand band to perform 11,000 miles from home with this intensity to a room of 50 people was both criminal and admirable. An eclectic bill in many ways, Bell Witch just about stole it but every band played their part in a remarkable show of strength.
Paul Kelland, Ulcerate. Star & Garter, Manchester, 2015. Photo Credit: Rich Price
WORDS BY PAUL QUINN
PHOTOS BY RICH PRICE PHOTOGRAPHY
Isolation Breeds Creativity – An Interview With Ulcerate
It is said that isolation breeds creativity. As much as a platitude this is, Ulcerate’s case seems to help it regain some credibility. Although spawned and based in picturesque New Zealand, the brooding metal trio has a penchant for sonically summoning dark, twisted worlds that reflect and pass judgment on the rotten core of humanity—hardly a mental picture that fits the towering-mountains-and-serene-meadows imagery present in the imagination of many a LotR (Lord of the Rings) fan. This natural inclination towards and ability to clearly convey such depressing negativity doesn’t come easily to most bands, let alone one dwelling within the dream retirement country for many. This creativity is of a virulent nature; one that births realms so displeasing in any ordinary person’s view that it is shunned by the masses and revered only by those who have stared into the abyss for too long. From within the murky darkness of pessimism, drummer Jamie Saint Merat surfaces briefly to speak to Dane Prokofiev about the theme of Vermis (Relapse), his philosophy of the human condition and more.Continue reading