Today Is The Day Release the First single from Animal Mother


today is the day album cover new

Legendary noise, post-metal pioneers Today Is The Day are readying their new album Animal Mother, for release on Southern Lord. They have dropped a new single in the form of a malicious new video for the song ‘Masada’. The video was created with David Hall of Handshake Inc. Led by mastermind Steve Austin, TITD boasts a killer new lineup consisting of Sean Conkling (Regression, Burn Your Halo, Sprawl) and drummer Jeff Lohrber (Enabler, ex-Harlots).

 

From the Press Release:

The first single from Today Is The Day’s tenth LP, Animal Mother, has been released via Metal Injection through a disturbing new video for the ninth track, “Masada,” as the band begins to divulge the newest developments in their massive upcoming tour schedule.

Produced by visual architect David Hall of Handshake Inc., the disturbing accompaniment for “Masada” delivers the track in a vibrant, high-contrast collage of footage, combining imagery born of nature’s itinerary and humanity’s inherently sadistic and perverse ways. Cult leaders summon more flies to the fire while children learn to handle automatic weapons. Brains decay and maggots feast upon the flesh of mammals, while a twisted, obfuscated plot unfolds amidst several unnamed humans in this disgustingly satisfying slab of cinematic madness. Undeniable lust, seething anger, inward loathing and outward aggression all flow in an occult blend of Americana that is as unique as the song. In other words, it’s “Today Is The Day as fuck.”

Issued director David Hall of the video: “I’m always honored when Steve Austin asks me to create a video for Today Is The Day. Early on we decided that ‘Masada’ should be the track people hear first from the new album because it really represents the album in terms of rock and diversity and TITD insanity. Steve wanted a video that would infect minds and reflect the madness of the music. I ate some meatloaf and went on a vision quest and was shown a couple in a desert being corrupted by their dysfunction and desire to control one another. So this is what I made.”

Southern Lord will release Animal Mother on LP, CD and digital download in North America on October 14th, as the band’s first venture for the label. With Animal Mother still lurking in the shadows, the band prepares for an extensive bout of widespread live actions in support of the album. From October 7th through the 26th, Today Is The Day will shred through the US on a headlining tour with direct support from Chicago deviants, Lord Mantis. This is the first phase of touring which will expand in the coming days, taking the band out on several more excursions through the rest of the year and well into 2015. Stand by for more major developments about to be issued in the coming days.

Today Is The Day w/ Lord Mantis:

10/07/2014 Geno’s – Portland, ME

10/08/2014 Sonny’s – Dover, NH

10/09/2014 Spotlight Tavern – Beverly, MA

10/10/2014 Dusk – Providence, RI

10/11/2014 The Pinch – Washington, DC

10/12/2014 The Acheron – Brooklyn, NY

10/13/2014 Kung-Fu Necktie – Philadelphia, PA

10/14/2014 Church – Boston, MA

10/15/2014 The Depot – York, PA

10/16/2014 Cafe 611 – Frederick, MD

10/17/2014 TBA – Long Island, NY

10/18/2014 Jabber Jaws – Allentown, PA

10/19/2014 Hideaway – Johnson City, TN

10/20/2014 The Handlebar – Pensacola, FL

10/21/2014 Siberia – New Orleans, LA

10/22/2014 TBA

10/23/2014 Ground Zero – Spartanburg, SC

10/24/2014 TBA

10/25/2014 Hangar 21 – Shreveport, LA

10/26/2014 Riot Room – Kansas City, MO

10/26/2014 Hi Tone – Memphis, TN

As always, the dejected and vengeful hymns Today Is The Day delivers with their latest opus are among the most scathing passages of audio one will experience, as Animal Mother unloads just short of a solid hour of pure anguish. The band’s lineup features the rhythm section of bassist Sean Conkling (Regression, Burn Your Halo, Sprawl) and drummer Jeff Lohrber (Enabler, ex-Harlots), fronted by cult leader, founding guitarist/vocalist Steve Austin. Through fifteen diversified attacks,Animal Mother‘s wrath recalls elements of several seminal TITD albums, merging the dementia ofTemple Of The Morning Star with the blazing delivery of In The Eyes Of God, yet several acoustic and more melodic angles elevate the LP’s material to entirely different dimensions. The Animal Mother recordingsessions took place at the notorious architect’s own Austin Enterprises in the deeply wooded Maine wilderness this brutal past Winter, the material fully produced and mastered by Austin, and shrouded in original artwork by Samantha Muljat.

Album trailer:

Today Is The Day on Facebook


Enabler – La Fin Absolue Du Monde


EnablerCover

Milwaukee’s own, Enabler, are back and ready to break your face (or maybe just your ears) in their newest release, La Fin Absolue Du Monde (The Compound/Creator Destructor ). Now I will come out and say that I am not really the biggest fan of hardcore punk and normally do not end up at said shows. However, Enabler has done a great service in recruiting me as a fan of what they have to offer. The sheer energy that the Wisconsin threesome create in this newest release is what hardcore bands of today should be modeling themselves after. Enabler is able to create speedy, short songs and give a crossover thrash and d-beat feel but keep their hardcore roots in as well. Lastly, well-timed breakdowns are extremely important and should not be the center of the song. So out of the 14 neck-breaking tracks, I was able to pick out a few of my favorites, although just about every song was enjoyable.

‘Neglect’ has one of my favorite riffs/tones on the album as Enabler keeps it really crusty which is one of the big selling points for a hardcore band for me. I love the pace of the song as well as it starts off quick then just runs into a breakdown and stays in that tempo to finish off the song. My favorite lyrics come from the end of the very next track, ‘I’ve Got a Bad Feeling About This’ and no, this is not a cover of Taking Back Sunday. The listener is once again greeted to a high-speed tempo attack to start of this track. Just when your neck starts to hurt, the tempo slows down but the aggression picks up. At the end of this track, the lyrics, “No future, no fate, there’s nothing but the lives we make” is repeated a few times. Not only do I completely agree with these lyrics, but the delivery of the message wrapped in the Enabler energy got my goose bumps to grow goose bumps. One last song I wanted to point out, which happens to be the longest song on the album at 5:46 in length, is ‘Felony.’ The intro riff to this song almost sounds like some sort of alarm you would hear out of a Silent Hill knock-off as it gives off vibes of something big coming. The song hits a crescendo that kicks into the high-speed tempo I’ve come to highly enjoy throughout the album until we hit what sounds like a build up for a breakdown. What we get instead is a breakdown that has the most epic feel to it that literally brings the song down back to just a crusty guitar riff until that too fades away.

Overall, it only took me a few spins of this album to get hooked on it. This band has indeed earned at least one more fan today in me and I will be searching for more at this point without a doubt. Looking back on La Fin Absolue Du Monde and the sound that Enabler is pulling for, I can only wish that I am able to review their next tour when it comes through my way. And maybe, just maybe, Cancer Bats can be included on said tour as well. Wink wink. Nudge nudge.

 

8/10

Enabler on Facebook

 

TIM LEDIN


EyeHateGod – Ringworm – Enabler- Phantom Glue: Live at Brighton Music Hall, Allston


Eyehategod-tour-poster

 

Sludge. The very name almost exudes a summer feeling about it. Just as black metal is clearly the music for frozen months of the year, great sludge and doom sounds like the music of the season for sun and sweat. This was evident by tonight’s show in Allston Rock City where we punished our ears and mangled our vertebrae in the name of metal for EyeHateGod. The band is enjoying a resurgence with an excellent new self-titled release, their first in 14 years. EyeHateGod is a band that everyone mentions as an influence, but certainly this generation is behind on their lessons in depraved southern metal violence. They are not a pretty band of well-manicured fake rockstars: these guys were born to the streets of disrepair, they are as real as it gets, and raw to the bone musically and mentally.

 

After chilling with my dude Bill Richards of Metal Wani before the show, we made our way up the block to the venue. Opening up the night are local favorites Phantom Glue and what a perfect band to open. A blend of weed-soaked grooves and crushing beats, if you are not familiar with their last album A War of Light Cones, stop reading this, go to their Bandcamp and buy it right now! We’ll wait a few minutes for you to come back and read the rest of this review. Anyway as usual, they were loud, raucous and crusty! The swelling local crowd filled up the room during their set, and headbanged lustily. If there was a list of bands that are going to the next big thing out Boston, a city with tons of quality underground bands right now, Phantom Glue would surely top the list or come close depending on whom you chat with. This was a good start to a fun night.

enabler (9 of 9)

 

Enabler came on next, although it seemed like an eternity for them to hit the stage. I am used to seeing this band play small stages, and never with such a big professional set-up such as this. The first few minutes of the Enabler set, you almost felt like it was their own headline show they raged so much. On the strength of their new album La Fin Absolute Du Monde (Creator-Destructor/Earsplit Compound), this is a band on the rise. Jeff Lohber does unreal amounts of rocking out with his lanky frame shaking all over the stage. His economical guitar style enables him to touch all the bases from thrash, death beat to a punky-blackened crust and back again with ease. Bassist Amanda Daniels rocks it finger-style, at a time when many prefer the attack of a pick. Don’t let anyone tell you other-wise, plucking bassists are better than pickers, especially in metal. She is also backing up on vocals much more than I recall from their earlier tours. Not only did they play a killer set, they are awesome people to hang out with, as I did, chilling in the van with Jeff for an interview after the set, along with my pal Matt Darcy of Nefarious Realm.

 

ringworm (10 of 11)

 

Every time Ringworm plays Boston, it’s a freaking bloodbath. The fact is they can’t help their history as one of the early leaders of metally-hardcore (I refuse to call them metalcore, people) from the Cleveland scene. There are fans that specifically come out to hear those old songs and bash people in the pit, and that’s fine with me. What Ringworm has actually done is matured into a veteran sludge act, capable of much more as a band than when they started out. Human Furnace is an approachable, mellow guy off-stage, but with a mic in his hand he is like a prize-fighter: out for blood. The pit had the most action it was going to have all night, but of course. Songs like ‘Amputee’, ‘Birth is Pain’, and ‘Dollar Whore’ are mandatory pain-inducing hymns for the modern age. The entire band seemed to be energized by the love for them in the room and played their asses off too.

eyehategod (19 of 23)

Earlier in the night I had seen Jimmy Bower outside of the club and and thanked him for my recent interview with him regarding Down. Back inside the tension was building to an unbearable level, although that could have been the beer and heat talking too. I had never seen this venue so filled up and body to body tight. There was a rare barricade tonight as well, as much for the band as it was there for the fans and you just knew what was coming. As the band hit the stage I again spied my man Bower, setting an entire six pack on his stack for drinking. I had to laugh! Mike IX Williams checked to see if the readiness was all, and then yowled into the microphone, “We’re EyeHateGod from New Orleans, Louisiana!” Just then an ear-drum wrecking wave of feedback came from the amps and just blew the top off this party. Even from my vantage point on the side of the stage it was perilously high volume. The impressive thing about the sound was it was loud without being too muddy, especially the guitars, which is a good thing. Mike dragged the mic stand around like a dead body while spitting his genius lyrics about pain, poverty, loneliness, and death at the crowd. If the band weren’t masters of all-mighty doom riffs, and were a coffee shop playing, acoustic jam band; I’d still come out to see Mike. He is one of the most compelling artists of the last 35 years, so whatever he is doing in your town, go see him whenever you can. True to form, it isn’t a Mike IX appearance in Boston without a “Where’s Seth? Is Seth here?” joke or two, in tribute to their late ally Seth Putnam (Anal Cunt).

eyehategod (3 of 23)

 

EyeHateGod plays with about as much musical telepathy as you would imaging a band around this long has. The interplay between the members on stage is not telegraphed, but there definitely seems to be a presence shared by them. Led by Bower, his playing dominates as he mans the corner of the stage, always jamming with a lot of passion. Aaron Hill, now filling the drum throne for the departed skin smasher Joey LaCaze, did a great job all night. He is definitely the perfect guy to carry on with. Meanwhile Brian Patton and Gary Mader just groove so perfectly together along with Bower, you have to take notice. Smashing through song after song, you wonder how these guys can stand the volume and the weight of the music. People all around me, losing their minds, to match the guys on stage doing the same. Newer songs like ‘Robitussin and Rejection’ fit in with classics like ‘Sisterfucker’, ‘Medicine Noose’, and ‘$30 Bag’ really well. By the end of the night Jimmy’s six pack was empty, the band looked drained, and everyone in attendance was spent. Thank you and goodnight!

 

[slideshow_deploy id=’6959′]

 

EyeHateGod Set List:

New Orleans Is the New Vietnam

Sisterfucker (Part I)

Sisterfucker (Part II)

Robitussin and Rejection

Medicine Noose

Agitation! Propaganda!

Methamphetamine

Parish Motel Sickness

Dixie Whiskey

$30 Bag

Kill Your Boss

 

EyeHateGod on Facebook

Ringworm on Facebook

Enabler on Facebook

Phantom Glue on Facebook

 

WORDS: KEITH (KEEFY) CHACHKES

PHOTOS: MEG LOYAL PHOTOGRAPHY