Chicago instrumental post-rockers Pelican have been known for putting on quite the powerful show despite the lack of vocals. While this is a minor setback for those unfamiliar with the band, Pelican’s sound is quite heavy enough for those who love their music this way and tonight’s show was no exception.
Bassist Bryan Herweg was positioned in center with guitarist Trevor de Brauw and their “newest” member Dallas Thomas working together and creating a vibe that comes across heavy yet atmospheric. The visuals playing in the backdrop works well with the low lighting and creates a somewhat somber atmosphere that got the crowd into it immediately.
Almost half of their ten song set covered their latest release Forever Becoming, such as ‘The Tundra’ and ‘Deny The Absolute’, while sprinkling songs from various releases such as ‘Dead Between the Walls’ and ‘Ephemeral’. Their set list flowed fairly smoothly and unlike past tours, Pelican weaved it together fairly well and gave the crowd an earful of heavy sounds.
The encore of ‘Mammoth’ was their heaviest tune of the evening, getting a mosh pit going and raising the tempo for the night. While many may not expect such things happening at a Pelican show, they do throw in surprises.
Brooklyn, New York’s Tombs is a bit of the opposite of what post-rock fans may expect and instead leaned towards crushing riffs and a tinge of black metal meets experimental heaviness. Rarely letting up on low end heaviness, Tombs kept the crowd on its feet with its vicious heaviness and rarely letting up. Neurot Recordings artist Mustard Gas And Roses a.k.a. MGR a.k.a. Mike Gallagher (ex-ISIS) opened the night.
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WORDS BY REI NISHIMOTO