Canadian four-piece The Beaches always know how to a) have a damn good time and b) write songs that while they may be tongue-in-cheek, are also stupidly catchy and/or memorable. And their newest work is no different.Continue reading
Tag Archives: alt
ALBUM REVIEW: Kelsy Karter And The Heroines – Love Made Me Do It
As soon as it became clear what Kelsy Karter And The Heroines were all about, I knew I was in for a joyride like no other, and I was ready as ever to be completely immersed in it.Continue reading
ALBUM REVIEW: Therapy? – Hard Cold Fire
While resilience and, well, pure obstinance (so much for the ten-year plan, hey?) have been foundation stones to the story of Irish alternative noise rock stalwarts Therapy?, there are also certain relationships that have been integral throughout their journey. The three-decade (plus) partnership of singer/guitarist Andy Cairns and bass-pounder Michael McKeegan is one, the teaming up with Marshall Records on phoenix album and Marshall’s first release, Cleave (2018) feels important, too particularly as it was a release that also saw them reunited with producer Chris Sheldon, the man behind the mixing desk of the seminal and still majestic Troublegum album that catapulted Therapy? to mainstream success in the mid-nineties.
Silver Snakes – Saboteur
It’s always fun to get an album that defies not only your expectations but also easy definition. Saboteur [Evil Ink Records founded by Coheed & Cambria’s Claudio Sanchez], the third album from California crew Silver Snakes, features a very nondescript cover that reveals little more than the title of the record and the name of the band, but inside is 50 odd minutes of heavy rock well worth delving into.
Much likes previous outings, Saboteur is a trip across the whole spectrum of alt rock. But compared to 2014’s Year of the Snake [Bridge9], this album feels more self-assured. Each song has its own style: sometimes grungy (‘Raindance’), sometimes punky (‘Electricity’) sometimes even inching towards industrial (the atmospheric ‘Glass’ or stomping ‘Charmer’).
Though there’s a range of styles and calls to mind any number of 90s bands – Nine Inch Nails most of all – but bring everything together nicely into one package. Frontman Alex Estrada shows off an impressive range of vocal abilities both heavy and emotive (but without ever straying into whiny territory).
Short and simple rockers sit amongst longer, more adventurous pieces, all broken up with brief instrumental reprieves, and there are plenty of left turns even within the songs. The seven-minute ‘Devotion’ is a mashup of hardcore sludge and ethereal jamming, while ‘Dresden’ strays into heavy psychedelica before slamming down some crushing post-metal riffs.
Saboteur is a hard record to pin down. For sure an upgrade on previous efforts, it jumps confidently in style and tone at a moment’s notice without compromising on quality or cohesion. Adventurous, energetic and interesting.
8.0/10
DAN SWINHOE
[amazon asin=B018SYN5JC&template=iframe image1]