ALBUM REVIEW: Star One – Revel In Time


It’s been twelve years since composer Arjen Lucassen released 2010’s Victims Of The Modern Age under the Star One banner, which in itself was eight years removed from 2002’s Space Metal. Fortunately, the project’s vision remains intact despite its sporadic output with all the tropes that fans have come to expect out in full force on Revel In Time (InsideOut Music). There’s plenty of cheesy Prog goodness to go around informed by Power Metal tempos, crunchy guitars, bombastic keyboards, and a slew of vocalists delivering pop culture Sci-Fi lyrics in over-the-top fashion.

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ALBUM REVIEW: Tony Martin – Thorns


Tony Martin has kept his name out there with some guest performances in recent years but full-lengths have been unfortunately rare to come by. Thorns (Dark Star) the singer’s third solo album, has been a long time coming, being his first full appearance since Giuntini Project‘s IV in 2013 as well as his first proper solo outing since 2005’s Scream (MTM). While this effort could’ve just been a stopgap for Martin to reassert his brand of doomy AOR, it ends up being an opportunity for him to explore some different aspects of his style.

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ALBUM REVIEW: Tyrant – Hereafter 


Tyrant’s long-awaited fourth album, Hereafter (ShadowKingdom Records),  has come out under some rather interesting circumstances. In addition to serving as the Pasadena veterans’ first full-length since 1996’s King of Kings, Hereafter sees journeyman vocalist Robert Lowe at the helm in place of Glen May. The prospects of this collaboration are certainly intriguing, especially as a fan of Lowe’s work with Solitude Aeturnus and Candlemass. I wouldn’t go so far as to think of it as Tyrant gone doom, but it approaches their established sound from a noticeably different angle.

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