Boezem (Prophecy Productions) is the debut from the Dutch quintet Vuur & Zijde. It is a moody display of blackened post-Punk, (post-Punk meets Black Metal to you and me), sung mostly in their mother tongue and in the little heard-of language Frisian. Continue reading
There are a few artists in history whose identity is shrouded in secrecy – The Residents, Buckethead, the majority of Goat and Darkplace. In an age where social media is so prevalent and where privacy is seemingly such a dirty word, it’s refreshing that Darkplace has chosen to keep himself/herself(?) anonymous so as to let the music do the talking. Based in Sweden About the End of the World (Icons Creating Evil Art) marks the mysterious entity’s debut full-length.
A live album by New Model Army was not expected, but I’ll take it. They have pushed the boundaries of punk since 1980, and this album is another example of how they outgrew the punk label. How many punk bands bring an orchestra with them? New Model Army was never just a three-chord band bashing things out with youthful recklessness; thoughtful songwriting and darker dynamics have always been a part of who they are. This album makes perfect sense given the breadth of their work, as it’s not the first time strings have played a role in their songs.
Grave Pleasures were one of those bands that had been stuck on my ‘must check out at some stage’ list, until now. In case you weren’t aware of the history, they originally formed as Beastmilk back in 2010 and put out debut Climax after which came the name change as well as a string of subsequent releases. Plagueboys is the band’s fourth full-length album overall and the follow-up to 2017’s Motherblood. Continue reading