Although hard rock and heavy metal existed in Canada before the emergence of Jonquière genre dodgers Voivod, the loudest expulsions of northerly rage still generally belonged to disgruntled ice hockey fans and angry moose. While prog legends Rush had already made a name for themselves and acts like Exciter and Anvil were slowly gaining the attention of metal fans across the world, Voivod were about to take Canadian noise to an entirely new level.
When the death metal scene blew up in the early nineties, it was exciting to watch fresh new blood delivering a much-needed kick up the backside to many lethargic established acts. However, with little room for growth and proliferation of bands all covering the same ground, stagnation, and panic soon set in. Just as their predecessors had found, forward-thinking and experimentation were often frowned upon while the alternative was perceived as merely playing safe or laziness. It was survival of the fittest in a catch-22 situation and the fans were a fickle and unforgiving judge.
Thrash. Post-Thrash. Punk. Speed. Sci-Fi. Industrial. Proto-Industrial. Avant Garde. Space. Alternative. Progressive. Nuclear. Some quite frankly preposterously named musical genres and subgenres, but into all of which Canadian act Voivod has been unwillingly pigeon-holed over the years. Having firmly refused to be anchored to any one particular style, the band has actually become a little more settled of late, their current approach now reined all the way back to just including all of the above and a small handful of others.
One of the challenges for any band is the creation of a signature sound; that all-important, defining quality which will make them instantly recognizable above all others. The fact that Canadian proggers Voivod have changed their style so many times over the years (they have been labeled Thrash, Speed, Industrial, Sci-fi, and even Nuclear Metal) yet have always managed to retain their unique identity, is a laudable achievement.Continue reading