Me And That Man, the Satanic roots music project from Behemoth frontman Adam Nergal Darski has dropped a new video and single for the track ‘Surrender’! The song comes from their upcoming second album New Man, New Songs, Same Shit, Vol.1, on March 27, 2020. The record release will be celebrated with a special record release show in London on the same day, including special guests from the album. Pre-orders are live at the link below. Watch the clip now!
Tag Archives: Matt Heafy
Watch Matthew Heafy Cover Megadeth’s “Sweating Bullets” Acoustic
Matt Heafy of Trivium spends a lot of time playing guitar and posting covers and other jams on his YouTube Channel and his Twitch account. Watch Matt play a bluesy, unplugged version of Megadeth’s 1990s classic ‘Sweating Bullets’. Continue reading
Trivium’s Matt Heafy Leaves Tour To Be With Pregnant Wife, Fill-ins Announced
Trivium shredder and screamer Matt Heafy left his current headline tour to race home to be with his pregnant wife who is carrying twins. In a video shared to social media, Matt said he was gutted to leave the tour, but needed to be with his wife, who might give birth at any time. Rather than cancel the remaining dates, Howard Jones of openers Light The Torch (ex-Killswitch Engage) and YouTube vlogger/shredder Jared Dimes will fill in the remaining dates. There is a possibility that Matt will also rejoin the tour at some point. The band is out on the road supporting last year’s album The Sin and The Sentence (Roadrunner).Continue reading
Trivium – The Sin And The Sentence
Eight albums into their illustrious career, Trivium have this veteran band stuff down pat. With almost 20 years in as a band, and over 15 with recorded output, long in the rear-view is the time when they were the very young upstarts in the jaded metal world. Trivium are not trying to reinvent the wheel, unveil a jarring new genre influence, or convert fans from the latest fad of the month at Hot Topic. Nope. Trivium keeps on chugging album after album, with their blend of neo-thrash love, metalcore breakdowns, shreddy solos, and their NWOBHM-inspired catchiness. Their new album The Sin And the Sentence (Roadrunner) has all those things in place. Continue reading
Trivium’s Matt Heafy Pays Tribute To Tom Petty With An Acoustic Cover Of “I Won’t Back Down”
The music world is still reeling from the loss of Tom Petty last week. His music was the soundtrack to many people’s lives, and it’s no surprise that we’ve seen a number of bands pay tribute to the late rock legend since his untimely death.Continue reading
Trivium’s Matt Heafy Pays Tribute To Chester Bennington With An Acoustic Cover Of Linkin Park’s “One More Light”
While Trivium takes a well deserved break from the road, front man Matt Heafy continues to share music with fans online. Continue reading
Trivium’s Matt Heafy Shares Acoustic Covers Of Opeth, Alice In Chains, Johnny Cash, Elvis And More
While Trivium takes a well deserved break from touring the world, Matt Heafy continues to share music with fans, but it’s not his own. Continue reading
Matt Heafy Discusses Trivium’s Ember To Inferno Record
Trivium will be releasing a reissue of Ember To Inferno on December 2nd, and fans everywhere are excited. Continue reading
Video: Trivium Releases Early Live Footage Of Pillars Of Serpents
Trivium will be releasing a reissue of their debut album, Ember To Inferno, on December 2nd, and I know I’m not the only one saying this, but it’s about time.Continue reading
Trivium – Heart Of A Coward – As Lions – UEA, Norwich (UK)
There’s a different feeling about a Trivium show these days. Packed to the rafters with a second generation of fans picked up since their refinement and reinvention on In Waves and the successful follow-ups Vengeance Falls and latest opus Silence In The Snow (all Roadrunner), the Floridian thrashers seem very comfortable in their skin. And with good reason, as since entering the second phase of their evolution they have found themselves, no longer chasing the ephemeral but secure with their sound and who they are.
And it is with this calm confidence and assurance that Matt Heafy addresses the throng, self-deprecating tongue never far from cheek. He gently chides the crowd for being passive between songs despite their enthusiasm during tracks, indulges in classic metal encouragement getting everyone to “sing the guitar part, like Iron Maiden” on a flawless ‘Strife’ (and everyone does), addresses theSpinal Tap-esque number of drummers they go through and mocks his own appearance around the Shogun era.
A secure leader, equally his vocals have never sounder better, as he delivers note perfect cleans across the board, while still dipping into some welcome aggressive harsher tones on the older material. Corey Beaulieu is clearly enjoying connecting with a happy crowd while ripping out a slew of metal hits,Paolo Gregoletto is a head-bobbing pocket-dynamo, chipping in with some great harmonies and a ruthless pounding undertone, and new sticksman Paul “Wanky” Wandtke brings the beat, looking every inch a Steel Panther, adding showmanship, power and humour from behind the kit.
And it’s the set that makes you realize just how many great tunes Trivium have under their belt at this stage of their career. Whether it’s the more vocal-led ‘Silence In The Snow’, or the machine gun ‘Rain’, the, um, anthemic ‘Anthem (We Are The Fire)’ or the mix of it all in mid-set highlights ‘Through Blood And Dirt And Bone’ and ‘Ghost That’s Haunting You’, they’ve now reached a consistent, slick and career-high level of performance in the live arena. Flanked by huge white skulls with glowing laser eyes, by embracing their classic heavy metal roots, by the time a bowel-punching ‘In Waves’, complete with every voice bellowing the title closes things up, Trivium have calmly proven they are what we always thought they’d be; an excellent heavy metal band.
Their supports are still in the process of finding their places in the world, with Jamie Graham clearly hungry to bully and cajole every youthful face in the venue to join their cause. Backed by mammoth slabs of head-punching excellence, like ‘Hollow’, ‘Turmoil I’ and ‘Turmoil II’, it’s a successful venture as Heart of a Coward prove last year’s stunning Deliverance (Century Media) belongs in larger venues. Meanwhile, As Lions deliver plenty of promise in an engaging and triumphant opener slot that sees a band with only one song in the public domain convert new recruits by their hundreds; Austin Dickinson a strong presence with a versatile and dominant voice backed by hooks, riffs and people waiting to lap them up.
The next time each and every one of these three bands heads anywhere near you, do yourself a favour and indulge in their quality live fare, you won’t be disappointed.
STEVE TOVEY
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