PODCAST: Glacially Musical #237 – The Early Years of The Beastie Boys – NYHC Punk, “Cookie Puss,” and More


We started a new series on The Beastie Boys! Our first Hip-Hop series (more metal next series, we promise)! Nike, Don, and Keefy deep dive into the early years of the band, how they formed, how a “joke song” led them down the path to become one of the biggest-selling acts in Rap in the eighties and 1990s! Continue reading →


CLASSIC ALBUMS REVISITED: Slipknot – “Vol. 3: (The Subliminal Verses)” Turns 20


The album that would become Slipknot’s third album, and the crucial masterpiece in their history, almost didn’t happen at all. Between the hard-fought success of Iowa (Roadrunner Records), the well-documented interpersonal relationship issues between the nine band members, rising fame and pressure, side bands like Stone Sour, To My Surprise, and Murderdolls, and “off the field issues,” you couldn’t blame this band if they imploded totally around this time. However, overcoming themselves and all of these obstacles; Slipknot’s Vol. 3 (The Subliminal Versus) (a great pun on Salman Rushdie’s controversial book, The Satanic Verses,  is one of their best albums, along with their debut might be their finest hour. It is certainly their biggest hit album on a lot of levels. It yielded six singles and as we like to say on the Glacially Musical podcast (where we reviewed this album), an album has a bunch of singles if it’s selling and the band is doing well on tour.  Continue reading →


ALBUM REVIEW: Marcus King – Mood Swings


Having teamed up with Black Keys frontman Dan Auberbach for the last two albums, on his new one Mood Swings (American Recordings/Republic Records/Snakefarm Records) Marcus King is helped out by producer extraordinaire Rick Rubin. Gone is the seventies, bluesy Rock N’ Roll of the previous record Young Blood, in its place is R&B, Soul, Jazz, Pop and Classic Rock influences with King’s smokey, bluesman vocals taking centre stage.  Continue reading →