Fortunate Sons – Sam Loeffler of Chevelle


 

Reaching seven albums in 15 years is quite the success story for Chicago hard rockers Chevelle, as they continue to put out strong records and winning over new fans everywhere they perform.

During their recent stop at the Wiltern Theater in Los Angeles, CA, the band was on a West Coast tour behind their latest release, La Gargola (Spanish for ‘The Gargoyle’), in front of a packed house.

“It’s been selling out a lot,” said drummer Sam Loeffler, talking about their US tours. “The US is so big. We’re still opening up markets, especially if you haven’t been somewhere for four, five or six years. So in that case, we played a couple markets that we haven’t played before. We’re trying to go to Canada as we can. There are a lot of markets we’ve never been to or been to in a long time. North America is very big.”

They have been playing various songs off of La Gargola (Sony), which has been met with anticipation from their fans. While the public has grown familiar with their melodic hard rock sound, the band was up for the challenges of creating newer songs that kept their sound growing without being repetitive.

“This is album number seven. I don’t know if there’s necessarily a different mindset,” he said, talking about the making of La Gargola. “It’s just at this point we’ve published over 90 songs, so you’re only interested in writing songs that don’t sound like your other songs. So I think the songwriting process might be a little bit longer because you want to do something different. We’re a hard rock melodic band and still write songs like that because that’s what’s appealing to us.”

They worked with veteran producer Joe Baressi (Bad Religion, Tool, Coheed and Cambria) once again on La Gargola. Being familiar with his working style, the members of Chevelle got to experiment a bit more on this one and throw around different ideas this time around.

“We did Hats Off To The Bull with Joe as well. This was our second record with him. Joe is really an experimental producer. It makes things go fast because he knows what all of his gear sounds like. He’s got like 30 to 40 amplifiers, a bunch of weird instruments in his studio. The place is packed with instruments. So being with him, I don’t know how we would do it with somebody else at this point. The more we used Joe, the more experiments we have. It’s a perfect set up because that’s how we are. As a band, we don’t want everything to sound the same.”

“With Hats Off To The Bull, when we got sounds, for the most part we would mix up the sounds. It’s real consistent in tone – the guitars, bass and drums. Whereas this one, we really changed the tone on every single song. That was a lot more work. But we wanted to make each song sound completely different from the last one. I think they do.”

 

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With Chevelle entering album number seven, they encountered the challenge of keeping ideas fresh and not repeating ideas from past material. Many bands who reach this point in their careers often face similar dilemmas, but Loeffler and the band were up to the challenge of dodging this obstacle.

“I think it definitely is a challenge. Pete [Loeffler, singer/guitarist] is our principle songwriter. He writes all the lyrics. I think a big part of it is he gets influences from all different kinds of places, just from what’s going on in the world. That helps makes a different thing for each song. He’s not just writing about high school relationships or relationships at all, for that matter. He writes about zombies and something he saw on television that is an accounting error. It’s all different topics that encompass anyone’s life rather than one simple thing. That adds to where the song’s going. “

La Gargola also marks the fourth album with bassist Dean Bernardini, who replaced their biological brother and former bassist Joe Loeffler, in 2005. With each record, Bernardini has grown with the band and continues to evolve within their sound.

“He’s always been important to us and am important person in our lives. When he joined the band, we were able to grow the way we needed to grow. Sometimes things don’t work between people, but in our case, we really work well together.”

“In that case, it improved the chemistry. I think most bands have leaving members – people coming and going. That’s just the reality of a business, not to mention a family. It went the way it was supposed to go.”


“Dean’s our brother in law. He does have a different last name but we are definitely like family. We are family in marriage. We’ve known each other for 22 years. We were friends and played in bands way before he played in this band,” said Loeffler.

 

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Loeffler briefly looked back at the band’s career until today. “We played our first show as Chevelle, probably in 1993 or 1994. But our first record came out in 1999. So 15 years of recording and touring ‘professionally.’ “

“Seven records in 15 years is an amazing career for anybody in this day and age in rock music. I tell people all the time – your chances of having a successful rock band…you’re more likely to win $10 million in the lottery. People win that every week across the US, but two or three rock bands a year have some success. That’s a very defeating fact, but we need rock music. We need to good rock bands. Not to say there aren’t some now…there are, but we always need new ones. We’re interested to see who the next crop is.”

As for future touring, Chevelle will continue to move forward with writing new material and more touring in the near future. But in between this time, family life has been squeezed into their schedules, keeping their lives exciting in another way.

“Pete is about to have his first. My wife and I had our first ten weeks ago. Dean has a two year old and a six year old. Like anyone else, we’re at that age where you want to have a family.

You have to balance it all but this is our passion. We’re here because we’ve always been in love with music.”

 

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Life Gets Better- Carla Harvey Coates Talks About Her Book


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Following a dream of becoming a musician has become a long fascination for many people. It has become a classic story of one moving to Hollywood to pursue their passion of becoming a rockstar, and often not ending well.

Long before she became a Butcher Babies member, co-frontwoman Carla Harvey loved to read and books were another passion of hers. She put that into her book, Death & Other Dances, sharing stories of her pre-band life and the obstacles she endured and led her into her current life.

“It is but at the same time it was something I wanted to do. I’m a big fan of literature. I was a chubby, buck toothed kid who spent a lot of my time by myself, reading books and listening to heavy metal. It was just natural that I’d want to write my own book one day. I just had to find what I wanted to write about,” she said.

“I’m a big fan of authors like [Charles] Bukowski and Henry Rollins that takes elements from their own lives and write stories like that. Especially Bukowski, who uses an alias in his books – he doesn’t use his real name. That’s what I wanted to do with mine.”

“I didn’t want to write a memoire because I don’t like the word, and it comes across wrong…people expect you to write a book about your experiences as a musician, and it’s not that at all,” she added.


Some of these stories inspired the songwriting on
Goliath (Century Media), Harvey’s band the Butcher Babies’ debut album. While she did not go into detail over which songs were inspired by what event, her book instead paints a vivid image of her life in detail.

“Of course, all of our songs, especially on Goliath,” she said. “It’s our debut album so all of our thoughts and feelings that we’ve had collectively between me and Heidi [Shepherd] over the years went into that. Even parts of my book were written down in my journal before I completely wrote the book had been featured in songs. Heidi and I both have kept a notebook full of stuff that we’ve written our whole lives and we pull from those when we write our songs. A lot of the emotions that I felt writing this book are also used in the songs we write.”

She made it clear that this book is not about her time in the band and instead leans more towards her time prior to then.

“I didn’t want to put in any Butcher Babies stuff. I wanted it to be about stuff I had done before. I didn’t want it to be a memoire about a girl in a band,” she said.

Instead Death & Other Dances covers her pre-band life including her time as a stripper, and later going to Mortuary College and becoming a mortician and hospice volunteer. She used this as a starting point as her inspiration towards writing her book. “Basically I started writing after I was a hospice volunteer and I saw a correlation between my patients in hospice and my clients at a strip club when I was a stripper. That correlation was simply in both careers I was dealing with people who were very alienated and sometimes holding someone’s hand, giving them a hug and allowing them to talk about themselves or what’s going on in their lives, makes a huge difference in their attitude in their lives.”

“So I thought it was a pretty powerful thing, that correlation between the careers so I expanded on it and started writing this book. I initially was going to write about other people, but then I thought about it and realized that the things that I had been helping other people with my whole life, was the problems I had been dealing with and not attending to. So it became more about me than I thought it would. So it became a cathartic experience writing it down on paper.”

Despite the things she wrote about in her book, music was always something she did throughout that time. Harvey originally moved to Los Angeles to pursue music but got sidetracked with obstacles that she shared in her book.

“No I played music for the first couple of years I was in LA,” she said, explaining the timeline of when music was and was not happening in her life. “I played in bands all through high school and when I first moved to LA. Then I got involved in drugs so I didn’t put the effort into a band. Then I was working with Playboy for a couple of years. So I didn’t have time. After I left Playboy, I went to mortuary school and I didn’t have any time then. Then it became the right time again. I saw an ad for a cover band and I joined it and the rest is history.”

“I always wrote stuff on my own. I play a little guitar and a little bass. I thought that part of my life was over. I’m glad I didn’t give up on it because it was literally just beginning,” she added.

Even though the stories in her book happened prior to the band’s formation, Harvey’s bandmates had previously heard many of these stories before. “I’ve known Heidi [Shepherd, Butcher Babies co-vocalist] for eight years now we started working together. She knows all of my deepest and darkest secrets. I’ve known Henry [Flury, guitarist] for ten years. These are my good friends. They know what I’ve been through and I know what they’ve been through. We all encourage each other all the time.”

Writing the book was not the hardest part for her, but reliving what she went through and organizing her thoughts was the challenging part: “It really wasn’t hard, as far as people reading it. I think the hardest part was actually digging in myself and allowing myself to write down on paper that I had been afraid to acknowledge. But that was for myself and not for people to read. But I got it all out. There were times when I looked it over again and I thought to myself ‘oh my gosh…I wouldn’t want people to read this.’ Then the end of the day I decided that I would leave it alone and not touch it any more. It would take away from it because people can see honesty, and when you’re honest they enjoy it more, even if people don’t agree with everything that you’ve done or everything that you say. They appreciate honesty.”

“I guess looking back it was more like I had forgotten about some things I had been through. Wow why did I do that? That was fucking stupid. Why did I let myself get manipulated by that person? Why did I let that person into my life? I emphasized that I’m still here. I’m surprised that I’m alive sometimes. I’m really lucky that in this point in my life I’m able to live my dream after everything I’ve been through. So through all the things you go through in your life, it makes you who you are, makes you stronger, blah blah blah and all that. It may sound cheesy but it’s important for kids to know that. No matter what you’re going through, your life will get better, if you stay on the right path. I really hate it when I hear kids or young adults in their 20s say they want to kill themselves, thinking their lives are that fucking horrible they want to oust themselves. Life always gets better.”

 

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While her story sadly is a common story for many people who succumb to the pressures of so called failure of not making it or battling personal demons, Harvey avoided becoming a Hollywood cliché and found a positive way out to lead her into where she is today. She wanted to share her story and always finds time to help those in need of hearing their dilemmas in life.

“You have to change your life at the right time. I did do a lot of drugs and I was very open about that because I want people to know that it may not ruin right now but maybe a year or three years from now, it will ruin your life if you keep doing that. There’s no benefit. I don’t care if you think you’re more creative or hotter or cooler when you’re doing drugs. For me, it was a way of self-medicating a lot of issues I had since I was a kid. Once I was able to come to terms with those things and write about it and how to heal myself…and going to mortuary school and embalming people like toddlers, grandmothers and 14 year old girls, I realized how short life is and wasting my time shoving drugs up my nose when I could be following my dreams and doing what I came to Hollywood to do, which is being a musician.”

To buy Death & Other Dances, go to:

www.carlaharvey.bigcartel.com

 

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Against The Grain – John Henry and Mike Schleibaum of Darkest Hour


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“It went off without a hitch so you can’t ask for anything more,” said vocalist John Henry, talking about their first day of Rockstar Mayhem Fest in Devore, CA, while promoting their newly released self titled eighth album.

Reaching the eighth album is a milestone in this current musical climate and from Darkest Hour, they keep moving along and creating new sounds to keep fans interested in what they do. “You have to get better at learning how to change and compromise. It’s painful but…as old dogs, we’re trying to learn some new tricks,” said guitarist Mike Schliebaum, explaining their approach entering their eighth overall album.

Darkest Hour was released by Sumerian Records and the band has gone through a variety of changes since 2011’s The Human Romance. They brought in a new rhythm section of bassist Aaron Deal and drummer Travis Orbin, who replaced Paul Burnette and Ryan Parrish respectively. Guitarist Michael “Lonestar” Carrigan replaced Kris Norris in 2008 prior to The Eternal Return.

The two newest members were broken into the band during the band’s two recent tours supporting All That Remains and with Killswitch Engage. “The bass player brings a lot into the band. He knows a lot of music theory stuff,” explained Henry.

“He brings a calming vibe as well. His demeanor – he’s a little older and a chill personality. It’s nice to have that,” added Schleibaum.

“The drummer brings discipline. He’s very schooled. He practices every single day.”

“When we first got together, he was like ‘I want to play everything in half speed and not ¾ speed or full speed. It totally blew by us. Now we do the whole set every day. It makes the whole band work harder,” he also said about his newest drummer.

Like every Darkest Hour record, the band has attempted to add new ideas to its ever evolving modern thrash metal sound and avoided sounding stagnant. The latest album shows their sound evolving and keeping listeners interested in what they are doing.

“It was a lot of change up the formulas and writing and working with a newer producer. The idea was to make the ultimate Darkest Hour record. It doesn’t necessarily sound like any other one,” said Henry. “We wanted to break the thrash mold. Get out there and add some other types of shit. Add some groove, add some melody…you know what I mean? It’s the eighth Darkest Hour record, so there are a lot of songs to choose from,” added Schleibaum.

Bringing in a younger producer lesser known in the metal world also helped pushed the band creatively on this record. Going against the grain of picking veteran producers and engineers commonly know to work on a multitude of releases helped keep their sound fresh.

“It’s a young kid named Taylor Larson, who works out of Bethesda, Maryland, which is close to where I live. I have a little consortium of producer friends around the DC/Maryland and he’s a young kid coming up, always asking everyone questions and booking studios. We needed a practice space so we started renting space from him. One thing led to another, and we’re like ‘ we need to work with someone who’s young and has new ideas.’ So it worked out.”

“[He has] just a bit of a different perspective. The older guys are set in their ways. It’s awesome having someone younger who’s hip to every new thing that’s happening with technology,” said Schleibaum.

 

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While they have reached a new milestone within their career, Darkest Hour proudly hails the flag for the DC/Virginia/Maryland tri-state musical scene. Known for their somewhat rich musical history, they are proud of their accomplishments.

“There’s a lot of great bands,” said Schleibaum. “We still have Pig Destroyer and Clutch is still active in the metal scene. There’s a lot of awesome metal bands from Baltimore too. Periphery is another band from the area. So I think we’re lucky to have a couple cool bands. They all sound the same from where we live. Now everyone comes from all over so we take influences from everywhere.”

 

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