June 29th 2024, was a night to remember as Greece’s greatest metal export, Rotting Christ celebrated 35 years as a band. Presented by Rockwave Festival, the show was held at Lycabettus Theatre, which is located on a famous beautiful viewpoint overlooking all of Athens. Opening the show for them was Greek Occult Black Metal legends Varathron.Continue reading
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ALBUM REVIEW Yoth Iria – As The Flame Withers
While Yoth Iria has been recognized for featuring members of groups like Rotting Christ and Necromantia, their first full-length isn’t necessarily cut from the same cloth as their forebears. As The Flame Withers (Pagan Records) features the riff-driven structures and melodic flourishes common in most Hellenic Black Metal but pushes them to even further extents thanks to the equally prominent Traditional Metal and Doom influences. The results are comparable to Agatus’s The Eternalist, which featured a similar Blackened Heavy Metal mindset.
Varathron – The Confessional of the Black Penitents
A pivotal part of the Hellenic black metal scene along with Rotting Christ, Varathron have remained consistent since their inception way back in 1988. Following the success of last year’s Untrodden Corridors of Hades, the Greek lords of darkness return with their EP The Confessional of the Black Penitents (both Agonia). I use the term ‘EP’ loosely, with a run time of 40 minutes it’s more of a mini album, consisting of 3 new tracks and 4 tracks recorded live in Larisa, Greece earlier this year.
Varathron are as strong as ever, their innovative stamp on black metal continues to flourish as The Confessional… proves. The title track is atmospheric and alluring, with a ritualistic tribal feel and immediately recognisable growl from vocalist and remaining original member Stefan Necrobyssious. ‘Sinister Recollections’ and ‘Utter Blackness’ further demonstrate Varathron’s aptitude to creating imaginative black metal, the guitar riffs and solos are prominent and catchy, while mysterious chanted vocals in the background encapsulate a Bathory style grandeur that injects a majestic atmosphere.
The aforementioned live tracks are extremely well recorded; as in until the cheering crowd interrupts I was none the wiser it was live, but therefore showcasing how well their music translates to the live environment. ‘Unholy Funeral’ (taken from 1993 Cyber Music debut His Majesty at the Swamp) is a full on rifftastic onslaught, whereas ‘Kabalistic Invocation of Solomon’ takes a mid-paced approach, embracing a more dark brooding atmosphere.
The Confessional of the Black Penitents not only shows great promise for the forthcoming LP but stands alone as a strong black metal record.
7.5/10
HEATHER BLEWETT