CLASSIC ALBUMS REVISITED: Slipknot – “Vol. 3: (The Subliminal Verses)” Turns 20


The album that would become Slipknot’s third album, and the crucial masterpiece in their history, almost didn’t happen at all. Between the hard-fought success of Iowa (Roadrunner Records), the well-documented interpersonal relationship issues between the nine band members, rising fame and pressure, side bands like Stone Sour, To My Surprise, and Murderdolls, and “off the field issues,” you couldn’t blame this band if they imploded totally around this time. However, overcoming themselves and all of these obstacles; Slipknot’s Vol. 3 (The Subliminal Versus) (a great pun on Salman Rushdie’s controversial book, The Satanic Verses,  is one of their best albums, along with their debut might be their finest hour. It is certainly their biggest hit album on a lot of levels. It yielded six singles and as we like to say on the Glacially Musical podcast (where we reviewed this album), an album has a bunch of singles if it’s selling and the band is doing well on tour. Continue reading


ALBUM REVIEW: Def Leppard – Drastic Symphonies


 

In their forty-three year (!) recording career, it isn’t unfair to say UK rock stalwarts Def Leppard are known for a pretty steady formula and approach of, in the main, pristine, polished hard rock songs, centred in an eighties sheen. Most of us could recognise a Def Leppard-style song without too much difficulty, and they aren’t (a few deviations – RetroActive, Slang, Taylor Swift, and Ghostly interactions – aside) known for their musical risk-taking or surprises. 

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Magnum – Lost On The Road To Eternity


The release of Magnum’s twentieth studio album, Lost On The Road To Eternity (SPV/Steamhammer) is no mean feat, considering twenty-five years ago, the band were releasing the aptly named and wholly underwhelming Sleepwalking (Music For Nations) while struggling to find a foothold in a musical environment that had no room for them. Continue reading