In the world of extreme metal, Entheos is what the experts like to call a blue chip prospect. They’re fairly new (a year and some change, roughly), but they’ve already released the well-received Primal EP and have got some serious roadwork done with the likes of The Contortionist, The Black Dahlia Murder and Revocation. And about one year after the release of Primal, they’ve already cooked up their debut full length The Infinite Nothing (Artery Recordings).
With a work ethic like that it’s easy to understand the prized prospect status. But the secret to these young turks success also can be drawn from the members individual pedigrees. For starters, bass wunderkind Evan Brewer spent some quality time in The Faceless while drummer Navene Koperweis kept rhythm for Animals as Leaders. And before that they gigged in the underappreciated in their time Animosity. You may also remember vocalist and human furnace Chaney Crabb from Systems or the Veil of Maya audition video that made the internet rounds. Guitarist Malcolm Pugh is a one man band in A Loathing Requiem.
So you’re probably asking what The Infinite Nothing sounds like. It sounds exactly as how you imagine it. The Infinite Nothing is as fine as tech-death gets. Brutal slam and technical proficiency is dealt out in equal measure while wrapped in a vague sci-fi theme. The oddly titled ‘Bad Chemicals’ and lead single ‘Neural Damage’ are some stellar examples of technical finesse that still bludgeons the reptile brain.
And if you’re thinking it sounds like I just described Unique Leader’s entire catalogue, then you’re not entirely wrong. This is death metal with sci-fi sounding song titles. However unlike most in that quickly crowding field, there is an uncluttered feeling to Entheos’ style. ‘Mind Alone’ crushes like anything their contemporaries can muster, but not relying on studio trickery or heavy samples. Also kudos to Crabb on being a standout growler in a field full of mic cuppers. Think of her voice as an extra angry Mark Hunter from Chimaira who also just stepped on a tack before walking into the booth. Pugh rips into solos like a motivated Michael Keene, while Brewer’s bass acrobatics fill in for the lack of a second guitarist.
Noting their consummate hunger for work (long layoffs were Brewer’s reason to quit The Faceless), Entheos will continue to evolve and scale the extreme metal ladder. Wouldn’t doubt another strong release by next year.
8.0/10
HANSEL LOPEZ
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