Fear Factory Launch Trailer For Genexus, Album Pre-Orders Now Live


Photo Credit: Kevin Estrada

Photo Credit: Kevin Estrada

Fear Factory, who have previously announced new album Genexus is releasing from Nuclear Blast Entertainment on August 7th, have released an album trailer today. The trailer includes a snippet of a new single, ‘Protomech’. Watch it at this link or below:

Fear Factory Genexus album cover 2015

Genexus track listing

1. Autonomous Combat System
2. Anodized
3. Dielectric
4. Soul Hacker
5. Protomech
6. Genexus
7. Church Of Execution
8. Regenerate
9. Battle For Utopia
10. Expiration Date


Limited Digipak Bonus Tracks:

11. Mandatory Sacrifice (Genexus Remix)

12, Enhanced Reality

Fear Factory genexus pre-order bundle iamge

Pre-order Genexus digitally or in various bundles from http://nblast.de/FFGenexus.


Fear Factory Releasing Genexus On August 7th


Photo Credit: Kevin Estrada

Photo Credit: Kevin Estrada

Los Angeles industrial tinged extreme metallers Fear Factory will be issuing their ninth studio release Genexus on August 7, 2015 worldwide via Nuclear Blast Entertainment. The The record was co-produced by long-time collaborator Rhys Fulber, along with founding guitarist Dino Cazares and vocalist Burton Bell and mixed by Andy Sneap (Arch Enemy, Testament, Exodus, Machine Head).

Commented founding guitarist Dino Cazares:

“The sensation of finalizing our newest album is one of relief and joy, wrapped within a massive whirlwind of excitement, We really feel this is a very special Fear Factory album. While being careful not to replicate ourselves, this album still has a very classic Fear Factory vibe that we feel will appease both old and new fans. The aggressive, melodic and industrial elements are all intact and shine more than ever.

“Burt and I produced the album with Rhys Fulber co-producing. Damien Rainuad and Giuseppe Bassi handled most of the keys and pre-production. We also enlisted the masterful metallic skills of Andy Sneap for an amazing mixing job!

“We would like to thank everyone who has been a big part in the making of this record. We can’t wait for everybody to hear it.”

The band will be hitting the road with Coal Chamber in support of the record.

COAL CHAMBER, FEAR FACTORY, JASTA, DEVIL YOU KNOW, SAINT RIDLEY, MADLIFE
Jul 24: Rialto Theatre – Tucson, AZ (with Devil You Know)
Jul 25: Sunshine Theater – Albuquerque, NM (with Devil You Know)
Jul 26: Tricky Falls – El Paso, TX (with Devil You Know)
Jul 28: Alamo City Music Hall – San Antonio, TX (with Jasta)
Jul 29: Gas Monkey – Dallas, TX (with Jasta)
Jul 30: Granada – Lawrence, KS (with Jasta)
Jul 31: Pop’s – Sauget, IL (with Jasta)
Aug 01: Bogart’s – Cincinnati, OH (with Jasta)
Aug 02: Track 29 – Chattanooga, TN (with Jasta)
Aug 03: The Orange Peel – Asheville, NC (with Jasta)
Aug 04: Music Farm – Columbia, SC (with Jasta)
Aug 06: Concord Music Hall – Chicago, IL (with Jasta)
Aug 08: Water Street Music Hall – Rochester, NY (with Jasta)
Aug 10: London Music Hall – London, ON (with Jasta)
Aug 11: Irving Plaza – New York, NY (with Jasta)
Aug 12: The Chance – Poughkeepsie, NY (with Jasta)
Aug 15: Underground Arts – Philadelphia, PA (with Devil You Know)
Aug 16: Agora – Cleveland, OH (with Devil You Know)
Aug 18: Bourbon Theatre – Lincoln, NE (with Devil You Know)
Aug 19: The Summit Music Hall – Denver, CO (with Devil You Know)
Aug 20: The Complex – Salt Lake City, UT (with Devil You Know)
Aug 21: Brooklyn Bowl – Las Vegas, NV (with Devil You Know)
Aug 22: The Observatory – Santa Ana, CA (with Devil You Know)


Kataklysm Releasing Signature Hot Sauces


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In connection with the release of Kataklysm’s twelfth studio album Of Ghosts And Gods, out on July 31st (Europe, UK, US) via Nuclear Blast Records, the band will be releasing two powerful hot sauces. ‘GHOST FIRE’, made with ghost peppers to bring the extreme heat, and ‘GOD’S FURY’, a milder but hard hitting sauce made with garlic and habanero peppers. These hot sauces will be made available in limited quantities with the new album pre-order on the bands official website and will be available at concerts worldwide.

kataklysm hot sauce

Guitarist/producer J- F Dagenais (Malevolent Creation, Misery Index) tracked drums, guitars and bass for Of Ghosts And Gods, while vocals were recorded by producer Mark Lewis (White Chapel, Devildriver, Cannibal Corpse). The entire process was mixed and mastered in the UK by legendary producer Andy Sneap (Megadeth, Testament, Exodus, Amon Amarth). The artwork from the new album was done by up-and-coming dark and macabre artist Surtsey.

kataklysm of ghosts and gods

Of Ghosts And Gods track listing:

01: Breaching The Asylum
02: The Black Sheep
03: Thy Serpents Tongue
04: Soul Destroyer
05: Vindication
06: Marching Through Graveyards
07: Shattered
08: Hate Spirit
09: Carrying Crosses
10: The World Is A Dying Insect

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Kataklysm Releasing Of Ghosts And Gods on July 31st


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Montreal death metallers Kataklysm will be releasing their new album Of Ghosts And Gods on July 31, 2015 via Nuclear Blast. Guitarist Jean-Francois “JF” Dagenais will track drums, guitars and bass for the album, while vocals were recorded by producer Mark Lewis (Whitechapel, Devildriver, Cannibal Corpse), and mixed and mastered in the UK by Andy Sneap (Testament, Exodus, Amon Amarth).

Says the band:

“Kataklysm has been full of inspiration and are in full determination mode lately; a rejuvenated band that is out to conquer the world with no sign of stopping!
“This promises to be the album that will once and for all establish Kataklysm as one of the top pioneers of the genre!
“The latest material will be touching on some new ground while maintaining the aggressive edge the band has always been known for.
“The chemistry with new drummer Oli Beaudoin is incredible, and the four horsemen promise some crushing new material coming your way. Death metal hymns are arriving!”


Desert Storm – Omniscient Masters


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If the adage “times flies when you’re having fun” has any sort of current validation then Oxford’s Desert Storm must be having quite a lot of fun as this is, almost unbelievably, their third album. Following a debut record, Forked Tongue (independent/self-released), that showed a huge amount of promise, a second album (Horizontal Life) (Blindsight) that pretty much said “yes, they know exactly what they are doing: more please”, the band’s bluesy, riff hungry, gnarlier-than-you take on southern influenced blues/sludge rock suggested a band with its heart and its head in deepest Missouri as opposed to the English home counties.

For this third album, the enigmatically titled Omniscient Masters (Blindsight), the word “experimentation” occasionally springs to mind, although, worry not, the departures are more nuanced than truly startling- they haven’t gone all One Direction on us, for example. Omniscient Masters is the sound of a band feeling like they need to stretch their creative legs a bit, whilst continuing to deliver slab after slab of riff-tastic blues rock.

To these ears, Omniscient Masters is an album that owes something of a creative debt to Orange Goblin. As any fool know, there’s not much wrong with that and so it proves on the splendid and splendidly titled ‘Collapse of the Bison Lung’ which is stirring and heavier than a lead and iron sandwich. You won’t need a post-graduate qualification to know what ‘Queen Reefer’ is all about and ‘Outlander’ is dirtier than a post festival wardrobe. So far, so familiar and so very welcome. There is a very Anglo-Saxon sense of humour running through ‘Nightbus Blues’ and its very recognisable tales of that 4am walk home from a session too far will doubtless be familiar to many readers although I’m less sure how well this translates to an international audience.

Those highlights apart, the rest of the album is not quite up to scratch and, as a long time watcher of the band, I worry that this is going to end up as a missed opportunity. Omnisicient Masters is good but it’s not great and I so wanted it to be great. I rate this band; they’ve got a certain something that is genuinely worth championing. I can’t help but think that with a bit more work and a producer like, say, Andy Sneap working with them, we would have had a little bit more judicious editing and a bit more forensic focus on the execution; as it stands, Omniscient Masters is ok when it should have been K.O. Plenty of credit for the experimentation, but points deducted for the execution; a veritable curate’s egg, then. If your curate is a metal head, of course.

 

7.0/10

Desert Storm on Facebook

MAT DAVIES

 


Kataklysm Recording New Album ‘Of Ghosts And Gods’


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Montreal based death metallers Kataklysm are current recording their new album titled Of Ghosts And Gods, tentatively released this summer via Nuclear Blast. Band guitarist Jean-Francois “JF” Dagenais will track drums, guitars and bass for the album, while producer Mark Lewis (Whitechapel, Devildriver, Cannibal Corpse) will record vocals. The album will be mixed and mastered in the UK by Andy Sneap (Megadeth, Testament, Exodus, Amon Amarth).

Says the band:

“KATAKLYSM has been full of inspiration and are in full determination mode lately; a rejuvenated band that is out to conquer the world with no sign of stopping!
“This promises to be the album that will once and for all establish KATAKLYSM as one of the top pioneers of the genre!

“The latest material will be touching on some new ground while maintaining the aggressive edge the band has always been known for.

“The chemistry with new drummer Oli Beaudoin is incredible, and the four horsemen promise some crushing new material coming your way. Death metal hymns are arriving!”


Sanctuary – The Year The Sun Died


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When you think of Seattle, the first things that usually come to your mind would be grunge, over priced coffee and a distinct feeling of melancholy which coincidentally has led to some of the best music ever to be produced, whether that be from The Melvins, Nirvana or Jimi Hendrix. Despite its rich musical history, you don’t expect Seattle to produce that many NWOBHM tinged thrash bands. After 25 years Sanctuary has returned with their new album The Year The Sun Died (Century Media) and in all honesty it might be worth the wait.

Despite the controversy surrounding frontman’s Warrel Dane’s decision to momentarily decommission progressive metal giants Nevermore to restart Sanctuary taking most of the press coverage around the release of this album, it would be foolish to not look at this album on its own merits. The Year The Sun Died is a sleekly produced modern trash album that packs one hell of a punch, in terms of its frenetic guitar leads and powerful drums that power the album forward like a charging rhino.

Warrel Dane recently informed fans worrying about his vocal ability that he could still nail the high notes from the bands previous albums and he has certainly proved his neigh-sayers wrong here. Dane is on fine form with his powerful almost operatic NWOBHM vocals which draw the obvious parallels to them of Bruce Dickinson and Rob Halford.

While its certainly more of an early days of thrash album than the heavier era or Exodus or Kreator, The Year The Sun Died certainly has its moments of thrash goodness, but overall the album is more Diamond Head than Slayer.

Overall, Sanctuary have hit a home run with their return album. The riffs are there as well as the one of the best production jobs you are likely to hear this year, the albums sounds like a razor sharp turbo charged Judas Priest and has the kind of bite that came from the Andy Sneap produced Megadeth albums. It is real treat for fans of anthemic, polished melodic metal.

7.0/10

Sanctuary on Facebook

DAN O’BRIEN


Accept – Blind Rage


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They say that you can’t keep a good man down. In the case of German Heavy Metal outfit Accept, that should probably read “you can’t keep good men down”, as their latest record, the considerably more metal than you, Blind Rage (Nuclear Blast) ably proves.

Accept seem to have been going since Henry VIII was a toddler but these last few years have seen this teutonic power unit find themselves in what can only be described as something of a purple patch. The return of Mark Turnillo on lead vocals has doubtless helped because over the last couple of years, and on this latest record, Accept have rarely sounded as fresh, vibrant or exciting. Well, not since they invited us to place our balls to the proverbial wall, anyway.

Blind Rage is completely and utterly heavy metal. It is, in many ways, hugely traditional and charmingly so. The addition of Andy Sneap on some of the production duties might encourage you to think that they had gone all modern. Don’t believe a word of it. As he did with the spectacular revival of NWOBHM stalwarts Hell, Sneap’s work here is to give a sheen and a modern gloss to a song structure that is immediate, familiar and inviting.

Take the opening track ‘Stampede’, which arrives completely cocksure, carefree and ready to box your ears. Likewise, the gnarly title track which does that twin guitar part thing so beloved of metal bands and wherein our favourite Germanic cousins suggest that they are the last flag bearers for this thing called heavy metal. There are even lyric checks to “Sabbaths, black” “denim and leather” and “purple hazes” so you know exactly which side this team are backing. It is both fist pumping and grin inducing. As this is Accept, there are riffs and solos aplenty and you really cannot go far wrong with the surprisingly catchy ‘Bloodbath Mastermind’ nor the infectious ‘The Ashes’.

Given that this is unreconstructed heavy metal, you don’t get any breakdowns, rap middle-eights or anything approaching a complex time signature. These absences are, of course, entirely in the record’s favour as it is packed, sardine-like, with heavy tune after heavy tune. It is defiant, melodious and full of the lyrical flourishes that heavy metal fans know and love- falls of empires, battles for freedom and being hell bent on destruction.

Blind Rage is an enjoyable romp of an album. It won’t be winning any awards but it’s more than just a “will this do?” contractual sojourn. It might not boil the heavy metal ocean, but it probably deserves to at least turn on the kettle. Ausgezeichnet, as they might say in Germany.

7.5/10

Accept on Facebook

 

MAT DAVIES


Machine Head to Release Bloodstone and Diamonds This Fall


MH album coverimage003

 

 

In what has already been a banner year from Nuclear Blast Entertainment, the label has announced that Machine Head’s highly-anticipated new album will be called Bloodstone & Diamonds and release this fall. Produced by Robb Flynn and the band’s house co-producer Juan Urteaga, will be mixed by perennial MH cohort Colin Richardson (Carcass, Fear Factory, Slipknot,Behemoth, Devildriver). Additional tracking, editing, and mixing was done with heavy metal legend Andy Sneap (Exodus,Testament, Arch Enemy, Accept, Megadeth) and Steve Lagudi.

 

Heirs to the throne of Bay Area Thrash and arguably the best modern American metal band right now, Bloodstone & Diamonds is the follow-up to the commerical success of Unto The Locust (2011), and landmarks of modern metal The Blackening (2007) and Through The Ashes of Empires (2003). Flynn is the sole remaining founding member of the band he formed in 1992, after he left third-wave Bay Area thrash rebels Vio-lence, after early turns in the formation of Forbidden (then known as Forbidden Evil) and Defiance.

 

 

Never short on words, Robb Flynn comments:


“I cannot even begin to tell you how proud we are of this album,” comments frontman Robb Flynn. “It’s been a heck of a ride. It looked like it might not ever happen again at one point, but man, this album is a milestone for us. You’re going to love it HeadCases.”

 

Without getting too philosophical on ya, bloodstone and diamonds represent two of the hardest materials on earth, it is also a lyric from the opening track of the album ‘Now We Die’. In many cultures the bloodstone has been used as an amulet to protect against evil, and is the symbol of justice. Diamonds and are hardest natural material on earth (which is how we feel about our music), and it also represents the diamond logo I drew 22 years ago (in my wife’s apartment on Dover St. in Oakland) that has become the symbol for the band.”

 

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Bloodstone & Diamonds track listing:

1. Now We Die
2. Killers & Kings
3. Ghosts Will Haunt My Bones
4. Night Of Long Knives
5. Sail Into The Black
6. Eyes Of The Dead
7. Beneath The Silt
8. In Comes The Flood
9. Damage Inside
10. Game Over
11. Imaginal Cells (instrumental)
12. Take Me Through The Fire

Adds Flynn:
“10 songs, an interlude, and an instrumental with an audio collage of spoken word snippets (think ‘Real Eyes, Realize, Real Lies’) by Dr. Bruce Lipton and Steve Bhaerman, taken from their (incredibly inspiring) audiobook Spontaneous Evolution.

“Guest musicians include 2 different string quartets featuring the original Quartet Rouge that appeared on our last album Unto The Locust. And a new all-male quartet which we featured on the song ‘In Comes The Flood’.”

 

String arrangements for 2 of the songs ‘Now We Die’ and ‘Sail Into The Black’ came courtesy of myself and Rhys Fulber who has worked with everyone from Sarah McLachlan, to Fear Factory, and the string arrangement for ‘In Comes The Flood’ came courtesy of myself and ex-Worship and current-Bring Me The Horizon keyboardist Jordan Fish, who is a producer in his own right.”

 

We worked with several artists to complete the 28 page (!) ‘standard’ CD booklet, as well as the 48 page (!) hardcover leather-bound Media-book that will serve as the special edition, including Rafal Wechterowicz, Marcelo Vasco, and long-time Machine Head art-collaborator Strephon Taylor. The theme was to have both CD and hardcover Mediabook look like an old Alchemy book from the 1800’s, with weathered edges, sepia toned pages, and magic / masonic / alchemy themed woodcarvings throughout.”

 

 

 

Bloodstone & Diamonds mediabook edition:

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Lyric Sheet Sample:

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Make sure to catch Machine Head on the road this fall with Children of Bodom, Epica, and Battlecross.

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