It was back in 2019 when we last saw a release from Portland, Oregon’s own Lord Dying. The album in question being Mysterium Tremendum proved to show a widening in their sound with an ever increased air and nod to progressive rock alongside their more notable sludge elements, as well as a narrative which includes a large focus on the notion of death, mortality and questions around these.

Four years later, events of the world have hardly made this subject matter any less focused in people’s minds and certainly not in the band, as latest album Clandestine Transcendence (MNRK Heavy) continues with this overarching narrative, as well as a continuation on their ever-expansive song writing. Continue reading →