ALBUM REVIEW: Iress – Sleep Now, In Reverse


Iress once again blesses us with another dose of beautiful sonic depression on their new album Sleep Now, In Reverse (Church Road Records). The Los Angeles-based band weaves between genres drifting between darker ominous tones ranging from emotionally heavy to lighter breezy speculation. This is displayed in “Ever Under” which takes you soaring into the sunset from the haunted places in the Hollywood Hills. Dynamically once again everything is perfect. Michelle Malley’s vocals lurk around the corner of grunge-influenced riffage recalling bands like Curve or Lush rather than the doomy zip codes they once occupied.  This album finds Malley’s vocals sitting up front in the mix as more of a focal point than the more atmospheric texture they once created. Continue reading


ALBUM REVIEW: Eye – Dark Light


Eye is the new project of MWWB (formerly Mammoth Weed Wizard Bastard) frontwoman Jessica Ball and Dark Light marks its debut following MWWB’s  2022 album The Harvest. Joining Ball in her latest venture are keyboardist Jonny and Drummer Gid Goundrey (Gulp/Ghostlawns/Martin Carr). Continue reading


ALBUM REVIEW: 40 Watt Sun – Perfect Light


Having left their Doom Metal roots behind on 2016’s Wider Than The Sky (Radiance), 40 Watt Sun completely doubles down on slowcore with their third full-length album. In fact, Perfect Light (Svart/Cappio Records) might even be a little softer than its predecessor with nary a trace of fuzz or distortion to be found. It often feels more like a slow-motion singer/songwriter record, especially with the Jerry Cantrell-esque twang throughout. I suppose it’s only fitting when you consider that guitarist/vocalist Patrick Walker is the only returning band member, having recruited an entirely different cast of musicians for this effort.

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