ALBUM REVIEW: Hellripper – Warlocks Grim and Withered Hags


 

Hellripper is the one-man retro Blackened Thrash metal project from Scotland’s James McBain, who has been purveying his retro sounds since 2014, releasing a number of EPs including debut The Manifestation Of Evil (2015) and Complete And Total Fucking Mayhem (2016) before dropping the full-length Coagulating Darkness in 2017. 

Continue reading →


ALBUM REVIEW: The Riven – Peace and Conflict


I’ve always pictured the Stockholm-bound The Riven as the Swedish version of Thulsa Doom – similar vibes, similar undertones, and similar upbeat resonances. The RIven, as far as I observe, has always been influenced by the sounds from the golden age of classic rock; the 1970s and 1980s. Their sounds are genuinely hard-hitting, sharp-shooting, and they appear to be the kind of sounds that would make you want to headbang as the exciting memories in your head replay themselves in retrospect whilst you listen to them. In terms of genre classification, they might pass as heavy blues rock with progressive, psychedelic, and classical influences and a strong emphasis on menacing riffs as well as vigorous vocals. 

Continue reading →


ALBUM REVIEW: Tuk Smith and The Restless Hearts – Ballad of a Misspent Youth


 

The opening strains of Ballad of a Misspent Youth (MRG Records) by Tuk Smith & The Restless Hearts reminds me of old KISS. It’s the sound of the guitars. There is a bit of The Black Crowes thrown in for good measure. It’s hard driving and pop-ish with a punk tinge. The guitars are simple yet sonically pleasing. The album continues this stylistic choice with savage awesomeness. Be prepared, Ballad of a Misspent Youth is solid from start to finish with plenty of songs that will get stuck on constant rotation. 

 

Continue reading →