Wizard Rifle – Here In The Deadlights


wizard rifle album cover

 

Wizard Rifle are back with the new album Here In The Deadlights with the promise to continue the demand of tearing down the conventional ways of music.

The album begins in an atmospheric way reminding post-metal soundscapes, but it ends to burst with a powerful and cacophonic rock with some sludge metal nuances. We also can find some punk influences, like in the track ‘Buzzsaw Babes’, but always with the sludge pinch in the song’s height.

The bass guitar has an important, robust and distorted presence helping the tracks to have a full and fat global sound, sometimes even accompanying the guitars. There are also two vocalists performing at the same time, but they don’t deviate a lot between each other – it’s like two in one. Once again, the punk guidance is very present in the vocal’s department.

In ‘Paul The Sky Tyrant’ we can attend to more traditional doom moments which go from the vocals themselves to the sluggish guitar riffs that are so characteristic of the genre. Still regarding this song, we even have time to witness a final passage delivered by twin guitars. In spite of the initial phase comprised by a weird and disturbing rock, the album evolves to a truly doom personality sometimes headed by a lead guitar without losing sight about the distorted and heavy background. Still, we will be pleased with a jazz oriented passage in the beginning of the track ‘Psychodynamo’ in which improvisation really seems to rule.

In the end, and after some listening, I believe it’s hard to label Wizard Riffle and in fact it’s always quite square when a band encloses itself in one single genre or style. Let’s say that Wizard Riffle are influenced by doom, sludge and rock, but always with an experimental vision and very unique of opened minds to the unknown that are commanded by the impulse of create the maximum discomfort towards the conventional.

7/10

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DIOGO FERREIRA


Job For A Cowboy – Sun Eater


jfac new album cover

 

Job For A Cowboy have a new album, titled Sun Eater, which is released by Metal Blade Records, and despite the several changes in the lineup – having just the vocalist Jonny Davy as the original member , the band has been cohesive since 2011. Also, in spite of their evolution from deathcore to a more compact, yet somehow technical, death metal, we still can find some old vestiges in this new record.

It may seem mannered, but it won’t be if listened – I mean, we can hear some vocals similar to what Dani Filth used to do in the Damnation And A Day era in Job For A Cowboy’s opening track, ‘Eating the Visions of God’. Another interesting detail can be found in ‘Sun Of Nihility’ as we have a rhythmic guitar which joins the soloist one and suddenly it will be back to its rhythmical role again.

The bass lines are constantly present and the bass will even superimpose the distorted power delivered by the two guitars. The fat, yet perceptible, sound full of rhythmical details is a delight to every bass lover. Sometimes, it is utterly the main instrument performing as the protagonist, like in ‘The Stone Cross’, when the grunted stanzas are delivered by Davy on vocals.

The guitar riffs aren’t always just full-bodied ones comprised by the characteristic death metal power-chords, but we can find complex and melodic structures which accompanies the vocalist in his diversified approach. On other hand, the drums also present some good moments of technical efficacy in which the regular pace can be transformed in a crazy reverie that completely changes the supposed simplicity of the moment, like in ‘A Global Shift’. Generally, the strong double pedals appear with preponderancy in some instants giving fastness to the tracks.

Job For A Cowboy introduced some youngsters to extreme music ten years ago in the USA and even in Europe, but these guys aren’t 15 or 16 anymore, so give them a chance and listen to this new Sun Eater if you like death metal with deathcore roots.

 

7.0/10

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Brant Bjork And The Low Desert Punk Band – Black Flower Power


bb and tdpb

Known for his work with Kyuss in the 1990s and more recently with Vista Chino, Brant Bjork, likewise his bandmate John Garcia, will release the solo album Black Power Flower under the flag of Brant Bjork And The Low Desert Punk Band, via Napalm Records.

Without wanting to compare artists and albums, Brant Bjork also wished to create more personal music with this new album, but on the contrary of John Garcia, Bjork goes more stoner and more traditional within the genre than Garcia went on his solo endeavor. ‘Controllers Destroyer’ opens the record in a conventional way with fat riffs accompanied by reminiscences of the doom sound, but ‘Stokely Up Now’ gets a rockier orientation giving the song a wider soundscape not being so muddy and somehow claustrophobic as usual. However, both directions aren’t always kept away from each other since the track ‘Budha Time (Everything Fine)’ is a fusion between stoner rock and rock’n’roll: if the strong guitar is doing its role in a supportive manner, a cleaner one is constantly breathing solos.

The album also has room for experimentation outside the stoner regular sonority as we have twin-guitars in ‘Ain’t No Runnin’’ and some guitar effects like wah-wah in ‘That’s A Fact Jack’ alternating with heavy riffs and a strong drumming work offering more vigor to the chorus. And finally, a shy desert psychedelic passage is delivered in the last song ‘Where You From Man’ because of the repetitive and somehow hypnotic canvas personalized by the well-paced drums and the several effects played in the guitars.

It seems that after a controversial period between the attempt to re-ignite Kyuss and the lawsuit by Josh Homme (QOTSA), the ex-members of that iconic band are at last enjoying the fruits of their work and reaching the success they deserve for the long time career they’ve built with sweat. Now, let’s wait for another Vista Chino album…

 

brant bjork promo photo 2014

7.5/10

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DIOGO FERREIRA