The Music World Reacts to The Death of Reed Mullin of Corrosion of Conformity


We are still reeling from the devastating news we brought you last night of the devasting loss of Punk and Metal legend and drummer Reed Mullin of Corrosion of Conformity. While we gather our thoughts to prepare a proper tribute, the entire music world seems to have mobilized an outpouring of love for Reed and support for the C.O.C. family at this time. Here are some remembrances from across the music world right now of the life and times and of Reed. Continue reading →


LIVE REVIEW: Amon Amarth – Arch Enemy – Hypocrisy: Live at Birmingham Academy


There’s a wonderfully surreal moment in The Simpsons when Abe Simpson inexplicably proclaims, “the Swedish are coming! The Swedish are coming!”. Well, tonight in frosty Birmingham, that’s exactly what’s happening. Hailing from the land of Abba, Ikea, and Zlatan Ibrahimovic, three of the finest exponents of melodic death metal have landed in Blighty to bang heads and kick bottom. Continue reading →


Carcass Masterpiece “Heartwork” Turns Twenty-Five Years Old


Carcass didn’t invent death metal, but they helped perfect it. The didn’t ascend to the pantheon of the death and goregrind genres overnight either. Their earlier work, especially their debut Reek of Putrefaction, Symphonies of Sickness, and Tools of The Trade and a few EP’s were all growers. The band had a penchant of shifting genres and styles within songs and albums, owing to their talent, but displeasing some of the more ardent fans. They likely didn’t think about this or even discuss it, just musically going wherever the evil spirits guided at the time. This kept their growing fan base agitated, but interested to see what the band would do next in the burgeoning underground scene. So when Heartwork was unleashed on the world (Earache) in 1993, it seemed like all of these elements coalesced. Continue reading →