Metallica is getting ready to kick off their massive North American tour, and they’ve just announced a special preview for fans that will be available next week. Continue reading
Tag Archives: Facebook
Jim Breuer Goes Off On The Grammys After The Metallica And Lady Gaga Performance
The Grammy Awards failed heavy metal for the millionth time last night, and fans are pissed. Continue reading
Angel Vivaldi And Chris Letchford To Shred For ALS
Angel Vivaldi and Chris Letchford of Scale The Summit are teaming up for a special event tonight on Facebook. Continue reading
Edsel Dope Discusses Reunion Tours And The Trouble With Success
In part II of our wide-ranging chat with Dope frontman Edsel Dope, we chatted about touring with the reunion of the Die Motherfucker lineup of the band. Reuniting with Acey Slade, Racci Shay, and Virus is no small deal to the fans, or to Edsel personally. He also shared some insights into his over twenty year career in the music industry, and what it takes for older veterans and brand new bands to make it.Continue reading
Ray Burton Creates The Cliff Burton Family Tribute Page On Facebook
Cliff Burton was tragically taken from this planet on this day thirty years ago in Sweden, but his legacy will forever live on. Continue reading
Myrkur Limits Her Facebook To Fans After Death Threats From Haters
Amalie Bruun, a.k.a., Myrkur the solo black metal artist posted an update to her band’s Facebook page, apologizing for, limiting fans access to her via Facebook messenger due to death threats and other actions by fans and detractors. She posted to her account:
I know that some of you have noticed you can no longer send me private messages. The reason for this is I am getting tired of the death threats and hate emails. Believe it or not but that s*** looses it’s charm after a while. I am of course sad that I then no longer can receive personal letters from supporters + fan-art in private messages, but please continue to post your beautiful pieces on this page or to my instagram @myrkurmyrkur .
Mykur released her first full-length album M on Relapse Records in 2015
I know that some of you have noticed you can no longer send me private messages. The reason for this is I am getting…
Posted by Myrkur on Tuesday, January 5, 2016
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Occult 45 – Human Abhorrence
Seven tracks on a 7”?! It is, of course, Grindcore, and a brutal pummel it is too. Human Abhorrence (Broken Limbs), the latest release from Philadelphia quartet Occult 45, shows very little let-up in its procession of psychotic battery; and perfectly displays the “hell is other people” ideology to which their Facebook page, in a blunt yet entertaining fashion, would have you believe they ascribe.
There are variations in sound here, however, perfectly exhibited in the frequent switches of direction and slight groove conclusion of the early ‘Tyranny Stomp’. Opening and closing tracks ‘Plaster Saint’ and ‘Death With Dignity’ evince the Doom-inflected, Hardcore-Death pounding of Xibalba, the latter track’s venomous bass and lead coda a glorious finale. This feel is assisted by the ferocious bark of John Hauser, bearing striking similarities to the Californians’ frontman Nate Robelledo and absolutely throat-ripping in the high velocity sections such as those of ‘PPFO’, which slows to a delightfully spooky, buzzing, 50s B-movie-guitar line groove. It’s a joyous carve-up, dictated by the near-perfect timing of breakdowns led by the technical savagery of drummer Jay Dost. His rolls and fills at the head of ‘Succubi’ highlight the complex fluctuations: dropping from a frenetic battery to a gloomy pensiveness and back again, all the while retaining phenomenal power.
Despite the aural violence and barely-controlled explosions of energy it’s often tough to remain enthralled by the unflinching ire of the genre; some special souls contravene the norm to follow the Napalm Death / Pig Destroyer route of showing enough invention to hold the attention. This is one to possibly add to that canon, being a varied and largely exciting offering, and suggesting that there’s plenty more to look forward to from this nasty little corner of Pennsylvania.
7.5/10
PAUL QUINN
Attack Of The Crone – Jill Janus of Huntress
In between recording and hitting the road in support of Amon Amarth, Huntress frontwoman Jill Janus took time out to speak to Ghost Cult about life in Huntress and to tease a few details about their upcoming third album.
Life in a professional metal band isn’t like the glory days of old and long gone are the days when Manowar travelled in luxury with an additional bus in tow purely for their groupies. Two albums in on a respected metal label, Napalm Records, and with a flurry of press coverage for the pair, one would expect something more glamorous than a mini-bus to be Huntress’ touring companion. But this tour with Amon Amarth is about sacrifices to achieve a vision. “I wanted to tour with Amon Amarth. I wrote it down on a piece of paper and willed it to be true. And here we are. I’m a big believer in visualization” confirms focal-point, Jill Janus.
It’s easy to see why all roads lead to Jill. Not only the voice and face of the band, it is from her that the lyrical themes and imagery flow, too. But to what extent is Huntress a one person show?
“It’s Blake (Meahl – lead guitar) and I who are really the driving force behind Huntress and we’ve been fortunate enough to have several musicians come on this journey with us but sometimes touring is too hard, and that’s really the main reason we’ve had to replace a couple of band members along the way.
“We’re not making any money doing this, and some of these guys have wives or girlfriends or rent to pay, so unless you’re willing to put all your shit in a van, or in storage, it’s going to burn.
“I’ve really had to abandon all other ambitions and only live for Huntress” confirms the focused singer “and it’s not easy to do. Right now my main focus is self-control. It’s not easy to stay sane doing what I do and the pace at which I do it, and a lot of my focus now is ‘Keep your shit together, Jill, and don’t lose it’, and that’s it daily. Every day when I wake up, it’s focus, don’t lose it.”
Making it happen in a professional metal band isn’t all banging out some riffs and seeing what happens… “One side of it is to really maintain your self-control. The other is don’t believe your own hype. The minute you believe you’re a rock star, you’re an asshole. I stay very focused. I am cogniscent of the things that are going on around me, I can hear the buzz, I can hear hype, I won’t believe it because I’m very focused on my purpose.
“I don’t ever look online. It is toxic. It’s deadly. I never read anything online about Huntress. The only thing I interact with are my fans, and that’s on Facebook, Twitter, Instagram, and those are focused, limited moments. It’s come down to a science. I do not allow myself to read anything online, it’s methodical, and I do not allow any trolls to know my goals. I always say “Keep your goals away from trolls”, and that’s something I live by.
I’ve seen every part of this journey and it’s all come to fruition. Every single bit of Huntress, every moment, every plan has all been visualized and not only by myself but my band mates as well. If you dream it, you can be it. You’re looking at me here, because it was in my head at first. And that goes along with a lot of the imagery, the “occult” aspect as well. As I said, I’m a big believer in visualisation.”
One thing Jill may not have visualized was the panning and critical kicking their second album, Starbound Beast received in many quarters. Regaining credibility can be a difficult thing – it takes years to build a reputation, but only minutes to destroy it.
“We’re always going to stay true to the roots of heavy metal, and we’re always going to stay authentic to who we are, but we’re evolving and that’s a very organic process. What you’ll hear in the production is that it’s going to be a bit more modernized, which I’ve been pushing for and the boys are going to keep it true to the roots of heavy metal and keep the NWOBHM in there. Stylistically my vocals have a little hat-tip to the great Rob Halford and it’s going to be true Huntress through and through.
“The third record will have some of those doom elements, too (that were present on the second album), because it’s The Crone and it’s Death season. There’s dying, and doomy, but there’ll be some surprises on there and it’s going to be a touch catchier as well.”
Jill has mentioned previously that the first three albums are linked, thematically, in terms of following a female life from youth to maturity.
“The second record was more cosmic, the first more occult based, more witchcraft, and now we’re heading into the cycle for the third album, Album three is done, it just needs to be mixed when we get back and then we’re ready to rock. Two more things to do on it and then we’re ready. I call the first three albums our trilogy. The Maiden was Spell Eater, The Mother was Starbound Beast and here comes The Crone. The title is yet to be announced, but the record will be out sometime this summer and we’re moving into the realm of The Crone. The Crone is going to be ruling this phase of the trilogy. She’s horny and she’s an old bitch! She’s a lot of fun.”
Words by STEVE TOVEY
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Old Man Gloom – The Ape of God
We now know that our version of The Ape of God (Profound Lore) – the one that was released to the press – is a compilation of parts of the two new albums issued by Old Man Gloom only and not full version(s) of the pair, both released with the same title. On their Facebook page the L.A. super-group claim they would stand by the truncated compilation as an album in its own right, and indeed it would serve as such.
The sludge-drenched hostility of ‘Fist of Fury’ and ‘The Lash’ collides with fuzzed-out riffs and post leads underpinning the titanic crunch, fully embracing Aaron Turner‘s Isis background. That lead is a howling current through the intense roar of ‘Predators’, an ominously building ambient crescendo falling to eerie wails; the angry Neurosis vibe screaming from every pore and indicating a deeper sense of gravity. This segues into the savage, visceral pummel of the monstrous ‘Shoulder Meat’, the deep lead underpin almost sorrowful whilst crashing thunder is eclipsed by a stone breaking, torturous riff. As these two tracks don’t follow each other on the albums proper, the organic melding of the join displays the length OMG went to fool the media.
The breakneck aggression of Nate Newton‘s Converge is evident in the sequencer-filled bruising battery of ‘Never Enter’, while eerie atmospherics cede to the mutilating slash and oscillating crunch of ‘Promise’. The weight and hiss of the rhythms are as oppressive as the consumptive vocal roars, Santos Montano‘s drums and Caleb Scofield‘s bass pounding and throbbing through the Gregorian psychedelic drift of ‘Simia Die’ before the soaring riff carries the coda to tumultuous skies. Closer ‘Aarows [their spelling] to Our Hearts’, which also closes the second album proper, is a fourteen-minute epic displaying the full gamut of creativity with a slow build through ambient samples, a maudlin drum march and picked riff graced by gentle vocal intonations. As the fuzzing noise gradually swells through the seeping gloom into an agonised, pulsing horror, so does the unbearable tension. It’s the kind of track Cult of Luna have it in their power to make, but haven’t appeared angry enough for years to execute.
With our review copy of the albums being four tracks shy of the full complement, this is still representative of a mighty effort from a band totally at the top of their game, dwarfing last album No (Hydra Head) and destined to rattle many ‘top ten’ lists of 2014.
8.5/10
PAUL QUINN