As Ghost Cult announced last week the 2018 Psycho Las Vegas festival will be taking place from August 17th-19th at the Hard Rock Hotel and Casino in Las Vegas. The lineup promised to be a banger, with one notable change, Young And In The Way (YAITW) have canceled their appearance at the fest due to their impending breakup. They were to have played the pre-festival pool party event on August 16th. The festival will announce a replacement soon. Continue reading
Tag Archives: Helms Alee
2018 Psycho Las Vegas Lineup To Feature Dimmu Borgir, The Hellacopters, Witchcraft, High on Fire, Goblin, And More!
The 2018 Psycho Las Vegas festival will be taking place from August 17th-19th at the Hard Rock Hotel and Casino in Las Vegas. Today the organizes have unveiled the final lineup, and it’s just AWESOME. Continue reading
Whores. Announce New Tour Dates, Premiere “Mental Illness As Mating Ritual” Video
Whores. followed up their impressive Ruiner and Clean EP’s with the release of Gold in 2016, and it was, without a doubt, one of my favorite albums of that year. Since its release, the guys have been bringing that new material to anyone and everyone possible, and they show no signs of slowing down in 2018. Continue reading
GUEST POST: Stephen Brodsky (Cave In/Mutoid Man) Best Of 2016
Ghost Cult once again brings you another “End Of Year” list, memories, and other shenanigans from our favorite bands, partners, music industry peers, and other folks we respect across the world. Today we have our the one and only Stephen Brodsky of Cave In and Mutoid Man fame. In addition to typically busy schedule with his man bands, we were lucky to see him perform with Converge at the House of Vans in Brooklyn this year as well. He graced us with his eclectic list of books and music he enjoyed in 2016.Continue reading
September 2nd, 2016 Heavy Metal Releases
Aaron Beam of Red Fang Talks New Album
Portland riff rockers Red Fang have been powering through on the road and continuing to push their latest album Whales and Leeches. Their latest venture took them through Knotfest in Devore, CA where they were greeted with a swarm of fans for their early set time.
Being that it is a bit over two years since the release of their current album, they have stretched the lifespan of the release beyond where they had thought it could possible reach.
“It was October of 2013 when it came out so it’s about two years. This is the last tour we’re doing on it. We’re trying to play some smaller cities and cities we haven’t played in a long time. We wanted to get out with some of our favorite bands Whores and Wild Throne and take those guys out. We’ve been writing some new songs and we wanted to try some of those songs out on the tour. We didn’t play them today (Knotfest) because it was a shorter set, but on the rest of the tour we’re doing three to four new songs,” said bassist Aaron Beam, talking about where they stand today.
He talked playing Knotfest and how different it is playing an American festival versus the numbers of European festivals Red Fang had participated on over the years.
“Most of the people at Knotfest speak English! They speak English at most of the festivals in Europe too. I feel more comfortable speaking to the audience here and feeling like they understand me. Besides that, generally festivals are festivals and they’re pretty similar,” he said.
During their 2011 release Murder The Mountains, Red Fang took part on the Rockstar Mayhem Festival tour across North America and played in front of crowds largely geared towards the younger, modern metalcore oriented audiences. Now fast forward to 2015, Beam talked about how playing Knotfest differs from back then.
“I think the lineup today was a bit more varied than Mayhem was the year that we did it. I know Mayhem changes up but the year we did it there was lots and lots of metalcore and more thrash bands. We were the only band that was a rock band. Today was good. It seemed like people were more locked in.”
He also talked about public awareness growing over the years and fans becoming much more saavy with the Fang helped sway them in their favor.
“That’s it too. More people know about us now. Almost any time you go to see a band cold and you’ve never heard of them before, you’re not going to be thrashing around. You’re going to be paying attention and listening, especially when it’s something so different from everything else during the day.”
Recently, Red Fang has released a new seven inch single on Volcom Recordings with two covers – an Elvis Presley and the theme song for the popular 1980s television series Fraggle Rock, reinterpreted by the band.
“There’s two covers on the Volcom seven inch. There’s the Elvis cover which is only the lyrics are the same. The song is an old couple of riffs that we’ve never figured out how to turn it into a song before. Then there’s also a cover of a song from that TV show Fraggle Rock, which is similarly lyrics and an old song that I wrote from before Red Fang even existed that we modified and turned it into a track that worked with that vocal melody,” he explained.
Beam himself took part on the Teenage Time Killers’ record Teenage Time Killers: Greatest Hits Vol. 1 on a song titled “Your Empty Soul,” which he also involved Corrosion of Conformity drummer Reed Mullin. He talked about how he got involved in this project.
“It was actually through this guy Sean Cox, who’s a tech for the Foo Fighters. Several of the Foo Fighters crew live up in Portland. So Sean was helping us out with some guitar problems and we were just hanging out and he asked me if I would mind if he put me in touch with Lou, who engineered the thing. I was like ‘yeah…’ “
“Reed was originally thinking of having Pepper [Keenan] sing on that track but something happened and Pepper couldn’t do it. So it was like ‘you know what would be cool is if we got that guy Aaron from Red Fang.’ I think it was like Reed mentioned it and then Lou talked to Sean, and then Sean talked to me and that’s how it came together.”
While he enjoyed working on the song, he missed his one chance at performing it live at a recent one time show in Los Angeles.
“No I’ve never played it. That was my chance I guess with the concert that they did (Teenage Time Killers at Henry Fonda Theater) in LA but there was no way for me to make it down. Juggling kids and being on tour was real hard. That was a weekend I wasn’t available. Hopefully they’ll do another one and I can do it. I love the idea and I want to actually perform the song once.”
While Beam and the Red Fang guys experienced a lot during this album cycle, he shared some of the highlights he experienced throughout the past few years.
“This last tour with Whores and Wild Throne was big. That was one of the funnest US tours we’ve done. I also loved that tour we’d done with Big Business and American Sharks earlier, and we did a tour right in the beginning with Helms Alee, Wild Throne and a band before them called Gaytheist. Those were all super fun US tours.”
“The highlight of show for me was…and we’ve played a lot of really good shows. But the one that really was the most memorable from this album was Hellfest in France. It was the third time we’ve played it and we’ve got a pretty decent main stage slot. I would say conservatively there were 25,000 people watching us play, and they were not just standing there. It was packed and people were rocking out all the way to the back of the crowd. It was amazing. It was so fun.”
“Lots of times there’s something about the energy of an intimate club you can’t capture on a big huge festival stage like that. But with that many people it was awesome. Maybe we’ll never get to do that again but that’s really memorable.”
They met a lot of high profile names along the way, and many were not necessarily from the heavy music world. One person they met was David Letterman, where they had a rare opportunity to perform on his television show – Late Night With David Letterman – before he retired earlier in the year.
“That was on this album cycle! It seems like so long ago,” said Beam, suddenly remembering this moment. “That was an amazing experience. It was one of those things where I didn’t feel nervous until they started taping the episode. Once they tape it there’s no stopping. It feels like when you’re climbing to the top of a huge waterslide or you’re about to skydive. You know you’re committed. There’s nothing you can do – you have to do it. You’re terrified when you do it and as soon as you do it, you want to do it again. It was exactly like that. It was awesome.”
They also got to work with actor and musician Fred Armisen, who appeared in their music video for ‘Blood Like Cream.’ “He played in a band called Trenchmouth in the 90s that my kids’ mom they used to play shows together, like way back when. She knows him from the music world before he was on TV at all. Pretty interesting.”
Lastly, Beam talked about a new Red Fang also in the work, following the conclusion of their touring cycle.
“Yeah for sure. We’ve already got three songs that are totally done, and we’ve got pieces of…I don’t know…30 more songs worth of material. We’ve got to start as soon as we get back from this tour we’re gonna lock in and start bashing out the songs and turning them into finishing them. We have studio time tentatively booked for end of February or beginning of March.”
“We’re really buckling down now. These tour things come up and A) you’ve got to make money and B) we wanted to try out these songs on the road as well and dial them in a little bit better and see how they’re working. That really helped a lot.”
He gave a preview of the new material that is in the process of becoming the new Red Fang album. “You’ll probably be able to find some YouTube videos of some of the new songs. We’ve played them on this whole tour. One of them is called ‘The Shadows’ and it’s actually on this seven inch we’ve already put out. We’ll do an updated version of it.”
“There’s a new song that I’m super excited about that we’re playing on this last tour that’s kind of a slower, a little dirtier songs but it has this more Russian Circles kind of thing that happens half way through it. It’s got some surprises.”
“We’re still experimenting and branching out and trying new things always. It’s clearly going to be a Red Fang record but with some stuff you haven’t heard before.”
Russian Circles and Helms Alee Booked For Out Of the Crowd Festival
Out Of The Crowd Festival has announced Russian Circles and Helms Alee as their first two artists who will on the 2015 edition of their event. The festival will be held on Saturday, April 25, 2015 at Kulturfabrik in Esch/Alz. In Luxenbourg.
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Russian Circles and Helms Alee Book UK/Euro Tour In The Spring
Russian Circles and Helms Alee have an extensive European/UK tour booked for the spring:
Mar 31: Arena Vienna – Vienna, AUT
Apr 01: Circolo Mame – Padova, ITA
Apr 02: INIT club – Rome, ITA
Apr 03: Magnolia – Milan, ITA
Apr 04: Platform Mobile Kulturinitiativen – Inssbruck, AUT
Apr 05: Kino Siska – Ljubljana, SLO
Apr 07: Podnik – Prague, CZE
Apr 08: UT Connewitz e.V. – Leipzig, GER
Apr 09: 013 – Roadburn Festival – Tilburg, NET
Apr 10: La Maroquinerie – Paris, FRA
Apr 11: Dudefest – Jubez – Karlsruhe, GER
Apr 12: Rote Fabrik – Zürich, SWI
Apr 14: Bikini – Barcelona, SPA
Apr 15: Joy Eslava – Madrid, SPA
Apr 16: RCA Club – Lisbon, POR
Apr 17: Sala Capitol – Santiago De Compostela, SPA
Apr 18: Wombat Fest – Durango, SPA
Apr 21: Islington Assembly Hall – London, UK
Apr 22: The Fleece – Bristol, UK
Apr 23: Brudenell Social Club – Leeds, UK
Apr 24: Le Grand Mix – Tourcoing, FRA
Apr 25: Out of the Crowd Festival – Esch-Alzette, LUX
Apr 26: AB Box – Brussels, BEL
Apr 28: Copenhagen Jazzhouse – Copenhagen, DEN
Apr 29: Markthalle – Hamburg, GER
Apr 30: Vera – Groningen, NET
May 01: FZW – Dortmund, GER
May 02: Lido – Berlin, GER
Helms Alee and Marriages Doing Co-Headlining Tour In January
Helms Alee and Marriages will be kicking off the new year with a co-headlining tour. Confirmed dates are below.
HELMS ALEE US/CANADA 2015
Jan 16: Copper Owl – Victoria, BC (CA) (No Marriages)
Jan 17: The Hindenburg – Vancouver, BC (CA) (No Marriages)
Jan 18: The Shakedown – Bellingham, WA (No Marriages)
Jan 20: The Press Club – Sacramento, CA (No Marriages)
Jan 21: The Garage – Ventura, CA ^^
Jan 23: Jewels Catch One – Los Angeles, CA ^^
Jan 24: The Hideout – San Diego, CA ^^
Jan 26: Crescent Ballroom – Phoenix, AZ ^^
Jan 27: Bunkhouse Saloon – Las Vegas, NV ^^
Jan 28: Hemlock Tavern – San Francisco, CA ^^
Jan 30: Bunk Bar – Portland, OR ^^
Jan 31: Neumos – Seattle, WA ^^
^^ Co-Headline with Marriages
Roadburn 2015 Announces Wovenhand, Russian Circles, 2nd Enslaved Set
Roadburn Festival have announced Wovenhand, Russian Circles, Wardruna and a second Enslaved performance amongst the latest additions to the 2015 edition.
Wovenhand will be headlining the 013 stage, and Russian Circles in the main hall on Thursday, April 9th, 2015. Guitarist Ivar Bjornson of Enslaved and Einar Selvil of Wardruna has been previously announced to curate the event on Friday, April 10th at the 013 venue.
Enslaved will be doing a second show at Roadburn 2015 on Saturday, April 11th. Already announcing the Enslaved/Wardruna collaborative effort Skuggsja, the sound of Norway’s Norse History, Enslaved will also perform a show dubbed House of Northern Gods, consisting of a set list specially put together for Houses of the Holistic, featuring songs from the band’s entire catalogue, accompanying visuals created by Romanian artist Costin Chioreanu.
Wardruna will be doing a special performance dubbed House of the Spinning Seer on Friday, April 10th as part of Houses of the Holistic.
Argus, Bell Witch, Darkher, Eagle Twin, Helms Alee, Sun Worship, Terminal Cheesecake, Tombstones, Brimstone and Uzala have also been confirmed for the 20th edition of Roadburn Festival.
Curated by Ivar Bjørnson (Enslaved) and Wardruna‘s Einar “Kvitrafn” Selvik, Roadburn Festival 2015 (including Fields of the Nephilim, Anathema, Skuggsjá, Enslaved, Wardruna, Claudio Simonetti’s Goblin performing Dawn of The Dead and Susperia in its entirety, Zombi, Sólstafir, White Hills, Bongipper, Floor, Eyehategod and The Heads as Artist In Residence among others) will run from Thursday, April 9 to Sunday, April 12 at the 013 venue in Tilburg, The Netherlands.
Bjornson commented:
“The Friday show during Roadburn 2015 will indeed be a special one. We have named the concert ‘House of Northern Gods’ and it will consist of a walk-through of an imaginary, magical house. It is a mental construction that could represent the mythological Valhalla with its inhabitants – or in Jung’s school of psychology: the archetypical roles of the human psyche. This will be the foundation for the set-list and the framework around the concert; there’s a stem of thematic songs from ‘Allfadr Odinn’ (the Paternal archetype) on ‘Hordanes Land’ in 1993 up to ‘Materal’ (the Maternal archetype) from 2012’s ‘RIITIIR’ where various characters/ roles in the ‘House of Northern Gods’ are represented and materialized into music. These are the songs that will make up the Friday show at Roadburn 2015!
“As if it wasn’t a big enough honour to play one show at Roadburn 2015, we get to play a second show Saturday! We are already hard at work with planning to turn these into the most spectacular two Enslaved shows possible, as we know that this double-Roadburn-whammy is not likely to happen again (we’ve heard of lightening striking twice, but thrice?). This second show will be one of the first European shows where we present our new album, that will be released something like a month prior to Roadburn 2015. We don’t like to brag; but be prepared for something monumental! We will also make use of the fact that Tilburg will be loaded to the brim with friends and colleagues at this point, so don’t be surprised if the show culminates in Enslaved having good friends on stage to make sure we go out with a blast! He who lives will see…
Selvik added:
“We are very excited as well as honored to be back to perform at Roadburn 2015 and so we plan to use this occasion to give the audience a concert out of the ordinary. It will be a Wardruna concert in an all-new form. With almost twice the amount of musicians that we normally have on stage our sonic threads of old and new shall be majestically spun and our soundscape carefully woven on the loom of the spinning seer.
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