Sepultura Announce “Sepulnation – The Studio Albums 1998 – 2009”


Sepultura has announced the release of their first boxed set from their second era of the band. Sepulnation – The Studio Albums 1998 – 2009 boxed set will arrive as a 8 LP Box Set And 5 CD Box Set editions via Bmg on October 22nd, 2021. The five-album boxset (across eight slabs of vinyl or five CDs) contains the albums; Against, Nation, Roorback, Dante XXI and A-Lex, all of which are half speed cut, remastered and back on 180g vinyl for the first time in a decade and also as a collector’s CD box. In addition, the Roorback album features the rare Revolusongs EP, which is available for the first time digitally and saw the band celebrate their influences with covers of bands as musically broad as Devo, Exodus, U2 and Massive Attack! Watch a new video of their version of Public Enemy’s ‘Black Steel In The Hour Of Chaos’ from the Revolusongs EP,  and pre-order the set below. 

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Corrections House – Know How To Carry A Whip


correctionshousewhip

Know How To Carry A Whip is Corrections House‘s second album following on from 2013’s unique Last City Zero (both Neurot). Colder, Harder, Bleaker than before, Know How To Carry A Whip takes that what they did before and refines it.

A potent mix of clashing styles hung together with a framework of pounding industrial beats and loops, punctuated with mechanical clanking courtesy of Sanford Parker, leave the listener on the back foot as the rhythm travels down the off-beaten track. This mechanical cacophony brings to mind the factory sounds of the industrial English midlands which famously inspired Black Sabbath and continued with bands like Godflesh of which this shares a sense of aesthetics.

Layers are hammered together disjointedly with crushing and oppressive riffs courtesy of Scott Kelly (Neurosis) and Bruce Lamont (Yakuza), which feels like you could imagine Dälek covering Neurosis’ Through Silver In Blood (Relapse) would sound like, whilst also having a similar feel to DHG in the way the styles are shoved together.

Added to this potent mix, Mikey IX Williams (Eyehategod) puts in one of his finest performances to date with his distinctive lyrics and poetry that’s both persuasive and abrasive, a dystopian flow of decadent imagery and sharp-witted wordplay as evidenced on song titles such as ‘Crossing My One Good Finger’ and ‘I Was Never Any Good At Meth’ delivered with fervour of a manic street preacher who’s doing it for his own amusement rather than to save anyone in particular.

This is most notable on the tracks ‘Superglued Tooth’ and ‘Hopeless Moronic’ which contains some Mikey’s more memorable lines, delivered with cold calculated fury and working in tandem with Scott Kelly‘s intoned incantations and reverberating roars: layer upon oppressive layer of jarring discordance and a cold machine-like calculation make this album a step up from their first album.

‘When Push Comes to Shank’ shows more than a smidgen of influence from Joy Division, but with even more despair: love won’t tear you apart it’ll leave you in an alley missing a kidney. The album finishes on the lengthy ‘Burn The Witness’ a bleak meditation on the industrial world grinding to a halt and tearing itself apart with a fury and efficiency, machines drown in a black sludge of despair.

Know How To Carry A Whip sounds like a soundtrack to the end of the world as we know it, and it sounds more relevant with each and every listen.

 

9.0/10

 

RICH PRICE