ALBUM REVIEW: Architects – the classic symptoms of a broken spirit


 

Architects have been a busy band indeed these last couple of years, and it was initially somewhat of a surprise when they announced the release of their tenth studio album so soon after 2021’s game-changing career-shift in style on For Those That Wish To Exist, and the records accompanying Abbey Road Live recording that was released earlier this year.

But with For Those That Wish To Exist providing the Brighton based band their first UK number one release, and a diminished touring cycle providing the increased opportunity for writing new material and hitting the studio, it actually makes sense that Architects are looking to capitalise and continue their momentum on the upward trajectory into the arena rock band they are becoming.  

Continue reading →


ALBUM REVIEW: Architects – For Those That Wish To Exist: Live at Abbey Road 


Last year, UK metalcore masters Architects showed a new side of their souls with their ninth album For Those That Wish To Exist (Epitaph Records). Now with their performance at the iconic Abbey Road Studios, each song shines in its full potential for a historic mark in the band’s career. 

Continue reading →


EP REVIEW: Four Stroke Baron – Monoqueen


When I first heard Four Stroke Baron, I had no idea they were going to be one of my favorite finds of the year. “What kind of a name is that?” I thought, bracing for the worst. Man, was I floored by what I found. A pummeling barrage of progressive metal with crushing riffs and a blazing 1980’s synth crescendos that just don’t quit, yet really lit my fire was the vocals. Bucking the metal cliche of trying to come off as heavy and bröötal as possible, vocalist Kirk Witt delivers powerful lyrics in a meek and almost anxious style that puts you on edge and adds a sense of forlorn urgency to many of the tracks.

Continue reading →