Video: Dave Grohl of Foo Fighters Performs Beatles Cover At The Academy Awards


Dave Grohl oscars 2016 beatles blackbird in memorium ghostcultmag

Dave Grohl of Foo Fighters gave a special performance at last nights Academy Awards (a.k.a. The Oscarsduring their In Memoriam segment, honoring entertainers who passed away. Among those honored were the recently passed on David Bowie and Metallica: Some Kind of Monster director Bruce Sinofsky whom both died in 2015. Grohl performed a cover of ‘Blackbird’, by The Beatles. You can watch the video at this link or below:

https://www.youtube.com/watch?v=LdAZBQaRIpI

 

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Amanda Palmer And Jherek Bishoff Release David Bowie Charity Tribute EP


Jherek Bischoff and Amanda Palmer David Bowie Tribute

 

Amanda Palmer, continuing to return from her hiatus after the birth of her son last year, has produced a tribute album to David Bowie with the help of multi-instrumentalist Jherek Biscoff and other noted collaborators. Dubbed Strung Out In Heaven, the EP was released with the help of Palmer’s Patreon supporters . You stream the lead track ‘Blackstar’ featuring (Anna Calvi), and buy it from her Bandcamp page as well. The minimum price is $1 – $.54 of which will go to Bowie’s publisher for the use of the songs. The remaining proceeds from the first month of sales (until March 5th) will go to the cancer research wing of Tufts Medical Center, in memory of Bowie. 

There is special artwork for each track created by noted artists from around the world, which you can see below. Palmer continues to create projects and engage her audience via Patreon. You can support her there

 

Bowie tribute Amanda Palmer and friends

Strung Out In Heaven EP track listing

1. Blackstar (Featuring Anna Calvi) 08:32

2. Space Oddity (Featuring Neil Gaiman) 05:07

3. Ashes To Ashes 03:59

4. Heroes (Featuring John Cameron Mitchell) 03:37

5. Helden (Single Version) (Featuring John Cameron Mitchell) 03:38

6. Jherek Bischoff – Life On Mars? (Instrumental) 03:58

Personnel:

Amanda Palmer – Vocals

Jherek Bischoff – Double Bass/Arrangements/Conducting

Serena McKinney– Violin 1

Alyssa Park– Violin 2

Ben Ullery– Viola

Jacob Braun – Cello

Anna Calvi – Vocals/Guitar (Blackstar)

Jono Manson – Amanda’s Engineer (The Kitchen Sink)

Alex Thomas – Anna Calvi’s Engineer (Bruce Grove Studio)

Chris Fogel – Jherek/Strings Engineer (Hyperion Sound / ELBO Studios)

Bryan Carrigan – Jherek/Strings Asst. Engineer (Hyperion Sound / ELBO Studios)

John Cameron Mitchell – Vocals (Heroes and Helden)

David Mack (United States) – Ashes to Ashes

Sarah Beetson (United Kingdom) – EP cover and Space Oddity

Félix Marqués (Spain) – Life on Mars

HA-HA (Australia) – Helden (German Version)

Bill Sienkiewicz (United States) – Heroes (English Version)

 


David Bowie – Blackstar


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I wasn’t ready for this. I wasn’t ready to hear this record right now or to write this review. I was not ready to learn David Bowie had died of cancer, and that this already rough start 2016 had already dealt my mental musical Parthenon another harsh blow. Before I was laid low by these events, I was intrigued by the ‘Lazarus’ music video and pre-ordered Blackstar (Columbia/ RCA) on Amazon. But I hadn’t played the album one time in a busy weekend. And then once the news came down, I retreated to what most do in these cases, share my sorrow publicly and played my favorites on a loop for a few days. Mainly relegated to what is on my old iPod Classic 160 GB, my portable Bowie collection is mainly the 70s albums I grew up on (Diamond Dogs, Station To Station, Low, Heroes, Lodger, my 1990s favorite Outside, and some obligatory hits here and there I’m sure everyone else knows well. I wasn’t sure how to approach this final album review from an artist I admired all my life, knowing this was the last new thing I would ever hear from him. I laid down in bed for the first few listens. Just in bed in the dark with my headphones on.

As much an album rooted in Bowie’s entire oeuvre, ‘Blackstar’ is equally an album that would have come from a future timeline or reality. The epic title track opens things up and is almost like a little elctronica-based rock operetta. It chirps to life at once, but soon morphs into a gorgeous, almost Gospel rock-inflected anthem. The third motif in the middle section has the grit and grace of any great rock song the man ever put down on wax. Vocally and lyrically alone, the performance moved me to tears right away. Of course these ominous whooshing churchly vocals, swelling and brooding horns and reeds, right along side with lyrics about life, death, fame and rebirth heard in the context of knowing he had died surely hit me harder than it would have otherwise. That doesn’t make this track any less amazing.

The rest of the album flirts with an array of stylistic choices. The powerful uptempo beat of ‘Tis A Pity She Was A Whore’ comes with a subtle Sun-Ra style discordant beauty to it. A chaos that flirts with ruin, but holding together by a thread of greatness. David’s voice is just magical, and harkening back to his earliest work in a lot of ways. Donny McCaslin’s brass work just crushes on this track.

‘Lazarus’ is a song that along with its companion video will be analyzed, deconstructed and perhaps books will be written about for the next few decades I would imagine. The somber balladry of the tune can barely stand up to the titanic lyrics. It was hearing the collected writing of Elizabeth Kubler-Ross set to song. No doubt anyone who heard the track when it came out, saw it in a different light after David’s death. The eerie lyrics are not just prophecy, they are spooky real. Like a manifest from the before the grave. Many artists wrote with their own death as a specter in their life that was all too real to them. Hank Williams Sr., Warren Zevon, Frank Zappa, and hell, evenin the tragic case of Jeff Buckley; he  must have “felt like he was dying since the day he was born” in the purest sense. Bowie was clearly leaving no illusions to chance with this track, so present and bare and raw about the sum of his life coming to a bittersweet end. And you never want the track to end, but it does as well.

At this point, after a track like ‘Lazurus’, it starts to be hard to even track quality on a real scale that has meaning, but I will press on. In a change of pace and tone ‘Sue (Or In A Season of Crime)’ is a slick blend of those killer collaborations with Brian Eno, but via the centrifuge of the many who followed in those massive footsteps too like Nine Inch Nails or more recently, Puscifer. ‘Girl Loves Me’ has a creeping rhythm and a call and response refrain. The full expanse of his singing range, including a not often enough heard vamp in his bass register is a thrill and treat. This song will find its fans, but really it’s just slightly above filler.

‘Dollar Days’ again finds us in familiar ground. Almost a call back to his earlier work: a deceptive, emotional, subversive, brilliant pop song. And lyrically again, so final and so very sad, it will break your heart to hear it. Special note goes to the piano work of Jason Lindner.

As the penultimate track evolves via a danceable beat into the beautiful final cut, ‘I Can’t Give Everything Away’. It is the sound of an acceptance an artist saying goodbye forever. It would seem that the sentiment of the title is quite the opposite in reality. On Blackstar, Bowie left nothing behind or unsaid; if anything it’s a bit esoteric. Not just in a sense of this album, but his career and his life. And I am still not ready for this. And neither are you.

DavidBowie-portrait

 

9.0/10

KEITH CHACHKES

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David Bowie Dies of Cancer At Age 69


DavidBowie-portrait

David Bowie, who for the majority of his 50 year career was both commercially successful and critically adored, has died after an 18 month bout with cancer, according to a release from his publicist and social media posts from his family. Just this past Friday on January 8th,  Bowie released his new album Blackstar (stylized in some cases as * ) (RCA/Columbia) on his 69th Birthday. Information on this sad news is just coming in, so we will continue to follow-up on it here at Ghost Cult.

 

January 10 2016 – David Bowie died peacefully today surrounded by his family after a courageous 18 month battle with…

Posted by David Bowie on Sunday, January 10, 2016


Kitchen Kvlt Part II – Chef Heather Feher of Black Cat Culinary


Chef Heather 4

In Part II of our Q & A with Chef Heather Feher of Black Cat Culinary she detailed for us what she teaches in her private cooking classes, what she thinks of “celebrity chefs”, her food and travel experiences, and her dream gig:

You teach some specialized cooking classes. What does that entail for you and depending on the class, what can I expect to walk away with skills-wise?

My cooking classes are all over the place! It’s all about the group and what they want to learn. The two that I’ve taught the most are basic butchery… and vegan menus. Haha. I’ve taught scavenger hunts as team building activities and I’ve taught ultra modern techniques like sous vide and spherification. I’m doing a really fun combination class next month for a group I’ve taught before – after we learn how to debone chickens, I’m organizing a Chopped style mystery basket competition. Each team is going to get a bunch of ingredients from the farm we’re staying on and have to work together to make a side dish for the meal. I get to offer pointers and tips about their processes, and then judge the final products. One thing every class I teach includes is a basic lesson in knife handling and safety, because that’s really the most fundamental skill you need in any kitchen. My goal is that with whatever we’re focusing on in the class, everyone walks away feeling a little more confident than they did when they walked in.

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Thanks to the Cable and YouTube, there are a ton of cooking shows and “experts” out there who are not actually chefs. What is the biggest misconceptions about being a chef?

Oh my god – you’ve hit a nerve! Almost everything, seriously. My biggest annoyance with YouTube/TV “chefs” is that SO MANY of them do things so fundamentally wrong – how they hold a knife incorrectly or hack apart an onion, or their cutting boards are so cluttered and filthy – stuff like that. I think one of the biggest misconceptions is that it’s glamorous and we’re all making tons of money. HA. I wish! The hours are long, the pay absolutely sucks most times, and you miss out on most social events because you’re always working – and if you do get out with enough time to make a party or a show on a weekend night, you always end up showing up smelling like food, haha. With catering, there’s this weird ebb and flow of business where you’re either working 100 hours a week… or you’re practically unemployed. It’s anything but steady, so you have to be really good at budgeting. In a lot of ways, I work freelance. I am constantly trying to get my name out there, contacting every tour I hear about, trying to hopefully get the right person on the right day. In the mean time, I’m also looking for local work to sustain myself – dinner parties, classes, etc. There’s also this weird misconception that anyone who cooks professionally is a “chef”. It’s nitpicky, but it’s an annoyance across the industry – you are not a chef unless you are running a kitchen. Period. “Chef” is a title of respect that is earned after proving yourself for years and years, after being promoted, or after taking the leap and branching out on your own. If you have a boss that is not the owner, you are a cook. Just because you have a show on YouTube doesn’t mean you’re a chef. It’s really obnoxious. I run a company and I still feel kinda weird referring to myself as “a chef”. For me, the transition from “cook” to “chef” was really just a LOT of paperwork! I cannot tell you how much I now loathe emails. It’s making list after list – shopping, delivery, prep, food cost, scheduling, invoicing… it’s maddening. I actually do more paperwork than I do cooking at this point in my career! Our diets are also really fucked up. Most cooks don’t eat actual meals – we have bites here and there. I recently had to keep a food diary for my allergist and it was a nightmare – did I taste the aioli for seasoning 3 or 4 times? How many bites of that braise did I have while it was cooking? It’s absurd. Most of us develop a really weird association with food because actual meals are so few and far between.

 

Chef Heather Feher of Black Cat Culinary

Chef Heather Feher of Black Cat Culinary

I know one of your passions is travel, so what are some of the cool places you have been to and what locales do you favor for amazing food experiences?

I am borderline obsessed with the city of Montreal! Honestly I’ve considered living there so many times. It’s the greatest. The metal scene is amazing, they have the best drunk food in the universe (poutine, omg) and the people are just so NICE. I’ve been to Norway twice now, and I love it there too – the scenery is ridiculous. I’m not sold on their food though, to be honest – though maybe I just haven’t found the right places! As far as amazing food experiences, I am all about trying the weirdest stuff from the most hole-in-the-wall places. My rule is that I’ll try anything twice – even Icelandic hakarl (fermented shark), which is honestly the worst thing I have ever put in my mouth. It’s cliché, but I didn’t have a bad meal when I was in Paris – one of the most memorable moments was eating a fresh savory crêpe from a cart vendor while walking through the side streets of Montmartre. Really, I think I love any type of food that makes me feel a connection to the place I’m in. I lived in South America for almost a year and worked at some of the best restaurants there were – but my most memorable meals were eating ceviche from this totally illegal back alley mom and pop operation, and eating a whole roasted guinea pig with my hands in the middle of the main square during a street festival in Cusco. I remember the experiences I can’t replicate at home the most.

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You have some appearances coming soon up on some pretty cool shows, so by all means please plug those!

Well, I was on the Halloween episode of Guy’s Grocery Games – it was entertaining for sure. Catch it on the Food Network if you feel like seeing me cry about my cat. There is more stuff working, but I can’t actually discuss any of it right now – ask me again in a few months!

Chef Heather Feher of Black Cat Culinary

Chef Heather Feher of Black Cat Culinary

 

What is your dream music gig to cater for?

I don’t know if I actually have a dream gig – really I just want to work for bands I like, because there’s nothing better after finishing a long day of work than to turn the corner and be surrounded by amazing music. I actually really like the festival atmosphere – whether it’s just a weekend thing or a multi-city thing – the people really make the gig for me. Though if I had to pick one coming up, it’d totally be the Black Metal Warfare tour. Good cities, good bands, and in my opinion it’s the best time of the year to tour. I think I could have a lot of fun with menus on that tour. 

Have an event or occasion to book Black Cat Culinary? Contact her here:

KEITH CHACHKES

 


Kitchen Kvlt – Chef Heather Feher of Black Cat Culinary


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Chef Heather Feher has a passion for all things that involve fine food and grim music. She has catered tours and all kinds of music festivals and has channeled her love of these things into her growing business, Black Cat Culinary. We caught up with the entrepreneur and Food Network alumnus via email about her business and how the music she loves has shaped everything from her menus to her path.Continue reading


Huntress – Starbound Beast


Huntress 1Releasing a praise-worthy album is never an easy feat but attempting to release two in as many years is even more of a tough challenge. Huntress however, are seemingly not a band to shy away from difficult trials and having delivered a successful debut last year, the critically acclaimed Spell Eater, Huntress are back to try their melodic metal luck again.Continue reading