Aesthetica – Sonorous Aeon


There is something really different and unique about Aesthetica’s approach to Doom Metal. That’s not to say that they’re backing down at all from the heaviness on their début Sonorous Aeon (Esetiske Studio), it’s just the Doom comes in many forms and there are elements of Prog Rock and even some Blues, particularly in the often brilliant guitar work.Continue reading


Broken Witt Rebels – Broken Witt Rebels


Despite their transatlantic fusion of blues, soul and rock n roll, Broken Witt Rebels are a new guitar driven band hailing from Birmingham, England. Songs from their two previous EPs (Howlin and Georgia Pine) plus a smattering of brand new material makes up their debut album Broken Witt Rebels (Snakefarm). It is a soulful yet gritty blend of the new and the old, Kings of Leon-esque arena rock; an Alabama Shakes-like vintage feel with the boozy swagger of The Cadillac Three, who they toured with this month.Continue reading


REVIEWS ROUNDUP: Week 44 – Cyrha, Adimiron, Beast In Black, Vandenberg’s MoonKings and more…


The Ghost Cult album roundup is back in town, for your vulgar delectation…Continue reading


Shaman’s Harvest – Red Hands Black Deeds


Like Gov’t Mule’s latest album, Shaman’s Harvest new record Red Hands Black Deeds (Mascot) was worked on during the American presidential campaign of 2016 – as such there are underlying socio-political themes coursing through the record. On this, their sixth album, the Missouri rockers have taken a vintage, more organic approach to their Shinedown-esque Hard Rock resulting in a fresher, more attention grabbing sound.Continue reading


Royal Blood – How Did We Get So Dark?


 

According to the business website Quartz, the guitar industry is suffering because rock music is falling out of favour, especially in the mainstream. Lucky then for bands like Royal Blood. The Brighton (UK) rock duo’s 2014 self-titled début album was very well received, and with their second effort, How Did We Get So Dark? (both Warner Bros), they’ve crafted another neat piece of simple but effective radio-friendly rock.Continue reading


Southern Revolution: Warren Haynes of Gov’t Mule


With the imminent release of new Gov’t Mule record Revolution Come… Revolution Go (Spinefarm), Ghost Cult popped down to London to chat to Warren Haynes about the new album, the inspirations behind it, his upcoming UK tour and the unfortunate passing of his friend and fellow bandmate Gregg AllmanContinue reading


Gov’t Mule – Revolution Come… Revolution Go


Revolution Come… Revolution Go (Spinefarm), the first Gov’t Mule record since 2013’s Shout and their 20th-anniversary celebrations a year later, starts off in their customary Blues Rock fashion – evoking their Cream and Free influenced power trio origins.Continue reading


Weirds – Swarmculture


Weirds is not a heavy band. Or not heavy in the way that I’m accustomed to when reviewing God Dethroned or Suffocation. But on their début album, Swarmculture (Alcopop!) there is certainly traceable amounts of Hard Rock in Weirds’ diet. There’s also an abundance of post-Punk, synths, and even a dash of Blues in their musical makeup. Is this a case of too many cooks in studio?Continue reading