Vans Warped Tour 2015 – Pomona Fairgrounds and Seaside Park at Ventura Fairgrounds


Warped-2015-lineup

Another year has arrived for the Vans Warped Tour full of anticipation and excitement to hit the summertime across North America. This year’s edition maintains their tradition of youth oriented angst filled music (or whatever the kids call it these days) and carving a path for the next batch of rising stars on the scene. Thanks to photographer Kevin Estrada for shooting these two dates of Warped tour for Ghost Cult!

The main stages (Shark and Unicorn) showcased the main attractions on the tour, ranging from the pop punk acts (The Wonder Years) to the screamo/emo (Pierce The Veil, Blessthefall) to the crossover half melodic and half aggro (We Came As Romans) to the harder sounding (August Burns Red) managed to keep the kids bouncing around in the crowd and rarely laying low.

August Burns Red,   photo © Kevin Estrada / kevinestrada.com

August Burns Red, photo © Kevin Estrada / kevinestrada.com

Tour veterans Motion City Soundtrack made their brief California run appearance, showing the crowd how things are done on this tour. Metro Station (featuring Trace Cyrus, son of country performer Billy Ray Cyrus), melodic punk act Man Overboard, and hardcore outfit Fit For A King all set the pace for the day with their respective sounds while keeping the crowd engaged.

Atilla, photo © Kevin Estrada / kevinestrada.com

Atilla, photo © Kevin Estrada / kevinestrada.com

The main acts on these stages won over the crowd throughout the day. Memphis May Fire got the crowd into a high with their half heavy yet melodic styling that struck a nerve with them; Attila, led by their enigmatic frontman Chris “Fronz” Fronzak and his guitar crunching yet Eninem-esque “meth” suit bouncing along with the crowd; Black Veil Brides and their legions of die hard fan base singing along to every word; and Miss May I and their modern metallic sound that got the crowd worked up later on in the day.

The Amity Affliction, photo © Kevin Estrada / kevinestrada.com

The Amity Affliction, photo © Kevin Estrada / kevinestrada.com

While the main stage had their moments going on, there were a number of side stage acts making noise of their own. The Monster Stage housed their own brand of chaos throughout the day, as Senses Fail, Being As An Ocean, Beartooth, Mallory Knox and The Amity Affliction all got the pit crew throwing down alongside each band and rarely letting down. The harder driving acts such as hardcore outfit Hundredth had the pit kids going in effect, while veteran Canadian post hardcore act Silverstein had their mix of longtime fans as well as newbies who both showed their appreciation for the band. Australian metallic hardcore outfit I Killed The Prom Queen appeared to be bass player less, but that didn’t stop them from bringing out their At The Gates meets hardcore stomp to these fans. British metalcore act While She Sleeps briefly were down a singer (ie visa problems kept frontman Lawrence Taylor making a late start on the tour) but friends pitched in to lend a helping hand and fans didn’t even notice. Plus Escape The Fate closed out the evening with their eclectic brand of punk meets screamo meets modern metal that got the late comers their last bit of a sweat.

Neck Deep, photo © Kevin Estrada / kevinestrada.com

Neck Deep, photo © Kevin Estrada / kevinestrada.com

On the other stages, indie hip hop acts MC Lars gave a lesson in nerdcore with rhymes about video games and Game of Thrones (ie his latest single “Dragon Blood), while Kosha Dillz brought out his East Coast blend of Spanish, English and Hebrew rhymes; and electro-DJ-performance duo mystery men Drama Club put on an interesting performance that combined part Blue Man Group-esque percussive moments with part electronica meets EDM moments and spontaneous bursts of energy that kept the interested crowd on its feet.

Pvrvis, photo © Kevin Estrada / kevinestrada.com

Pvris, photo © Kevin Estrada / kevinestrada.com

The Journeys Stages found Juliette Sims and Night Riots wowing the crowd with their high energy sets, while hotly tipped electro pop outfit PVRIS became one of the much talked about acts on the tour and their set did not disappoint. Hip hop act Riff Raff put on quite the entertaining show on this stage, with his colorful summertime dress and animated raps to get the crowd bouncing along.

New York alternative rockers The Karma Killers stood out amongst the vast number of acts performing on the Ernie Ball Stage, with their fresh take on classic pop-punk, rock, and alternative rock with an energetic stage show. While they are newly signed to Island/Def Jam and new to the scene, they showed that they could one day end up on one of the larger stages in the new future.

The Acoustic Basement easily became an area largely for shade against the sun, but while most of the acts attracted stragglers throughout the day, Canadian singer-songwriter Saywecanfly and Brian Marquis were two of the acts who attracted a decent sized crowd throughout the day. Saywecanfly attracted a packed tent and entertained the audience with his emotion filled lyrics that got his largely female audience awaiting with anticipation.

Overall, this year’s edition featured a good mix of repeat acts moving up to larger stages, as well as a number of fresh faces to the scene. It is a positive sign to see new acts on the rise at a time when the music industry is struggling to attract new acts to the public. Hopefully someone is paying attention to this tour to see that there is a new generation of artists on the rise.

Set it Off,  photo©Kevin Estrada / kevinestrada.com

Set it Off, photo©Kevin Estrada / kevinestrada.com

 

 

 

Tat,  photo©Kevin Estrada / kevinestrada.com

Tat, photo©Kevin Estrada / kevinestrada.com

We Came As Romans,  photo©Kevin Estrada / kevinestrada.com

We Came As Romans, photo©Kevin Estrada / kevinestrada.com

Miss May I,  photo©Kevin Estrada / kevinestrada.com

Miss May I, photo©Kevin Estrada / kevinestrada.com

 

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WORDS BY REI NISHIMOTO

PHOTOS BY KEVIN ESTRADA 


Mall – Directed by Joe Hahn


Mall_(film)

The thought of Linkin Park turntablist Joe Hahn’s directorial debut to be a story based on author/actor Eric Bogosian’s 2000 based book of the same name, Mall. Forget about whatever thoughts you may have of his band or his music – this film is quite impressive and gives viewers quite the ride within this quasi-psychological thriller.

The story draws is formatted somewhat like Crash, where it is centered around five strangers and how their erratic lives overlaps. Malcom (played by James Frecheville of Animal Kingdom fame) is a Crystal Meth ridden, ready to snap guy who is equipped with a bag full of weapons and self-made bombs, and is on a vendetta to wage war on the world, and his destination is the local mall and the unsuspecting shoppers there.

The narrator of the film is Jeff, a pot-smoking, day dreaming, social outcast teenager (played by Cameron Monaghan of Showtime’s Shameless TV show) is wandering around the mall with his so-called friends and attracting trouble by the mall police. He is fascinated by the Hernan Hesse’s 1927 novel Steppenwolf and liked to recite passages from it as he wanders around the mall.

Under peer pressure by his friends and to impress the girl he likes, Adelle (India Menuez), he drops Ecstasy and the effects of the drug rages while the shootings were happening. The way Jeff’s inner conflicts was portrayed in the film shows created quite the demonic roller coaster range of emotions he was dealing with.

Danny (played by Vincent D’Onofrio, who also co-produced the film) is depressed pervert, who is wandering around the mall, and ironically is caught peeping on Donny (played by Gina Gershon), a regretful housewife who is seeking personal thrills while she is out and about. Danny gets arrested and cuffed in the back of a squad car, until the arresting officer (Ron Yuan) gets shot by Mal by flying bullets from above, as he was about to let free and served a court summons. Danny survives but deals with the guilt of being a pervert by Jeff’s friends, and especially by Adelle, who takes advantage of him in the back of his car, in a sadistic fashion, while he is struggling with what he had done.

As Mal enters the mall, he crosses paths with Michel (Gbenga Akinnagbe), a mall security cop who had a past as a bully and later changed by honoring non-violence to his late wife. He sees Mal after he confronts his ex-boss Barry, a tuxedo store owner with whom he blames for his life spiraling out of whack. Their interaction throughout the movie plays a key part, including how Michel’s inner conflicts about how he dealt with confronting Mal, when the police were trailing him.

Hahn and co-vocalist Mike Shinoda’s original competitions are featured in the film, which flow well with the fast pace of the story. The story itself is somewhat of a social commentary in sorts, from what a shopping mall represents to society and the variety of people who frequent them. Plus with the rash of similar incidents like what was portrayed in this story tells a sad story of the societal ills in today’s times.

 

 

Mall film on Facebook

Joe Hahn on Facebook

 

REI NISHIMOTO


Balancing Act – Carla Harvey of Butcher Babies


Pageflex Persona [document: PRS0000446_00059]

Butcher Babies co-vocalist Carla Harvey issued her first book titled Death & Other Dances (available via www.carlaharvey.bigcartel.com). She shared stories about her pre-Butcher Babies’ life, including growing up in Michigan and relocating to Los Angeles to pursue music, as well as working as a stripper and a mortician.

She is open about her life as a stripper, which she wrote about in her book. Fairly candid about that period of her life, Harvey talked about how she became attracted to this.

“I write about that in my book. I find it funny people always think that strippers are horrible human beings with daddy issues and blah blah blah…yeah yeah sure maybe I have some daddy issues growing from my abandonment of my father, but my fascination with becoming a stripper started when I was very, very young child. Way before my parents separated. Way before my father was out of my life. They brought me back a doll from Las Vegas on a stand and it was a showgirl doll with a costume on. I was so fascinated by that doll and I wanted to look like a doll, be the doll and I wanted to be a showgirl or a stripper.”

“I always give the rest to hair metal. I don’t think there’s any girl who used to take off her clothes and dance around the room to ‘Girls Girls Girls’…that probably didn’t help! I’ve always been very sexual. I’ve always wanted to be a dancer. I think if you brave it for a short period of time, it’s not a big deal. For me, it helped me grow as a person in a couple different ways. I was very shy. I would never talk to people one on one ever. It helped me open up. It helped me talk to people. In certain ways it was a good thing. If you get stuck there too long, you’re around the wrong people. I started doing drugs. But not all of it was bad.”

Harvey also shared how she found a brief career as a mortician and her fascination with death, something many musicians from Jonathan Davis (Korn) to Gen (Genitorturers) have been enamored with.

What is the basic attraction to death for musicians? “I don’t know but for me, I was always fascinated by death since I was a kid,” she said. “The first chapter of my book, I talk about that fascination. I’m sure it’s the same with a lot of people since they were a child, and I think musicians more so because we’re creative people and things people wonders about. I don’t know. Maybe we’re weirdos.”

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Another connection has been select goth and metal people have been connected to this profession. Television shows such as
NCIS have a gothic looking coroner (Pauley Perrette’s Abby Sciuto character) have portrayed such people in those professions. But very seldomly do those folks last.

“It’s funny because I went to mortuary school – for me it was fulfilling a life long dream. There were a few kids in my class who were goth kids. As soon as the first embalmment lab hit, they were all gone. They couldn’t handle it. I think a lot of people think embalmment is very rock n roll, very cool and tough and they want to do it, but when it comes down to it, it’s a very hard job. It takes extreme empathy to do it. It’s definitely not a job that people could do.”

School was something she did well in and managed to excel during her years there. She got good grades and was at the top of her class. Plus being in Mortuary College, science was also one of her best subjects.


“I was always great at science. It was one of my best subjects in school. I’ve always gotten straight A’s and on the dean’s list and all of that. I think a lot of times in my youth I was very bored, did drugs and stuff like that. I’ve always gotten great grades and always been smart. I think my first semester was chemistry, anatomy, physiology, embalming, mortuary law and all of that stuff. I hadn’t been in school in a very long time when I went back, but it was great to dive into it and let my brain be full of that kind of stuff than drugs.”

“There’s no way that I could do drugs during a time like that at 8 in the morning. That really helped me stay sober knowing that I had to do that if I wanted to graduate that program. I graduated on the dean’s list. It was a turning point in my life, going from being a complete drug addict to being a college graduate on the dean’s list within a couple year’s time. That really saved me.”

So how long did she work in this field? “I was in school for a couple of years and I practiced for about two years. My band started to…then I couldn’t do it any more. It’s a very demanding job – no time off, no vacations. You really can’t have a full time job like that and do music. Obviously at this point in my life I choose music. It’s my dream.”

“I think one day I might go back into it. I’d like to be a funeral director or a grief counselor. I like to help people and I have a lot of fans who have had loss in their lives reach out to me for grief counseling. I really enjoy that. Maybe I’ll do that again but I also love music so much that I don’t see myself stopping that any time soon.”

bb covers album artwork

Butcher Babies on Facebook

REI NISHIMOTO