Since its vibrant days and creative apex in the early 2000’s, post-Metal has proven to be an arena of very few limits and of towering imagination and inventiveness, with the likes of Isis and Pelican offering multi-faceted works encapsulating atmosphere, serenity and at times, sheer heaviness. Colchester’s own Telepathy showcased on 2014’s 12 Areas (Devouter) that they were a very promising component capable of dizzying technicality whilst remaining compelling. On latest album Tempest (Golden Antenna), they prove such potential has been more than realised.Continue reading
Tag Archives: Colchester
Jøtnarr – Burn and Bury
The host of independent labels involved in the various-format issue of Burn and Bury (React With Protest /Vetala Productions/SuperFi Records/Prismatik), the latest EP from Colchester nasty noiseniks Jøtnarr, is testament to a steadying realisation of the promise this relatively young outfit possesses in buckets.
From the start there’s an unmistakably British feel to the music: the Crust infusion lending the frosted riffs an almost Post-punk vibe. The mournful groove to opener ‘Rise By Sin’, however, is as desolate as it is infectious and memorable. Stark, cold leadwork opens into a rolling, crushing coda of Stoner-style riffs which pulse with an added energy, while Chris Moore’s harsh vocal coats the whole with brief yet highly-effective bursts of tar-gurgling. The band’s diversity is fully displayed in the ensuing ‘Sunless’: a Shoegaze jangle, doubtless anathema to many pure Blackhearts, steadily dropping into a eruption of Winterfylleth-esque violent emotion; the slower pace and wistful lead yowls maintaining the earlier touches of humanity.
The tremolo thrills of ‘Hernswolf’ zig-zag through intricate patterns and bludgeoning riffs, Moore’s horrifying rasp unifying the band’s core elements in an all-too-brief track which perfectly embodies their ethos. The medieval melancholy opening ‘Waldeinsamkeit’, meanwhile, is wonderfully dictated by Oliver Harvey’s stunning stickwork which courses subtly throughout this eye-opening set; the closing track exploding into life halfway in before cascading to another of those pensive time switches and subsequent wailing solos.
Jøtnarr’s arsenal is proving increasingly powerful, their Black undercurrent positively effervescent with the superb blend and execution of other hostilities. Burn and Bury marks them out as one of the UK’s brightest underground lights at present.
7.5/10
PAUL QUINN
Winterfylleth – Eastern Front: Live at Colchester Arts Centre, UK
While blighted by sound problems, it is apparent that Eastern Front have undergone significant improvements over the last twelve months, adding melody, tension and drama to their Marduk-ian overtures and go down well to the swelling crowd. Playing a set entirely of tracks from their new album Descent Into Genocide, the Suffolk black metallers have made the right choice in focusing on new material that comes across as an entirely different, improved band to their previous efforts.
Yet from the moment vocalist/guitarist Chris Naughton leads the crowd in a semi-ironic arm waving intro that leads into the Celtic Frost / Motorhead chug that propels ‘Mam Tor (The Shivering Mountain)’ into the converted church, it is clear that Winterfylleth are a class apart. While they remain staunchly anti-image, no histrionics or pyrotechnics, and clad in plain black T-shirts, their music does all the speaking and impressing for them.
Up next ‘The Swart Raven’ builds from open chords, swathed in beautiful tremolo-picked melodies and underpinned by a driving beat, before dropping down to it’s clean build-up, that sees arms and voices of the gathered throng raised along in chorus. Already the audience is firmly in the hands of the band as the song’s coda bruises in a flurry of bass drums and vocal roars, even before the double-punch of crowd-pleasers ‘Casting The Runes’ and ‘The Wayfarer Part I’ see the dark of night.
Yet, better is yet to come, as the two new tracks aired, an epic broil titled ‘A Careworn Heart’ and the more straight-forward Darkthrone tinged yet still wholly “English” Black Metal of ‘The Divination of Antiquity’, along with rousing closer ‘Fields of Reckoning’ are the highlights of a set where the ‘fylleth disprove the myth that black metal doesn’t work live with an excellently delivered performance that uplifts the gathered faithful, with heads banging all the way back throughout. Mesmeric and powerful at Bloodstock, they perhaps even exceed that, with darkened anthems filling the Essex evening.
In a scene where the genre classics have been unchallenged for two decades, Winterfylleth are now established as one of the leading exponents in their field, status their excellent new album The Divination of Antiquity will only enhance. With their output ranging from raging Bathory influenced aggression to sweeping, landscape-inspired grandiose moments via Primordial midtempo pump, all is delivered with the confidence of a band who know their wave is rising. Their brand of organic, atmospheric and all-consuming blackened metal with touches of class, heritage and intelligence has seen them rise, relatively unopposed, to stand as one of the best black metal bands today both live and on record, with tonight a further example of their inherent quality.
Winterfylleth Set List:
Mam Tor (The Shivering Mountain)
The Swart Raven
Casting The Runes
The Wayfarer Part 1: The Solitary One Waits For Grace
A Careworn Heart
A Valley Thick With Oaks
The Divination of Antiquity
Defending The Realm
Fields of Reckoning
PHOTOS: KRISTI O’CONNEL
WORDS BY STEVE TOVEY