Blind Idiot God Releasing Before Ever After


blind idiot cd

Blind Idiot God (BIG) will release their new album Before Ever After in early 2015 via Indivisible Music. The record was co-produced by Bill Laswell. The gatefold double-vinyl LP artwork was created by noted artist Seldon Hunt (Neurosis, Earth, Melvins, Sunn).

Blind Idiot God is Andy Hawkins on guitar and Tim Wyskida (Khanate) on drums. Gabe Katz, the band’s original bass player is featured on the album but moving forward Will Dahl is the band’s new bass player live and in the studio. Touring in support of the new album is planned for 2015.

Hawkins says:

“Moving from the studio to the stage is always great. The music opens up dynamically, both performance wise and sonically. The human ear has a much greater dynamic range than any recorded medium and we excel at taking full advantage of that fact.”

Before Ever After tracklisting
01. Twenty Four Hour Dawn
02. Night Driver
03. Antiquity
04. Earthmover
05. FUB
06. Barrage
07. High and Mighty
08. Voice of the Structure
09. Under the Weight
10. Ramshackle
11. Wheels of Progress
12. Strung
13. Shutdown


Venowl – Patterns Of Failure


Venowl album cover

 

Venowl must hate journalists. It’s the only explanation – why else would they put out music simultaneously this compelling and this hard to positively describe, if not to frustrate the people whose job it is to do exactly that. I really want you to know how great Patterns Of Failure (self-released) is, but I have no idea how to put it across in words. Those devious bastards.

 

Starting with the crudest genre-labels then, the three long tracks on Patterns Of Failure essay an abstract, deconstructed form of Sludge/Doom which borders on outright Noise. Feedback-drenched guitars, drums and piercing shrieked vocals are the core musical building blocks, but how they are deployed is unusual even within their niche genre. Rather than mashed together into a sprawling whole as you might expect, each track follows its own discrete journey from beginning to end, moving through often very intricate shapes while retaining the same punishing tempo and pitch-black tone.

Time, then, for Lazy Journalism trick #2 – comparisons. There are a fair few bands that can be meaningfully name-dropped here, but none are a perfect match; Wormphlegm playing Ehnahre songs, or Grave Upheaval watching snuff movies at Khanate’s house with a crate of ketamine? Sabazius if they squeezed all eleven hours of Descent Of Man into fifty-five minutes?

 

The very best Noise music, I was told once by a fan of the genre, is that which sounds entirely structured in its chaos – creating the impression not of pure randomness but of an order which is too arcane for the listener to easily engage with, but yet is clearly there. That’s perhaps the greatest quality of Patterns Of Failure, along with the fact that something is always “happening” in the music. It would be too easy for an album like this to sit on its hands recycling empty feedback and looking smug, but there’s a real depth to what Venowl achieve here – a depth which captivates even as it frustrates the ability to describe it.

 

Quite simply – every other tactic having failed – Patterns Of Failure is one of the most distinctively horrible things you’ll hear all year.

Venowl band

9.0/10.0

 

Venowl on Facebook

 

 

RICHIE H-R