Striker – City Of Gold 


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The 80s were a great time for metal. Maybe even the best. And there are plenty of bands that spend their entire careers reliving the glory of big hair, big riffs and epic choruses. Striker are one of these bands.

City of Gold (Napalm) is the Canadian group’s third album. While the retro scene is full of denim and leather types trying to recapture the magic, Striker have a certain energy about them that stops it all becoming too kitsch. What the four-piece lack in originality they make up for with energy and quality song writing; it’s all high-octane drumming and fret-busting solos, gang vocals and soaring sing-alongs. Guitarists Tim Brown and Chris Segger provide the heavy metal thunder – mixing classic Iron Maiden-esque riffs with a speed metal tempo, while Dan Cleary has an impressive set of pipes that could pass for Bruce Dickinson, Bon Jovi or Rob Halford depending on the song.

There’s generally three settings Striker come in: The galloping power metal epic with the likes of ‘Start Again,’ the big melodic stadium rockers such as ‘Bad Decisions,’ and the fast speed metal numbers in vein of ‘Underground’ or ‘Second Attack’. It’s completely unapologetic in its love of the 80s, but it’s entertaining enough that it doesn’t matter.

City of Gold doesn’t have an original moment in it. But it’s still an enjoyable ride. If 44 minutes of big riffs, fist-pumping choruses and 80s metal in general sounds like your thing, Striker will give you everything you need. Yes there’s plenty of cheese, but it’s all so catchy it’s hard not to get sucked in.

7/10

Striker on Facebook

 

DAN SWINHOE


Thrashers Ramming Speed Kick Off-Mini Tour, New Album Coming in 2015


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Ramming Speed hit the road starting tonight with fellow neo-thrashers Municipal Waste, New York Hardcore legends Madball and Suburban Scum. This week long mini-tour covers the North Eastern USA, and will give the band a break, as they have been locked away penning their next full length due in early 2015. This new album comes on the heels of relentless touring and promotion following the excellent and anthemic Doomed to Destroy, Destined to Die released from Prosthetic last year. The band is also planning to shoot their first ever video, in their old stomping grounds of Allston (Rock City) Massachusetts at The Monster Shop. For details how to be in the video, filming on August 12th, email the band RammingSpeedVideo@gmail.com for details!

 

We always like it when record labels quote our reviews about bands in press releases… check this out!

 

From Prosthetic Records

Since the release of “Doomed to Destroy, Destined To Die,” which was hailed as “a mixture of the party mentality of Andrew W.K. and the sickness of Slayer” (Ghost Cult Magazine), RAMMING SPEED have maintained a consistent tour schedule throughout the U.S. and Canada with the likes of Valient Thorr and Toxic Holocaust, as well as appearing at Metal Injection’s CMJ showcase (Black Anvil, Vattnet Viskar) and Fest 13. As of late, the band have spent most of their time writing for their sophomore label effort, which will be recorded this winter. Full details will be revealed in the coming weeks.

Drummer Jonah Livingston shared insight on what to expect from upcoming release: “The new songs sound like Thin Lizzy’s guitar section doing blow with Martyrdod at a house party while Jeff Hanneman’s ghost smashes concrete blocks in the backyard. There’s tons of guitar harmonies, D-beat and more brutal thrash and grind, but we’ve been working hard on the songwriting end of things — keeping the riffs punishing while paying attention to the memorability and catchiness.”

MadballPosterONLINE

Ramming Speed Tour Dates

8/5 Philadelphia, PA – Kungfu Necktie

8/6 Montclair, NJ – DLV Lounge

8/7 Albany, NY – Bogies #

8/8 Hamilton, ON – Club Absinthe #

8/10 Holyoke, MA – The Waterfront Tavern#

8/12 Allston, MA – Monster Shop (MUSIC VIDEO SHOOT)

8/13 Brooklyn, NY – The Acheron

# with Municipal Waste, Madball, Suburban Scum

Ramming Speed on Facebook

 


Devildriver – Whitechapel – Revocation – Carnifex: Live at the House of Blues W. Hollywood


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Multi-bands extreme metal touring packages have become a common theme in recent years, where fans get multiple bands on one bill for a set ticket price and exposing them to newer bands at the same time.

 

Early door time at 5:30 pm appeared to be a stretch as Fit For An Autopsy and Rivers of Nihil both got early call times and played to early birds who came down to catch their sets. Both put on strong sets of crunching deathcore meets death metal, rarely missing a step and giving the crowd a heedful at the same time. Not letting the light crowd affect them, the crowd got into their respective sets and set the pace for the night.


San Diego’s Carnifex has gotten their name around the metal circuit lately with their powerful blend of metallic hardcore-esque mannerisms with death metal style guitars and breakdowns that got the crowd into their sound. Vocalist Scott Lewis worked the room well and kept the tempo high and the energy even higher. Somehow their diverse sound helped them standout and win over new fans as well as well as people who were already into them.

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Revocation has already built a following with their unique blend of technical thrash with odd riffing styles, and energy that goes for hours. Guitarist/vocalist Dave Davidson doesn’t speak much to the crowd but his music does that talking. While their sound doesn’t fit the current wave of Djent riffing styles that has taken the metal world by storm, they found other ways to attract fans and beat them musically silly. The crowd definitely got into them immediately, and their high tempos got the mosh pits going throughout their set.

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The big return of Whitechapel was highly anticipated and this time as a co-headlining slot and a longer set time. They brought their trademark deathcore sound and gave the crowd the high energy show they are known for. They featured a good portion of songs from their latest record Our Endless War (Metal Blade), as well as spanning songs from their various releases. Frontman Phil Bozeman worked the crowd and got them moving throughout their whole set. While they have put on strong shows over the years, one small flaw that plagued the band tonight was that their sound did somewhat become a big monotonous and a longer set list made this stand out more than usual. Despite this hiccup, Whitechapel did put on a strong set and showed why they have been one of the bigger deathcore bands on the scene today.

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Devildriver came out swinging with their modern thrash metal stylings and took command upon starting. Frontman Dez Fafara came out with his old school mic stand and began barking at the crowd to keep up with the band’s momentum, in which they did. The mosh pits were going and the energy was high. They covered a good cross section of their catalog, including the ‘Sail’ cover which has become a staple part of their set list. They showed why they are still going six albums into their career and no signs of stopping any time soon.

 

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Devildriver Set List:

End of the Line

Head on to Heartache (Let Them Rot)

Not All Who Wander Are Lost

Before the Hangman’s Noose

Gutted

I Could Care Less

The Appetite

Sail (Awolnation cover)

Hold Back the Day

Dead to Rights

Clouds Over California

Ruthless

Meet the Wretched

 

Devildriver on Facebook

Whitechapel on Facebook

Revocation on Facebook

Carnifex on Facebook

Rivers of Nihil on Facebook

Fit For An Autopsy on Facebook

 

 

WORDS BY REI NISHIMOTO

PHOTOS BY KALEY NELSON PHOTOGRAPHY


Hatriot – Dawn of the New Centurion


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Steve “Zetro” Souza is a name tied to the history of the Bay Area Thrash movement. Having been the voice that launched Legacy, and later Testament, Steve is best known from several stints as the front man of Exodus and Tenet. His modern thrash band Hatriot is back with their most fully realized material on Dawn of the New Centurion (Massacre). Armed with a young and hungry band, which includes his sons Cody and Nick as the rhythm section, Zetro sounds as fierce as ever on this album.

 

From the opening track, “My Cold Dead Hands”, you get the idea that Steve is royally pissed off. The band sounds like many in the neo-thrash movement, but obviously have the veteran presence at the helm. After the famous Charlton Heston, pro-NRA sound-byte that opens the album, there is a lot of grandiosity in this track for a thrash song. It will activate the circle pits when they play it live. ‘Your Worst Enemy’ follows next, and you hear Steve at his snarling best. The real weapon of the band is shredder Kosta V., who really lays it down when it comes to his leads. ‘The Fear Within’ is the best track on the album and has an epic feel to it. When the main riffs kick in, you will get goose bumps.

‘SUPERKILLAFRAGSADISTICACTSARESOATROCIOUS’ is a fun song, and I dare you to say that five times fast. The song is heavy as hell, and gives a shout-out to Pussy Riot in the coda. This is not a politically conscious band, just one with a lot of lyrical themes speaking to injustice. ‘Silence In the House of The Lord’ and the power-groove laden title track also stand out. Juan Urtega has produced a lot of the greats of the genre, and like all of his albums these tracks sound very punchy and well balanced too. Maybe the only gripe I have with the album is Steve spends a lot of time growling and I’d like to hear him open up with more melodies next time out. When compared with a lot of the newer thrash bands, Hatriot not only stacks up well, they represent to the fullest.

 

8/10

Hatriot on Facebook

 

KEITH (KEEFY) CHACHKES


Malevolence – Reign Of Suffering


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They present themselves as being one of UK’s fastest rising crossover bands and by that they mean: “the hype around our band made us go up a few stair steps and that was translated to loads of pressure for our debut full length”. Being that the “circus” surrounding the release of Reign Of Suffering (Siege of Amida Records), their debut album, there was an expectation and important question that needed to be asked: will the album justify all the hype? The answer for that question is… No! The quintet from Sheffield is far from being what we were expecting.

 

These eight tracks, with 35 minutes of pure groove and technicality, are, for the most part, just a simple emulation of their influences with little hints of hope, because of the evident talent that they carry and offer. Showing mad love for bands like Hatebreed, Lamb of God, Terror and At The Gates, the band made a record that’s an amalgam of their most direct influences, ruling out the possibility of Malevolence having a sound that truly stands out of the crowd. Even their most compelling and exciting track, the seven minutes epic that’s ‘Turn To Stone’, has other bands names written all over the place. This time we can talk about Pantera and Down. Basically with Reign of Suffering we have a band with talent that’s trying to find the character that will be essential if they want to be the leaders of the metal-hardcore-crossover genre. They need time to mature, that’s for sure.

5/10

Malevolence on Facebook

Tiago Moreira

 


Savage Messiah – The Fateful Dark


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Savage Messiah may hint at anti-commercialism, but this British four-piece are in danger of becoming metal icons themselves. Beginning life in 2007, this band has gone from strength to strength, rapidly gaining recognition in the underground scene. Now only a mere two years after the release of Plague of Conscience, they return to unleash their third studio album on the world, The Fateful Dark (Earache Records).

 

Right from the outset, this album is a constant and savage attack of pure power infused thrash, with a strong dose of good old classic heavy metal thrown in for good measure. With every album this band seem to be raising the stakes, and this latest release is no exception. Where Plague of Conscience had one or two standout songs, The Fateful Dark discards anything that could be excused as filler for a constant ten-track assault, each song strong enough to hold its own. The album flits between genres, from the opening track ‘Iconocaust’ that throws us into a frantic clamor of thrash riffs, to ‘Hellblazer’ and ‘Cross of Babylon’ that show off some serious power metal posturing with their epic chorus lines. Even ballad ‘Live As One Already Dead’ has its merits, stripping back a lot of the guitar work and showing off the vocal progression David Silver has made since beginning the band.

 

Making a thrash album with such furious riffing can leave bands sounding clumsy, but The Fateful Dark shows these guys are tighter than ever, pulling it off without even the slightest hint of hardship. Crafted into a true beast of an album: mature, concise but with a distinct touch of chaos threatening with every riff and solo, a definite essential in any heavy metal CD collection.

Savage Messiah on Facebook

8/10

Caitlin Smith


Killswitch Engage – Trivium: Live at 02 Academy, Manchester UK


Trivium Matt Heafy 2Traffic is an inconvenient thing when you’re doing anything but when you’ve got somewhere to be, it always seems to take the biscuit that little bit more. Unfortunately, this was the situation that occurred as this guy made their way to the Manchester Academy and as such, the first and second acts of the night, Battlecross and Miss May I, were not seen through these writers’ eyes. Luckily a friend with usually excellent taste was on hand to witness the Ohioan five-piece and her review, so elegantly put, was “f-ing awesome,” so lets go with that. Trivium, however, was thankfully a different story and one that starts with yours truly actually getting to observe some live music in action. Having witnessed these boys before in a fashion that brought words such as lacklustre and tedious to mind, it was with surprising but blisteringly excellent style that the Floridian metallers went about their set, showing how far they’ve come in recent years.

As for the rest of the room’s reactions, they too seemed to be more than happy with the performance in front of them, ‘Down From The Sky,’ ‘A Gun To The Head Of Trepidation’ and ‘Shogun’ being of particular vocal highlights amongst the mostly blurry-eyed fans. The music however wasn’t the only thing we were treated too. Smoke bursts and lighting effects to rival the Olympics brought another entertaining if not blinding dimension to their show, an element that always appears to come to the stage when this four-piece is in town. Ending the show with the an excellent rendition of ‘Pull Harder on the Strings Of Your Martyr,’ trivium left the stage having shot many a proverbial bullet to any trepidations that I or others may have had concerning their live prowess.

For the main act, or seemingly most popular act in the Academy anyway, it was their turn to bring the noise and this time the room tinged with so KSE Jesse Leech 1much drunken and sober (ahem) enthusiasm that it even the most cynical of spectators would have been hard pushed not to be swept up in it. Coming out to ‘Eye Of The Tiger,’ Killswitch Engage (KSE) leapt on to the stage, their leader Jesse Leech brimming with confidence and front man swagger. Launching into ‘A Bid Farewell,’ the crowd wasted no time joining in with the verbal festivities, word for word being sung back to the quintet. As for the makers of the music, chugging beer on stage, encouraging female viewers to expose their breasts when on friends shoulders and generally having fun were just a few things in the KSE repertoire, showing to those who could see the love they have for what they do.

Musically it was as tight and as brilliant as we’ve come to expect from KSE, but it was lead man Jesse who, for me anyway, really stole the show. Screaming or singing, Jesse’s vocal performance was excellent no matter which way he was vocalizing it, and having being disappointed by the Howard Jones departure before, it’s safe to say I am no longer (we still love you Howard!). A wonderful set and fantastic show by the KSE boys, the Massachusetts five-piece brought tracks such as ‘The End Of Heartache,’ ‘My Last Serenade’ and closing number ‘My Curse’ to a new level of awesome, one that they managed to bring throughout and one they will undoubtedly continue to do as long as their metal-core hearts beat on.

 

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Trivium on Facebook

Killswitch Engage on Facebook

 

Words: Emma Quinlan

Photos: Emma Stone