Maryland Deathfest 14 Part II: Various Venues, Baltimore, MD


maryland deathfest 2016 ghostcultmag

Friday:

Not wanting to miss a thing, I woke up bright and early to go on a hunt for food then head to the Edison Lot. Roaming the streets, I went to a restaurant called Big Apple Tree café, which offered deliciously cheap food and some of the best fries I’ve ever had. After gorging myself, I sped over to get myself a decent spot for South Carolina OSDM revivalists Horrendous, who opened their set with their rager “The Stranger” and were one of my personal highlights of the weekend. After them came some actual old school death metal courtesy of Sweden’s Centinex and Chicago natives Novembers Doom. Alien death metallers Wormed came out after the finished and went straight in, with their technical yet brutal riffing and robotic voices throwing the crowd into a frenzy. Their set consisted mostly of material from their new album, Krighsu, but they did play some older tunes like ‘Nucleon’ as well, which really god the crowd going.

Novembers Doom, by Hillarie Jason

Novembers Doom, by Hillarie Jason

When they finished, I went to buy myself a delicious sno-ball from the snowcone truck set up in Edison, which was a refreshing way to fuel up considering how hot it was outside on the concrete. I then sauntered over to the Soundstage while on the hunt for some fine dinner, which I found at downtown spot Chicken Rico, right across the street from the Soundstage. A fat burrito and fries for $8? Sign me up! After eating, I went inside to the venue, which essentially became my second home for the 4 days, and The Afternoon Gentlemen were getting ready to start. Having seen these guys just days earlier opening for Weekend Nachos, I was excited to see them again, and their set at MDF was even better, albeit less crazy of a crowd. Ohio grinders Hemdale went on after them, and their grimy style of deathgrind got the crowd moving hard, and their preachings between songs of “Fuck The Internet” being echoed throughout the rest of the night.

Infest, by Hillarie Jason

Infest, by Hillarie Jason

German fastcore juggernauts Yacopsae kept the party going, with circle pits and stage dives abound. Unfortunately, this was where things went a little over the top, and I ended up trapped at the bottom of a 20-man pile up, ending up with a pretty gnarly foot injury. However, I wasn’t gonna let that stop me, so I got out, put some ice on it for about 30 minutes, then hopped right back into the fray for both Magrudergrind (who brought out Joe Denunzio from Infest to do guest vocals at the end) and Finnish HM-2 maniacs Rotten Sound, with their buzzsaw guitars and relentless blasting making the venue into a warzone. When they finished, the adrenaline began to wear off, and I’d become a hobbling flamingo all around the streets. Due to my injuries, I opted to head over to Rams Head and see Angelcorpse since they had seats, and while many were ecstatic to see them, I was only really familiar with them by name. They tore into their set with aggressive solos and nonstop in-your-face death metal, and they were only a three-piece, which caught me off guard considering how intense their sound was. They brought night 2 to a close, and I limped and skipped the way back, getting myself ready for day 3.

Rotten Sound, by Hillarie Jason

Rotten Sound, by Hillarie Jason

Saturday:

Hellbringer, by Hillarie Jason

Hellbringer, by Hillarie Jason

Waking up and seeing that my foot was multiple shades of purple and yellow should have been more alarming for me, but I decided it wasn’t gonna keep me from enjoying myself, so I iced it then went back for round 3 of shenanigans. Kicking off day 3 were Australia’s Hellbringer, whose fresh mix of black metal and thrash was a good way to wake up the crowd! After them came Sweden’s own Demonical, who I caught much of, but the Pad That I bought from one of the vendors unfortunately did not agree all too well with me, and I fled over to the Soundstage for some relief. After, I ended up hanging around for a little while and caught Whoresnation from France and Priapus from North Carolina, two bands from two different areas, both providing their own 1-2 punch of grind to the face.

Angelcorpse, by Hillarie Jason

Angelcorpse, by Hillarie Jason

Once they were done, I decided to head back to the Edison Lot and ee what was going on and find friends. Luckily I made it just in time to see California thrash legends Hirax take the stage and deliver a blisteringly fast set in equally as hot weather. The thrash didn’t stop there, with Arizona’s Atrophy coming out and delivering their own style of thrash metal. I personally wasn’t into their set, so I decided to head over to HeadBangin Hot Dogs and got myself a Vegan hot dog to help curb the hunger pangs along with a strawberry lemonade from the Asian food stand to cool off from the heat. I eventually went back to the Soundstage and caught the last bit of Severed Head of State, featuring Todd Burdette of Tragedy/His Hero Is Gone fame, while waiting to the reason I came back, Despise You, to come on stage. The powerviolence OG’s came out to a rabid crowd, and their fast, angry, unrelenting style of hardcore brought everyone to go insane from the first note until the very end.

 

Centinex, by Hillarie Jason

Centinex, by Hillarie Jason

The insanity didn’t stop there, with General Surgery coming out and busting out the chainsaw sounds with their HM-2 tinged deathgrind while dressed up and coated in fake blood. As soon as they stopped, I ran to Rams Head to catch Vancouver’s Auroch, who shares members with fellow contemporaries Mitochondrion, and sonically it is very easy to see, with the overwhelming, dark guitar tone and nonstop blasting, but slightly thrashier than them. I then went back to the Soundstage to catch the crazy Spaniards Haemorrhage, who were all decked out in doctor’s outfits and scrubs except for the lead singer, who was coated in fake blood running around with a plastic bloody leg. From there, things just went to the next level, with Infest just going absolutely bonkers. Even though they started about 20 minutes later than planned, they just went right into things and did not stop at all, with trash cans and people going flying. I unfortunately had to leave before it ended to catch the second half of Grave Miasma’s set, whose doomier approach to recently growing trend of cavernous death metal was much welcome, and incredibly heavy, with the band having a very dominating stage presence, playing with little lighting and letting the music speak for itself.

Dragged Into Sunlight, by Hillarie Jason

Dragged Into Sunlight, by Hillarie Jason

 

When they finished, the stage crew then began to set up for Dragged Into Sunlight. I had heard a lot about their live performances, and I was a big fan of their music, but nothing could have prepared me for what I was to witness. 5 minutes of feedback and noise, with the solitary lighting coming from strobes behind the drummer, the dimmest red stage lights possible, and the candlelight from the animal skull candlestand at the front of the stage. Then, the samples start, the first notes of ‘To Hieron’ begin, and they kick in to what may well have been the heaviest thing that I have ever witnessed. I felt like I was slowly being driven into a state of insanity watching them, with the vitriolic screaming of the vocalist, the lack of lighting, how loud and abrasive they were, and the lack of acknowledgment of the crowd, playing almost entirely with their backs turned. Besides the one drunk guy trying to bombard to the front who eventually got carried out by a multitude of people for his behavior and the pit going on, everyone else was just entrenched into the performance going on in front of us. Near the end, the lights were cut, so the only source was the strobe going off behind the drummer. Their set was easily the highlight of the fest, and may very well have been the best set I’ve seen from a band. Craft went on after them, and while they were good sonically, they didn’t really have much of a stage presence, which really dampened their performance, and after Dragged Into Sunlight, as far as my brain and ears were concerned, we were done for the day.

The crowd at MDF 2016, by Hillarie Jason

The crowd at MDF 2016, by Hillarie Jason

 

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WORDS BY JASON MEJIA

PHOTOS BY HILLARIE JASON


Petition Launched To Build A Lemmy Statue Outside The Rainbow Bar In Hollywood


Lemmy change.org

Hirax singer and LA metal scene fixture Katon De Pena has launched a Change.org petition to build a Lemmy Kilmister statue outside of The Rainbow Bar and Grill in West Hollywood. The petition has over 2000 signatures in less than two days.

 

 

A Statue for Ian Fraser “Lemmy” Kilmister Motörhead at The Rainbow Bar and Grill – CA

Recently passed away. People around the world would like to have a statue to pay respects for this rock n roll legend. He frequented this well known restaurant and would serve as a memorial.

We the undersigned are concerned citizens who urge our leaders to act now.

 


Testament, Dragged Into Sunlight, Nuclear Assault, And More Added To Maryland Deathfest


maryland death fest 7 17 update admat

 

Maryland Deathfest today added 45 more bands to the line-up for next years’ festival, their 14th. New to the bill bands include Testament, Paradise Lost, Dragged Into Sunlight, Ringworm, Nuclear Assault, Buzzov*ven, Centinex, Duischarge, DOOM, Hirax, Novembers Doom, Rottensound, Repulsion, Satan, Weedeater, Skullshitter, and Waco Jesus among others. Last month MDF 2016 announced Venom, Exciter, The Haunted, and Samael with 20 other bands for next years festival.

New Bands Added to MDF 2016:

The Afternoon Gentlemen (UK)
Buzzov*en
Centinex (Sweden)
Claudio Simonetti’s Goblin (Italy)
Crypt Sermon
Dehumanized
Demonical (Sweden)
Demonic Christ
Deranged (Sweden)
Discharge (UK)
DOOM (UK)
Dopethrone (Canada)
Dragged into Sunlight (UK)
Gets Worse (UK)
Ground
Hellbringer (Australia)
Hirax
Horrendous
Infest
Interment (Sweden)
Magrudergrind
Novembers Doom
Nuclear Assault
Paradise Lost (UK)
Priapus
Putrescence (Canada)
Repulsion
Ringworm
Rotten Sound (Finland)
Satan (UK)
Secrets of the Moon (Germany)
Severed Head of State
Sick Fix
Sick of Stupidity (Netherlands)
Six Brew Bantha (Canada)
Skullshitter
Tempest
Test (Brazil)
Testament
Tragedy
Waco Jesus
Weedeater
Whoresnation (France)
Wombbath (Sweden)
World Burns to Death

45 more bands confirmed for MDF XIV!!!The Afternoon Gentlemen (UK)Buzzov*enCentinex (Sweden)Claudio Simonetti’s…

Posted by Maryland Deathfest on Friday, July 17, 2015


Desecrator Finalize Upcoming European Tour Dates


desecrator

Australian thrashers Desecrator have finalized their upcoming tour schedule, which includes the Thrash Metal Maniacs European Tour with Hirax, is posted below. They have also been added to Australia’s Steel Assassins Festival in Sydney on November 6-7, 2015. Watch the Euro Tour video trailer here.

Mar 19: Elpee – Deinze (BEL)
Mar 20: Little Devil – Tilburg (NL)
Mar 21: Scum – Katwijk (NL)
Mar 24: Sala Utopia – Zaragoza (ES)
Mar 26: Sala Lemon – Madrid (ES)
Mar 27: At Mosh Phera Zero – Palencia (ES)
Mar 28: La Petite – Granada (ES)
Mar 30: Les Pavillions Sauvages – Toulouse (FR)
Apr 03: Blue Rose Saloon – Milan (IT)
Apr 04: Randal Club – Bratislava (SVK)
Apr 05: Bambi Galore – Hamburg (DE)

desecrator european tour 2015

Stream their current EP Down to Hell here.

They are streaming their Robert Taylor of Phanterror Video directed, written and produced music video for “Red Steel Nation” here.

 

Desecrator on Facebook
Desecrator on Twitter
Desecrator on YouTube


Desecrator Joining Upcoming Hirax European Tour Dates


desecrator

Australian thrashers Desecrator will be doing an eleven date Russian tour in April, as part of Hirax’s Thrash Metal Maniacs European Tour in March.

Mar 19: Elpee – Deinze (BEL)
Mar 20: Little Devil – Tilburg (NL)
Mar 21: Scum – Katwijk (NL)
Mar 24: Sala Utopia – Zaragoza (ES)
Mar 26: Sala Lemon – Madrid (ES)
Mar 27: At Mosh Phera Zero – Palencia (ES)
Mar 28: La Petite – Granada (ES)
Mar 30: Les Pavillions Sauvages – Toulouse (FR)
Apr 03: Blue Rose Saloon – Milan (IT)
Apr 04: Randal Club – Bratislava (SVK)
Apr 05: Bambi Galore – Hamburg (DE)

hirax european tour

The band has been added to Australia’s Steel Assassins Festival in Sydney, AUS on November 6-7, 2015.

Stream the music video for “Red Steel Nation,” off of their Down to Hell EP, which was written, produced and directed by Robert Taylor of Phanterror Video, with cinematography by Taylor and Jeff Hann, here.

Desecrator on Facebook
Desecrator on Twitter
Desecrator on YouTube


Hirax Streaming “Hellion Rising” Music Video


Photo Credit: Iago Alonso.

Photo Credit: Iago Alonso.

Veteran thrash metal outfit Hirax is streaming their new video for “Hellion Rising”, off their latest album Immortal Legacy, out now via SPV/Steamhammer, here.

HIRAX European Tour Dates 2015

Mar 13: Hammerfest Festival – Gwynedd (UK)
Mar 14: Ivory Blacks – Glasgow (UK)
Mar 15: Asylum 2 – Birmingham (UK)
Mar 16: Sound Control – Manchester (UK)
Mar 17: Railway Inn – Winchester (UK)
Mar 18: Black Heart Camden – London (UK)
Mar 19: Elpee – Deinze (BEL)
Mar 20: Little Devil – Tilburg (NET)
Mar 21: Scum – Katwijk (NET)
Mar 24: Sala Utopia – Zaragoza (SP)
Mar 26: Sala Lemon – Madrid (SP)
Mar 27: At Mosh Phera Zero – Palencia (SP)
Mar 28: La Petite – Granada (SP)
Mar 30: Les Pavillions Sauvages – Toulouse (FR)
Apr 03: Blue Rose Saloon – Milan (IT)
Apr 04: Randal Club – SVK-Bratislava (SVK)
Apr 05: Bambi Galore – Hamburg (DE)

Jul 09: Obscene Extreme Festival – Trutnov (CZ)
Jul 10: Ozi Pub – Zori (PL)
Jul 11: Atlantic Club – Gdynia (PL)
Jul 12: Slowianin Club – Szczecin (PL)
Jul 13: Progressja – Warsaw (PL)
Jul 14: SO36 – Berlin (DE)
Jul 16: Colliseum Club – Kosice (SVK)
Jul 17: Agressive Fest – Pohori (CZ)
Jul 18: Bang Your Head Festival – Balingen (DE)
Jul 19: Schwarzer Adler – Egelsee (DE)
Jul 20: Coq d`Or – Olton (CH)
Jul 21: Metal Days Festival – Tolmin (SLO)
Jul 22: Conrad Sohm – Dornbirn (A)
Jul 23: K19 – Kassel (DE)
Jul 24: Headbangers Open Air – Brande/Hörnerkirchen (DE)
Jul 25: Stonehenge Festival – Steenwijk (NL)
Jul 26: JH Ohk – Ostend (B)

Hirax on Facebook


Hirax – Immortal Legacy


HIRAX-Immortal-Legacy

 

Thrash is both one of the best and worst genres of metal. On the one hand it’s one of the most enjoyable and satisfying styles going, on the other is the complete lack of deviation a blueprint established 30-odd years ago.

 

Founded in Southern California in 1984, Hirax were there when the original thrash blueprint was being set out by the likes of Metallica and Slayer. The band themselves only managed a couple of well received but relatively obscure albums before taking a break until the new millennium. Now on to their fifth outing, founder and lead singer Katon W. De Pena is the sole remaining member of the original line up, and he’s joined by Lance Harrison (Guitars), Steve Harrison (Bass) and Jorge Iacobellis (Drums). Despite the line up flux, new album Immortal Legacy (Steamhamer/SPV) stays true the Bay Area sound.

 

Producing is Bill Metoyer, who was behind the desk for their first two 80s releases. And from the Philip Lawvere (Kreator’s Pleasure To Kill) artwork to the song titles to the way it sounds, everything about this album has a real classic 80s metal vibe. Musically it’s classic Slayer-meets-Exodus thrash; fast and aggressive. There’s crunching high-octane riffs, plenty of machine gun drumming and De Pena’s vocals range from NWOBHM-esque melody to raw screams.

 

From opener ‘Black Smoke’ through to closer ‘The World Will Burn,’ we’re given 40 minutes relentless metal. If you like high quality thrash, there’s plenty on offer to keep you happy. Whether it’s the shredding assault of ‘Hellion Rising’ or the searing solos of ‘Thunder Roar, The Conquest, La Boca de la Bestia – The Mouth of the Beast’, the band sound full of energy and deliver on the quality. Hirax have created a really strong set of songs here; listened to on their own, ever song is a winner, whether it’s early numbers like ‘Victims Of The Dead’ or later tracks such as the pummeling ‘Violence Of Action,’ the quality doesn’t dip. The problem is that as a whole it’s very easy to become fatigued by the rigid formula they stick to.

 

As a thrash album, Immortal Legacy will be one of the best you’ll hear all year. The band play with an intensity that belies their 80s roots, the song writing is solid and De Pena’s vocals are spot on. The only problems with it are the same as with thrash as a genre; originality is basically extinct.

 

7.5/10

Hirax on Facebook

 

DAN SWINHOE