With the first release in eight years, Norway’s Dødheimsgard return armed with a reputation for the abstract and the almost absurd. Formerly a more pure Black Metal act, 1999’s seminal 666 International saw the band broaden their sonic palette to incorporate a widening range of styles within their sound, often incorporated in sudden ways as opposed to fluidly throughout, with 2015’s return, A Umbra Omega, receiving plaudits and adding to their cult following.