Pure Noise Records is well-known for the label’s pop-punk proclivity and delectable array of alternative rock signees, It’s an avenue to both discover up-and-coming acts and to rekindle interest with longstanding mainstays.
But more importantly, it’s the nascent ability to find bands that fit that bill while also exuding distinctive, recognizable albums that both keep within those confines and stave off staleness.
The Best Part About Being Human is the latest release from Bearings, a Canadian quintet which-subtly mixes up styles and sounds while also providing a serviceable soundtrack for summertime BBQs and the like.
‘Shaking Up The Scenery’ is an appropriate opener as it energetically sets the stage and implements an effective alternation of vocals, line for line. Much of this record is inviting, soothing, and warm, which makes sense given the album’s title.
‘Slip’ and ‘Don’t Wanna Forget About It’ bring favorable hooks and ‘Gone So Gone’ is bouncy and liberating. And despite its name, ‘Blood Jam’ is in fact energetic and chill, with nary a drop of blood to be seen (hopefully).
The cream of the crop (at least personally) is ‘Ocean Dream’ and its completely out-of-nowhere saxophone that lusciously blends into a solo. Other bands certainly should take note, because there is quite possibly never a bad time for a saxophone appearance.
Circling back to the beginning, the best part about being a Pure Noise band is Bearings fit right in while, characteristically fending off becoming bland, repetitive background noise. It’s organically fluid and tightly constructed.
Even though it is strong music for parties and get-togethers, played as the main attraction, The Best Part About Being Human retains its position as a focal point.
Buy the album here:
7 / 10
MATT COOK