Speaking Hebrish To The World: Kosha Dillz


Kosha Dillz. Photo Credit: Amelia Burns (via Facebook)

Kosha Dillz. Photo Credit: Amelia Burns (via Facebook)

Being an indie artist in modern times can be quite the adventure, as learning how to win over an audience becomes a challenge. For New Jersey (now Los Angeles based) indie rapper Kosha Dillz, he spent this past summer on the Vans Warped Tour and expanded is networking base in front of a new audience he has spent the past few years building up.

So how has the Warped Tour treated him? “So far so good – it’s a cliché answer but after yesterday we’re learning a lot every day. This is the third show and it went really well. We got a nice set and we’re alternating our sets too so everyone’s getting a different experience.”

We’re learning how to promote ourselves. It’s a different beast out here. It’s not like anything I’ve ever done. I’m grateful for that but also I’m a novice here. I may be experienced at what I do but out here I’m a newbie and it’s nice to learn a lot. I love learning,” he said.

Kosha Dillz Live At Vans Warped Tour 2015

Kosha Dillz Live At Vans Warped Tour 2015

Dillz originates from Edison, NJ and was born to Israeli immigrants. While his musical origins began in rap battles in New York City, he gradually incorporated his Jewish roots into his music and slowly shaped his sound into something a bit outside of the norm in the hip hop world.

I grew up in New Jersey so not New York. People think it’s New York. I grew up rapping in New York starting up. I would drive up to the city or take a train. I did mostly sports, like wrestling and soccer. [I] wrestled in college, then I had a big stint with drugs, addiction, jails, institutions, and then came hip hop and became a hip hop a mania. It was a hardcore hip hop and underground hip hop festivals in the Czech Republic and Eastern Europe, and winning rap battles in the rap battle scene. I was finding success late. We didn’t have social media when I was seventeen. It was a whole another world.

Kosha Dillz Live At Vans Warped Tour 2015

Kosha Dillz Live At Vans Warped Tour 2015

Rapping in English, Spanish and Hebrew is something that sets Dillz apart from the pack. Fusing his cultural roots with his surroundings in New York and New Jersey has inspired him to create his music in a way to introduce listeners into his unique yet eclectic world.

I really try to embrace the culture part. I understand that I’m very different to people, so I say let me do something special. Let me try to do something different that no one else is doing and be dope. You can do different stuff like standing on your head, but I don’t think that’s dope. If you are making an amazing song that’s completely different from everyone else, so I was the rapper in Hebrew and Spanish – I was known for that. It sort of has a street hip hop flow, and freestyle at all shows keeps it like who knows what’s going to happen and create that space and energy. I think you have to do that when not everyone knows you. It’s show and prove out here. You have to tell them you’re dope and let them know what’s up.

Dillz has made a career of releasing his own music through Murs’ label Murs 316 and is running a Kickstarter campaign for his forthcoming album.

The rapper Murs helped put out my last album (Awkward In a Good Way) digitally. I just did a Kickstarter for my new project called What I Do All Day and Pickle. It’s kind of a spoof on Velvet Underground and Nico.

The songs I’m performing are from Awkward in a Good Way, my album with Murs. It has Murs and Gangsta Boo (of Three 6 Mafia) on there, and I also have some tracks from Varsity Blues. It’s called “Varsity Blues.” I’ve got “What I Do All Day,” which features Flint Flossy from Turquoise Jeep, a real big YouTube sensation. I have a lot of songs with vocals on them, like singers experimenting with R & B. Just creating music and getting it out there.

He admits that events like Warped Tour have pushed him to work harder to reach new fans on every step of his adventure. Every step of the way has helped him shape his approach on how to reach new fans.

I was addicted to the hustle and the DIY nature of things and the personal interaction. I was always good at that. So on Warped Tour, I did a tent called Bring It Back. It was a hip hop tent and all elements of hip hop, breaking, graffiti, DJing, MCing, and dance. They’d stop people and start a show. Then you’d get a big crowd and making it look good for photos and everyone would get nuts. Next thing you know people are watching it. People enjoy watching the others that are working hard to get where they are.

On this tour, on the set it’s another beast because the heroes are the person that is travelling, passing out the fliers and helping others. In no other culture is there anything where people are like ‘I’ll help you get stuff out of the trunk’ or ‘do everything for free’ so people can hear my music. The platform has been created to reach over a half a million people of likewise weirdos that’s gonna be like ‘yeah!’ Does this world exist? It does exist. It’s Warped Tour. It’s all different kinds of music – Eminem, Yelawolf…Katy Perry, Rancid, Green Day…so many different kinds of acts. At least on the hip hop reign, I’m filling in big shoes and I’m doing pretty good. So far so good and it’s only gonna get better as we go on.

Dillz learned how that a family oriented environment like Warped Tour has helped him reach new fans. The ethic behind helping one another has rubbed off on his in a positive way

It’s a very family oriented thing. It’s a great example for regular music because it should be family oriented – Like I support you because I want to support you. Ideally you would support me too. You can do whatever you want but this is spoken for so of course you’re supporting other people.

One thing I’m doing is I’m leaving my promotional stuff around by the bands. I want to make sure the bands know when to come see me. Getting the respect I deserve on the musical level – people know me for the hustle but not everyone for my music. This is a great time for them to hear my music. That’s what I’m really so happy about because to be given a proper opportunity for promotion – this is it.

He admits that punk rock was something he was also somewhat exposed to at an early age as well. “The first show I ever went to was sort of punk rock. It was punk rock. I was going to say a New Jersey hardcore show. Our neighbor was in the band. I headbanged until my neck got so sore. I remember it. I only remembered that story on this tour.

Then I did hip hop starting at 17 and performing. Now I’m rocking all over the hip hop, the rock, [and] indie rock. I really graduated from pop. I really love pop music. I’m trying to write a hit song. I would love that everyone loved a hit song that people like. So that’s cool.

Lastly, Kosha Dillz shared his interaction with metal and punk with his music. While his sound leans more towards hip hop, he is open to collaborating with other artists.

I did a remix over GWAR once. Years ago I rapped over GWAR. If anyone wants to work with me and say ‘hey man…let me get you on this’…I’m just grateful people step to me and ask me. If it interests anybody or if anyone out there is listening…it doesn’t matter if they’re small or big…I like anything that’s dope. I would like to do something with Knuckle Puck or Man Overboard because they’re from New Jersey.

By Rei Nishimoto


Brotherhood By Metal – Whitechapel


Whitechapel. Photo Credit: Kevin Estrada

Whitechapel. Photo Credit: Kevin Estrada

The past year saw a significant growth in demand for the members of Whitechapel, as touring behind their latest album Our Endless War helped them to become one of the fastest rising new faces in the extreme music scene.

They spent this past summer on the Rockstar Energy Drink Mayhem Festival, and just completed their second day of the tour. Band guitarist Zach Householder shared his thoughts on their performance.

It’s the second day. It’s insane! We played here for Knotfest – it was just as crazy. Every time we’re here it’s absolutely nuts. It will probably be one of the best sets on the whole tour. I don’t want to be jinxing the tour, but it’ll be the ones that’ll stick out.

Phil Bozeman of Whitechapel.

Phil Bozeman of Whitechapel, by Brent B Photos.

Their rise in popularity since the release of their latest album has taken them to new heights, including a co-headlining North American tour with Devildriver and an appearance on the Knotfest in 2014.

He shares his thoughts on his band’s success and what motivates audiences towards them.

It’s weird because I wasn’t in the band in the very beginning. I took Brandon Cagle’s place and he’s actually doing sound for us now. He’s killer at that. I’m glad it worked out.

I was a fan to begin with when they were first coming out in Knoxville,” he said. “There’s something about it. You just knew something was gonna happen with this band. I was friends with many of them but I heard them and thought ‘this is just disgustingly heavy!’ I think it’s the weird alignment of the planets. It’s just something happened, something clicked, the vibe worked…the right time, the right place. What a lot of people don’t get with music, it doesn’t matter how technical you write shit. It matters how you feel about you feel about writing the music. You’ve got to have an image with the music that people can grasp onto. I think that’s what happened to Whitechapel. There’s something there to hang onto and can’t pull it out and say oh yeah…it’s there.

Ben Harclerode of Whitechapel. Photo Credit: Kevin Estrada

Ben Harclerode of Whitechapel. Photo Credit: Kevin Estrada

Headlining the second stage also placed them further away from the main stage, as on the San Bernadino, CA stop had them atop of the lawn section and many attendees having to walk up a hill to the stage. Despite the minor dilemma, the show must go on.

A little bit of a walk…whatever. Luckily everybody had no choice but to watch it, whether they wanted to or not,” he said.

Gabe Crisp of Whitechapel. Photo Credit: Brent B Photos

Gabe Crisp of Whitechapel. Photo Credit: Brent B Photos

This year marks the band’s third appearance on this fest and the band has shown their appreciation towards the promoters for bringing them back. “We did it in ’09 with Slayer and [Marilyn] Manson, and in 2012 with Slipknot and Slayer and obviously this year with Slayer headlining and King Diamond. King Diamond’s sick and Slayer is just awesome.

Being that this is their third time on this tour, the familiarity behind the set up eases the tension of handling everyday business. He shared the benefits of being a veteran on this tour.

Zach Householder of Whitechapel. Photo Credit: Kevin Estrada

Zach Householder of Whitechapel. Photo Credit: Kevin Estrada

The easier the more fun,” says Householder. “Obviously we partied a little more on our first Mayhem and the second one. We don’t party that much any more and we take it easy. I like the fact that we’re done kind of early and hang out. We can kick back and watch Slayer and King Diamond on the main stage. I think it gets easier for sure. Mayhem takes such good care of us. We’ve always supported this tour. We love it.

Picking a set list is always a challenge as a band’s career advances, and including songs to please the crowd within the allotted time is something they have to deal with as well. But Householder explained the different factors that goes into choosing songs to perform each night.

Honestly when an album comes out we experiment a lot of songs from that album and then we go by whatever goes over live and what translates well live. Even an outdoor festival versus an indoor clubs, some songs work better in a club opposed to outdoor festivals. We just know by now what we want when it comes to a set. We pick the bangers off the album and if the hits have different vibes, then we’ll pick and choose from it.

Whitechapel album cover

Prior to this appearance, Whitechapel had experimented with an appearance on this tour’s sister festival tour, the Vans Warped Tour in 2010. While that audience leans less towards metal audiences, they still caught the attention of curious attendees and gave them a taste of music heavier than their usual playlist consisted of.

We did Warped Tour once. The shows were killer but it’s a little more crowded than Mayhem is. You’re fighting for food and showers a little more. That was cool too,” he said.

Householder shared his thoughts of playing for non metal crowds like Warped Tour and how much those earlier years factored into their exploding popularity.

I think it’s a double edged sword. Sometimes the non metal crowds are like ‘holy crap!’ Maybe they’ve never seen anything that heavy before. We all know how judgmental and harsh metal fans can be, so when we play especially on this Mayhem, there are a lot of judgmental eyes on us that have seen us before, but they’re not turning around and leaving, so that’s the good part.

Following this tour, Whitechapel will begin working on a new album and Householder talked about where they stand on that at the present time.

As soon as we get home, we will be. Like I said in the past interview, we’re always writing and sending riffs to each other. We’re sitting down and start writing for the next album when we get home, and we’re aiming to record in January.

I feel Our Endless War had such a cool vibe to it – a lot of melody and hooks in it. There are still death metal parts but it is not straight bombardment the whole time. You can breathe. I think we’re going to keep doing that. You have a little bit for sometime for everyone. Let the music breathe. Let it be heavy. We’re going to hang out and feel what we’re writing this time around, even more so last time. I think everybody’s heads are in the right place for it. I think it’s going to be, if anything, it won’t be off the wall but it will be even deeper or darker.

Householder also gave an update on the forthcoming DVD, which has been delayed but is expected out before the end of 2015.

The DVD is coming out. It’s taking a little longer. I’ve actually seen the whole DVD part of it and the bio part of it and the live show. It’s sick! It turned out great. Now we’re producing the physical copies.

Everybody’s upset about it either way I get it. It’s coming and I promise it will be out. I’ve seen it with my own eyes. It won’t let you down. Sorry for the wait on that.

We wanted to do this right. There are a lot of issues when it came to some people not having their shit together. I won’t name any names, but it wasn’t anyone in the band. That’s what put us in a scare but we worked it out. Early fall for sure.

By Rei Nishimoto


Video: August Burns Red Release Animated Identity Video Clip 


August Burns Red. Photo Credit: Kevin Estrada

August Burns Red. Photo Credit: Kevin Estrada

August Burns Red have released a new video clip for the track ‘Identity’, from their album Found In Far Away Places (Fearless). You can see the clip at this link or below:

 

 

Director Drew Russ discusses the making of the clip in a comment:

“This video is a mixed media piece using custom designed illustrations combined with live action footage. All of the outlines were hand drawn (by Mike Cortada) custom for this video. Then, using a light box, outlines were then painted over on watercolor paper, combined digitally and composited into the video.”

 

Having just wrapped up a main stage appearance all summer on on Warped Tour, the band will next be seen on a European tour with Europe / UK tour with Asking Alexandria, Memphis May Fire, and In Hearts Wake.

august burns red found in far away places


The Devil Wears Prada Talks Facing Metal Crowds


The Devil Wears Prada. Photo Credit: Kevin Estrada

The Devil Wears Prada. Photo Credit: Kevin Estrada

Being a band like The Devil Wears Prada and sounding the way they do can often be a challenge for those who are unfamiliar with their music. Over the past decade, the Ohio based act has built up a strong yet loyal following that live and breathe their style of metalcore.

They have once again appeared on the main stage of this summer’s Rockstar Energy Drink Mayhem Festival, and are tackling larger audiences who are new to their style of music. Vocalist Mike Hranica talked about playing in front of vast crowds at these events, and how much that influenced how they approached their music.

When we got started and doing Vans Warped Tour back in 2008, it didn’t really influence us too much. We were really influenced by bands like Killswitch [Engage] and As I Lay Dying. They were always doing an Ozzfest and still doing Warped and playing with rockier bands, poppier bands, and all the way to proper metal, Slayer bands. We tried to do the same.

Mike Hranica of The Devil Wears Prada. Photo Credit: Kevin Estrada

Mike Hranica of The Devil Wears Prada. Photo Credit: Kevin Estrada

Ever since the band first appeared on the 2009 Vans Warped Tour’s main stage, longtime fans got their first experiences hearing their chaotic sounds and became addicted. While The Devil Wears Prada immediately became the pit kings at Warped Tour, things became a bit more of a challenge at the Rockstar Energy Drink Mayhem Festival supporting some of the heavyweights in the metal world.

We get put in our place when we come to Mayhem. It’s actually tough guys and metalheads rather than at Warped Tour it’s a bunch of young bands. We’re less cocky on Mayhem than on Warped Tour.

Doing Mayhem three years ago was really eye opening and we know what we’re getting in for. Also at the same time, that was the best summer tour we’ve ever done and already the past two days have been ‘oh my god…it’s so relaxing to come to Mayhem.’

Having such a fraction of the bands on Warped Tour makes it so much easier. We’re pumped. I think it will be a good summer with fans recognizing and doing shows like Graspop and Download Festival overseas. We know the fan dude there standing there like ‘what the hell is this?’ and by the end of the set will be like ‘I can vibe some of this stuff.’ We enjoy that challenge and trying to win people over. That’s a big part of the challenge.

While playing in front of a tough crowd and seeing a sea of “what the hell is this” looks, bassist Andy Trick had an interesting view on it. “You can see it if you watch the people come up and sit down and then after a few songs they get into it.

By Rei Nishimoto


Zombies and Dinosaurs Everywhere- MC Lars


MC Lars. Photo Credit: Nick Karp.

MC Lars. Photo Credit: Nick Karp.

The oddity subgenre of nerdcore was once again represented at this year’s Vans Warped Tour, as Bay Area native MC Lars has made his way to bring his upbeat style of rhyming that a new breed a fans have grown to appreciate, as he is about to drop his latest album The Zombie Dinosaur LP.

He is excited to be taking part of this tour once again and shows immediately how excited he is to be part of this tour. “This is my third full summer. I always come to see it. Shout out to Kevin Lyman. One of the things is awesome is his nephew Evan is a big supporter. So that helps. Any time I get asked to do it, if I can I’d do it. There’s nothing like it and it’s so crazy. This year’s there’s so many new artists. It’s so weird to be like ‘oh yeah I’ve been doing this since 2011.’ It’s dope.

mc lars warped 2015

On previous Warped Tours, he has collaborated with Weerd Science, the hip hop side project of Coheed and Cambria drummer Josh Eppard. The two of them had collaborated on recordings in the past and he shared his thoughts on his earlier years on the tour with him.

My man Josh [Eppard] – he’s back in Coheed and Cambria. We’re thinking about doing more stuff together. That was really fun working with him because he’s such a great rapper, a great lyricist and a good guy. He’s crazy but I think all brilliant artists are crazy. Did you hear his Red Light Juliet II? Check it out. It’s great.

I think Warped Tour showed the Coheed guys he’d gotten his life back together. This tour’s so hard that if you could do it, it’s symbolic.”

Sticking to subjects ranging from video games and pop culture than the hard streets, MC Lars has lit up crowds over the years with his much talked about style fusing his vast knowledge of pop culture and literature with his laptop style hip hop. He talks about his upcoming album.

The record is called the Zombie Dinosaur LP and it comes out October 6th. So it’s kind of like the mythical beast, dragons, [and] dinosaurs. The album has a lot of mythological references. I’ve been at this since 2003. I’ve seen the whole world change. I’m still lucky I get to do this. I feel like the Zombie Dinosaurs are like the dragon. I relate to that.

mc lars the zombie dinosaur lp

Creating a style he calls “post-punk laptop rap,” he began in the Northern California pop punk circuit where he started performing his style of music. While his style was not always embraced at first, he found that over time, laptops became an integral part of a live band’s sound, whether they liked it or not.

Yeah I was early in the laptop game. I opened for the Dead Milkmen back in the day and the fans were like ‘yo! You can’t have a laptop on stage! That’s not punk!’ Now there’s not one band that doesn’t have samples at Warped Tour. It’s a prominent part of the set. It’s kind of weird. I called it post punk laptop rap, which now sounds like an antiquated genre but I still own it. It’s fun.

Another aspect behind MC Lars is that since his early days, he has released all of his music through his own label Horris Records, aside from distribution help in select overseas territories. While many have been swayed over time by bigger labels to sign, he has done things his way.

That’s a great question and I really appreciate you asking and saying that. My story’s kind of different. I played in punk and hardcore bands in the 90s. I went to college and studied English and I was able to go to the UK for an Oxford program to study Shakesphere. I’d always done rap to open for my punk band, but I met a bunch of indie and punk bands over there that I became friends with that led to finding a really cool manager and all of these things happening. It all came from being friendly and being like ‘yo I’d like to work with you and the fact that in 2003 or 2004, doing ironic smart nerdy rap was still a novelty. YouTube hadn’t killed off that whole thing. I was able to do it without a label and I was a big proponent of giving my stuff away for free, which I still am. Now everyone does that and with streaming you kind of have to give away your music.

I was on the forefront of that being that I uploaded my stuff on torrent sites to get download ratios to get beat programs. I see it having longevity as a DIY artist. It’s a four piece thing – great records, good touring, a piece of mind and your social media. You can’t let your social media take over everything. You need to make that 25% of your time. I kind of had balance. I’ve been lucky but I’ve also worked very hard. I can’t believe that this is my fourth record.

I’ve had labels distribute my stuff and get on board and help me spread the word, but I’ve never been signed to a label. I see so many artists who did sign to labels, some did very well but most of them have day jobs now. They didn’t sell that 500,000 they needed to sell, which in this genre of hip hop, punk and post hardcore, that’s a hard number to hit. It’s an adventure. You’ve probably seen a lot of bands on their way up and their way down. Labels can be great but most of the time it doesn’t work.

As the summer progresses, MC Lars will be staying busy by dropping another single and he is excited by the outcome from being on this tour.

Later this summer, my song ‘TriForce’ comes out, which is about growing up under the metaphor of Zelda. It’s all footage from my tour with MC Chris last year. Then I have three or four more videos coming out.

I’m really excited to have this album finally come out. I’ve been working on this for a year and a half. It’s really good. The ‘Dragon Blood’ song we’re playing this summer. We’re spreading the word.

Warped has taught me that being positive and working hard has concrete results. So props to this whole festival – I’m stoked to keep coming back.

By Rei Nishimoto


Miss May I – Talks Mayhem vs Warped


miss-may-rise-of-the-lion-20141

The members of Miss May I have spent this past summer promoting their upcoming album Deathless (Rise Records) on the Vans Warped Tour, giving the crowd a taste of new music. While the previous summer had also taken part on the Rockstar Mayhem Energy Drink Festival to promote their previous album Rise of the Lion, both frontman Levi Benton and bassist Ryan Neff both shared their experiences on both tours and how they each view the differences between the audiences who are seeing their band.

“I think age is obviously one piece, but when you divide the crowd by age, the genre that they like changes a lot as well,” says Neff, explaining the differences between the two festival demographics. “You won’t find DJ stuff at Mayhem, where as here they’re younger kids. There’s a lot more people discovering new music at Warped Tour than at Mayhem.

If you show up as an Avenged Sevenfold fan and with an Avenged Sevenfold t-shirt, you leave with a couple more on your shoulder and you might pick up a few new bands. But here, it’s almost guaranteed you’re going to learn about five new bands before you leave.”

There’s so many more bands. There’s five times more bands. It’s crazy,” added Benton, about the Warped Tour experience.

While being on the Warped Tour, they have easily become the modern metal act playing amongst the roster of acts ranging from singer-songwriter acts to metalcore to electronic acts to hip hop (and even some pop punk, believe it or not).

That’s the best part about this tour, especially from our point of view watching,” said Benton. “You can see people watching a ska band or a punk band from afar and see them walk by and sort of stop and listen. That’s awesome. We get a lot of people that aren’t metal fans and they leave Warped Tour as a metal fan. That’s one of the best feelings ever. I remember when I was a metal fan and I got into metal bands and was like ‘that’s cool we could be the band for you.’

Mayhem’s not like that. Everyone comes there and it’s like ‘I’m metal and I’m ready for the pit.’

Neff explained that despite it being Miss May I’s third time on this tour, age turnover with the constant changes within the scene helps attract new fans who are unfamiliar with them. He has found that the open mindedness of the attendees on this tour has worked in their favor into winning over new fans.

With it being there’s a turnover in the fan base at this tour, it’s always the same age kids. It’s obvious you don’t stay the same age forever so for it to be 14 or 15 years old kids to be at this tour every year, you’ve got to have a complete new group of kids every year. So a band like us who haven’t done this tour in three years, there’s a good chance that a third or more of the people who buy tickets today have never heard of our band. That’s why it’s such a beneficial tour for bands to hop on because with the turnover and the new group of fans every year, there are so many people who are going to hear about you for the first time, just because you are on the tour.

By Rei Nishimoto


A Masked Apocalypse: Drama Club


Drama Club. Photo Credit: Tara Dettman

Drama Club. Photo Credit: Tara Dettman

This year’s Vans Warped Tour has introduced a number of new faces to the music world and each has their own story behind their musical journey. For the mysterious masked duo only known as Drama Club, their story is just as adventurous as their music. Audiences have been introduced to songs like “Fuk It” and “Maniac,” and winning over unexpected fans along the way.

The duo known as Zero and Andromeda have kept a relatively low profile and circulated around playing house parties until being discovered by Black Veil Brides frontman Andy Biersack.

Zero explains how it all went down. “We were just kickin it, making remixes and playing house parties and DJing house music. We did this remix of Andy Biersack/Andy Black “They Don’t Need To Understand” and people liked it and he liked it, and then all of sudden we were on a world tour with the Black Veil Brides. We kept doing house music, which we still do and love. They told us ‘you should make an album. These kids like what you’re doing.’ We said ‘fuck! We’re going to make an album.’ So we made an album.

Then they said ‘you need to do Warped Tour so you can tell kids about your album.’ So we said ‘fuck!’ So here we fucking are.

Zero of Drama Club. Photo Credit: Tara Dettman

Zero of Drama Club. Photo Credit: Tara Dettman

After bonding with Biersack, the duo were invited to take part on the Black Mass Tour in the UK and the first leg of their North American tour. While on that tour Drama Club gave fans a stripped down DJ set, they have since built up their music to accommodate more of a live format.

That’s more DJ ing. We’re doing a little more performance here – a little more instrumentation and stuff. As the tour goes on, some of our buddies like Ryan Seaman [drummer] from Falling In Reverse and CC [Christian Coma] from Black Veil Brides are gonna sit in and play drums. They’re gonna build it. There’s so many crazy motherfuckers around here and we’ll build something crazy,” explained Zero.

Andromeda of Drama Club. Photo Credit: Tara Dettman

Andromeda of Drama Club. Photo Credit: Tara Dettman

While audiences got tastes of both the DJ and the live sets, Andromeda explained that their setup is a mixture of both, without being pigeonholed into either format.

We’re kind of like a hybrid thing. We started off DJing and then we’re like we know how to play instruments as well. We’re trying different things. Sometimes one of us will be DJing and the other one will be singing. Sometimes one of us will be playing keyboards and the other will be playing drums. [It’s kinda like] whatever works.

We don’t really want to define it, because it makes it more fun that way,” added Zero. “But obviously as we grow, we can build and add to it. Right now it’s small. We’re giving birth.

Today will be the same, but again it’s like…we have our heat. We bring our heat. We add our spice around it. It’s all good.

Andromeda of Drama Club. Photo Credit: Tara Dettman

Andromeda of Drama Club. Photo Credit: Tara Dettman

Drama Club have dropped their self titled new EP titled Neon Apocalypse during the Vans Warped Tour and have been giving curious fans a taste of their sound. They spent the summer on the Beatport Stage and showcasing what they are about.

It’s independently released. It’s not super heavy but it’s sexy. You like girls and like crazy heavy shit – you’ll dig it. But it’s not metal. But girls like it. So I don’t know man. I like to go where the girls are and get heavy.

It’s sick, it’s punk rock. It’s got middle fingers but we’re not trying to be Slayer. I love Attila but we’re not gonna try to go out and be them. We’re gonna drop beats on your face.

Drama Club. Photo Credit: Rei Nishimoto

Drama Club. Photo Credit: Rei Nishimoto

While Drama Club has been slowly working their music into the club and electronic music circuit, they have swayed away from the EDM tag and instead continue to experiment with their eclectic sound.

I don’t think so. I mean fair is fair but I’d say we’re an electronic act and we DJ house music and we love all sorts of electronic music and we love instruments. We love being in bands,” said Zero.

Roof top pool parties. You can’t beat it,” said Andromeda.

It’s just craziness. You have to see it and live with it. It’s been an interesting one for us because it’s not easily definable. Eventually people will start to define it themselves and will know what it is. Right now we don’t even care. We’re just rockin it. Just comin in hot!,” added Zero.

Drama Club. Photo Credit: Rei Nishimoto

Drama Club. Photo Credit: Rei Nishimoto

As for future collaborations, The Drama Club will be looking for future collaborations, and possibly with fellow Warped Tour tour mates on future recordings. They both share their ideas on who they have on their minds.

Everybody. Anybody on this tour that’s badass and anybody’s kickin ass,” said Zero.

We have a recording studio with us wherever we go. We’ll be high jacking people…,” said Andromeda.

Zero summed it up best, “I’d like to get Attila, Riff Raff and Drama Club together. How about that? That would be some tight shit.

By Rei Nishimoto


My Vans Warped Tour Memory: Silverstein


Silverstein (via Facebook). Photo Credit: Chris Fulcher

Silverstein (via Facebook). Photo Credit: Chris Fulcher

Canadian post hardcore outfit Silverstein are venturing on the Vans Warped Tour for their sixth time. Vocalist Shane Told shares his first ever experience on the tour and what he’s learned from that experience:

“I said we’ve done it…how many times did I say we’ve done it – six? We’ve done it seven because technically we did one show in 2003. It was the first time we’d ever played Warped Tour. We showed up and they were trying to get this hardcore stage going. It was in Massachusetts and we showed up and we didn’t have a tent. We didn’t have anything. We didn’t have a table. We just rolled in and set up our merch on the ground. We totally didn’t know what we were getting into.”

“We all got sunburnt. We all went in completely unprepared and the difference between that and this year where we bought a $300 cooler and we have a barbecue and have all of these tents. We bought 11 high end lounge chairs. Now we’ve got it all figured out. It’s funny how things change so radically.”

“It’s funny because when we started out, I always thought we were the young guns. We made friends with NOFX and playing poker with those guys. We were always the young kids and then all of a sudden now we’re the old guys. I don’t know when that happened. There was never a point where we felt we were the average age. Now we’re the old guys. I don’t know when that happened but it’s all good.”

 

Silverstein_Logo

By Rei Nishimoto


Alive and On The Road Again: Shane Told of Silverstein


Silverstein. Photo Credit: Anna Lee

Silverstein. Photo Credit: Anna Lee

For the members of Canadian post-hardcore outfit Silverstein, they are spending their summer once again in a familiar place, known as the Vans Warped Tour. They are promoting their latest album I Am Alive in Everything I Touch and are taking part on their sixth time around on this well documented tour.

Vocalist Shane Told shares his thoughts on the tour. “We did it two years ago. It’s a hard tour. It’s very, very hot and it’s a lot of dust and dirt and moving stuff around. Very far distances between things and you have to push gear and walk and everything, so it’s very grueling. It’s amazing we are able to do it every day and they move the entire festival, every single part of it setting it up and it’s always on time. It’s amazing they’re able to do that.

Their trip out west to the first date in Pomona, CA from their homebase of Toronto, ON went quite smoothly. Being veterans of the road, they understood what they were encountering. “It was good,” he said, about their journey. “We took our time. We did two shows on the way out in Des Moines, IA and Omaha, NE, and we had a couple of days off in Denver and Las Vegas just to relax a little bit. We know what we’re getting into.

silverstein i am alive in everything i touch

Silverstein has celebrated 15 years of existence, which is a milestone within itself. After releasing their eighth full length recording, four EPs and one live album, Told talked about what makes their band work internally and externally.

None of us have kids or anything, so I guess that helps. We don’t know how other bands work. This is the band we’re in, but we know we treat each other with respect and genuinely like each other and like each other’s company. We know how to stay out each other’s way when people aren’t in the best moods. We’ve always done that and musically, we have a lot of diversity within our music so that helps. We don’t get bored of what we do musically. We all have the same kinds of goals, so it helps.

He also shared his thoughts on 15 years of memories within his time with the band. “It’s all a blur. It’s funny too because now at 15 years and there’s certain times when stuff feels like it just happened. Then I’ll think back and go ‘whoa that was eight or nine years ago!’ Then some stuff that happened just the other day, and I won’t remember. It’s really weird the way you remember things are sometimes different than how they were. That’s always an interesting part of it. We have so many great memories and we made so many great friends. We’re really proud we’ve done it this long and enjoyed it this long. We’re not going through the motions like you see some bands just totally jaded. We still genuinely love music, Warped Tour, festivals and love hanging out. It really feels good.

Legend has said for the bands being on the Vans Warped Tour is hard work under extreme weather conditions on various stops along the way. But Told and the Silverstein guys knew from past experience what to expect and were able to dive in head first without any real surprises.

It’s nice because you know what to expect going in. One of the amazing things is how little the tour has changed. Literally the first time we did it in 2004, it’s all the same people, a lot of same venues and the way they run it, the set times being you don’t know what time you’re playing until the morning…plus it’s the same it’s always been. The familiarity is really nice coming in to it, but at the same time we sort of know how we’re going to feel halfway through. The sun’s beating down and we’re like ‘oh man…we still have three more weeks of this!’ There’s always that…I don’t want to say breaking point but there’s always that moment where it’s like ‘oh man we know what we’re getting into’ that could make it harder too.

Told shares who he is looking forward to seeing while he’s on the tour. “We have so many friends on this tour. Walking around yesterday, it’s the first day, it’s like ‘hey man! Hey man…hey man…’ everywhere you go. Some of our friends like Beartooth and there’s this new band called As It Is from the UK. They’re a really good new band and we’ve done some shows with them recently. Those are some newer band we should go check out.

A 20 year anniversary for Silverstein is around the corner and another milestone for them. While Told denies ever thinking about it, some ideas began floating about.

We have not thought about it. I know it’s going to come up fast. It’s amazing how fast these things go by.

We’ll get a cake. We love cake so much that any excuse we have to buy one…we’ll buy one – anyone’s birthday, our guitar tech gets a girlfriend [and] we’ll buy them a cake. We did one for our millionth Facebook Like! We’re ridiculous but…

Ironically, no songs about cake were ever written, but another one about food belonging to another band member did get mentioned.

We did write a song about stealing Bill’s [Hamilton, bass] food from the bus once, because he’s got the best food. It’s called “See Ya Bill” [on 2012’s Short Songs]. It’s about seven seconds long. It might be about a vegan cake. I’m not sure specifically about the food items but he does have some good cake kicking around once in a while. Check it out. It’s on Spotify.

By Rei Nishimoto


Rise of the Deathless- Miss May I


miss may i

Miss May I has been known to be one of the hardest working artists on the heavy music scene today and rarely leaves much downtime in between recordings. They spent the summer on the Unicorn Main Stage on the Vans Warped Tour, in support of their forthcoming album Deathless (out August 7, 2015 via Rise Records).

It’s important to have something new and exciting to do these summer fests. We dropped [the last] record a little bit before the summer tour last year and it worked really well for us, so we pushed real hard to write a really good one for this year. Luckily we got it done just in time,” explained bassist Ryan Neff, about the quick turnaround on the new album.

We didn’t have any breaks really. We just slept after it was done for a month straight,” said vocalist Levi Benton.

It was three or four weeks off right before this [Warped Tour], but we’ve pretty much been out solid, between touring and going into the studio to do this record, since January,” added Neff.

The band had debuted a new song within their set list “I.H.E.,” giving fans a taste of what was coming from Miss May I.

On Deathless, the band reunited with producer Joey Sturgis, who worked on their Rise Records debut – 2010’s Monument. While they worked with someone familiar, the subject themes on the album took on a heavier yet darker overtone.

It’s mainly written about the struggles we went through as a band. I know we’re young but we’ve been around for a long time. It’s our fifth album,” explained Benton.

We had a rough year behind the scenes. I think it’s the first time we’ve ever gone into a recording session with a…I don’t want to say a negative attitude because we were obviously very excited about doing a record…the meanings behind the lyrics that Levi would write and then I would write with him a little bit. There’s a lot more aggression on this record than we’ve ever had before,” added Neff.

Miss May I at Warped Tour 2015 (via Facebook)

Miss May I at Warped Tour 2015 (via Facebook)

Following a year’s worth of solid touring behind their last album, 2014’s Year of the Lion, they began working on new material immediately following the conclusion of their album’s touring cycle. They began writing new material and got the creative juices flowing.

We came into the studio with over 20 songs on the last record, and then we slim it down to ten. Our guitar players (Justin Aufdemkampe, B.J. Stead) are our main writers. They’re on their computers making riffs all day. So we’re always constantly writing.

We wrote songs right when we left the studio. We left the studio, went home for a couple of weeks and there were already a couple of songs. They’re like ‘ah…we’ve got some ideas,’ “ explained Benton.

It’s a lot different than we used to do it, where we went and got started until that time to record everything. We’d try to have everything done, or at try to start it so the ideas are forming and we can starting working on stuff a little bit earlier now,” added Neff.

Miss May I Deathless Sessions (via Facebook)

Miss May I Deathless Sessions (via Facebook)

They spoke about reuniting with Sturgis, and how working with him differed from working with two different producers on the past couple of albums.

He definitely brought the heavy back out of us, like the first couple of records, which was fun. We haven’t worked with him in a while so it felt like high school again. It was nice to jump in there,” explained Benton, about the working environment with Sturgis.

Joey Sturgis Producing Miss May I (via Facebook)

Joey Sturgis Producing Miss May I (via Facebook)

We did one with Machine [2011’s At Heart] and one with Terry Date [2014’s Rise of the Lion]. We bounced around for a couple of records, and the thing about those two records was, with those two particular fellows, we didn’t know them before we started the recording. So you kind of have a two week period where you’re getting to know each other and try to figure out how things work, and with Joey it was Day One and we were already friends, ready to go and the working atmosphere was really great for us,” said Neff.

We brought a whole new sound too. We’re the band that hates releasing the same thing twice, so it’s nice to jump back to Joey because it’s completely different from the last record,” added Benton, about the musical direction on Deathless and working on it with Sturgis.

Miss May I Warped Tour 2015 Crowd

Miss May I Warped Tour 2015 Crowd

As they are now reaching five albums with the release of Deathless, Neff admits building a set list covering a cross section of their catalog has become a lot tougher to please both themselves and their fans watching their shows.

It’s such a pain in the ass! It is the longest discussion that we have as a group. We all have the same goal – make as many people who are watching our band as happy as we can, and everyone has a different opinion about what particular songs to use. For us, it all still comes down to we only get 30 minutes to play and we’ve got five records with at least 30 minutes of material on it. So we can play one fifth of what we’ve created in our career. Maybe a little bit less. It’s a lot more difficult than it used to be.

I remember when we did this tour the first time when we had two records obviously we would play these six or seven songs. Everyone would know these six or seven songs. It was easy. It was a lot more difficult this time.

While pleasing both themselves and their fans on what songs to play, they have occasionally thrown in Miss May I’s versions of deep cuts, which is met with mixed results.

I remember we tried in the winter with August Burns Red, we threw in this song ‘Tides’ off of our first record. It’s a diehard fan from the early days would know that song, but we played that and it was a whole lot of arms crossed like ‘what the hell is this?’ We’re on stage having a great time, like ‘I remember this song!’ It’s a lot harder to do those to go over real well. Like I said, the whole point of the show is to make the people buying the tickets happy. Sometimes what we feel like playing is not exactly what they want to hear.

By Rei Nishimoto