ALBUM REVIEW: Imminence – The Black

Arising from Trelleborg, Sweden, the ambitious quintet Imminence continues to reinvent Metalcore with their new album The Black. The group is known for breaking the genre’s boundaries with their use of violin and combining classical arrangements with breakdowns, blast beats and cataclysmic vocals. While Metal and Classical is one of the last combinations you would ever expect to hear, the band has always blurred the lines seamlessly between the styles. However, with this album, the Classical is more prominent than ever, while somehow making the Metal aspects hit an even deeper part of the soul for an almost spiritual experience. Continue reading

Imminence Release New Single for “The Black”

Hailing from the south coast of Sweden, the trailblazing alternative metalcore ensemble, Imminence, has boldly carved its niche in the musical realm over recent years. Defying all expectations, the quintet has meticulously crafted a sonic tapestry that transcends the boundaries of the genre. Their brave fusion of classical string arrangements interwoven with the raw power of ferocious Scandinavian metal creates a captivating auditory experience. In both sound and visuals, Imminence emerges as a beacon of innovation and excitement, establishing themselves not just as a band but as pioneers charting new territories in the ever-evolving musical landscape. Their new album The Out April 12th, 2024. Up front to the album release in merely a month, Imminence announces the new single and title track and video for “The Black!” Continue reading

ALBUM REVIEW: Asking Alexandria – Where Do We Go From Here


Sometimes an album can be considered on its own merit, or with just a passing reference to the context it exists within. For others, they can, indeed, should, be linked to a “run” or an arc of albums within a period of a band’s career. And for some, it is worth going back to the beginning to truly see the big picture of what and why a specific album is

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If you need some music mainlined into your soul to beat back those mid-week blahs, why not some Southern Rock? BEiTTHEMEANS are dropping a new EP on August 31st, Alabama Calling (Cornelius Chapel Music). If they feel familiar to you, you might have recognized their infectious jam ‘All My Kinfolk’ from season five of hit FX series Sons of Anarchy. Ghost Cult is proud to partner with this badass power trip to stream their new single ‘Blue Collar’. Turn it up and press play right now! Continue reading

Asking Alexandria Officially Reunites With Danny Worsnop, Denis Stoff Departs

Asking Alexandria Band_Photo_2014

Metalcore leaders Asking Alexandria have officially announced the return of former frontman Danny Worsnop to the group, and the departure of Denis Stoff. Details below: Continue reading

Asking Alexandria – The Black

Asking Alexandria the Black Sumerian Records ghostcultmag

Yorkshire’s favorite sons Asking Alexandria are back with a new full-length, determined to put the ghosts of the past behind them and seize some sort of unofficial metalcore crown and miter. This being the first album of new music since the much talked about departure of former frontman Danny Worsnop (We Are Harlot), who himself was synonymous with the band, the band has been under massive scrutiny. Factoring in the challenges of incorporating new singer Denis Stoff (Sharforostov) of AA soundalike Make Me Famous, and the fact that some of the fans doubts, you could say this release came at a critical juncture. Never being one to back down from a challenge, guitarist/band mastermind Ben Bruce and his new singer mostly crafted an album as strong or better than anything in they have done. To the most cynical, die-hard fan this music will squash any notion that the band could possibly fall off without Worsnop. The Black (Sumerian) will likely be looked back in the future as a pivotal album, the time when metalcore grew up, without watering it down as a genre.

While droves of the scene bands strive to run away from their roots (Parkway Drive and BMTH among others), Asking Alexandria has made a metalcore history lesson of sorts. The sound of the band on The Black covers where they were when they started with Stand Up and Scream (Sumerian), to the present. It is a well written, immaculately produced affair and a lot of props has to be given to Ben Bruce and his bag of licks. ‘Let It Sleep’ raucous battle cry. Straight in the typical style of the band, it is harsh, grooves, and has a terrific refrain for screaming along with. Denis just bruises his way through the track, like puncher in a prize-fight.

The title track is a beast too. The simple driving riff could be mistaken for Five Finger Death Punch or Sevendust, but all the heaviness the band is known for bringing. The chorus is massive, and these first two songs are going to be blaring out of car windows and scarring soccer moms all summer. ‘I Won’t Give In’ follows and is kind of a unique metalcore power-ballad of sorts. It’s not the best track here, but the tempo and the delivery have the desired dramatic effect they were going for. ‘Sometimes it Ends’ is the only song that blatantly addresses the Worsnop split and the fallout. The track is phenomenal and has the power and a flavor the band hasn’t really shown before. Perhaps one of their best tracks to date in terms of brutality and songcraft.

asking alexandria band 2016 ghostcultmag

‘The Lost Souls’ is a lament for the millennial generation and another strong cut. It seems like the band focused on making these massive tracks, but without too much clutter. Stoff gets on the Chester Bennington/Jonathan Davis level emotionally here vocally. You can just close your eyes and imagine the massive festival crowds screaming this in unison. Returning producer Joey Sturgis may have out done himself here.other strong tracks include the ‘Send Me Home’, ‘We’ll Be OK’, the epic balladry of ‘Gone’, and the closing track ‘Circled By Wolves’. There are a few tracks here that aren’t the strongest top to bottom, but none of them are skippable moments.

With this new batch of powerful songs and Stoff and his flexible vocal chords in tow, you see the band living up to all the promise and hype they have been given, instead of falling off.




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Audio: Asking Alexandria – Here I Am

Asking Alexandria the Black Sumerian Records ghostcultmag

Ahead of their new album The Black due out March 25th from Sumerian Records, Asking Alexandria are streaming a new song. ‘Here I Am’ can be heard at this link or below:



 Asking Alexandria, by Bret B Photos

Asking Alexandria, by Bret B Photos

The Black will be the first new music with new frontman Denis Shaforostov at the helm. Guitarist Ben Bruce reflects on changing singers and the new course the band has set:

“We hadn’t reached our destination yet, and Danny (Worsnop) had. I think it was necessary. When it happened, I was devastated. I lost my best friend. We even started referring to this part of our career as ‘the black period.’ It was the darkest time, but we weren’t going to give up. If he hadn’t left, I don’t think we would’ve been as inspired as we were. I also don’t think Asking Alexandria would still be around. Instead, we’re more excited than ever about this band.”


asking alexandria band 2016 ghostcultmag

The Black track listing:

01. Let It Sleep

02. The Black

03. I Won’t Give In

04. Sometimes It Ends

05. The Lost Souls

06. Just A Slave To Rock N Roll

07. Send Me Home

08. We’ll Be Okay

09. Here I Am

10. Gone

11. Undivided

12. Circled By The Wolves


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Audio: Ben Bruce Of Asking Alexandria Guests On The Jasta Show Podcast

the-jasta-show (1)

Ben Bruce, guitarist of Asking Alexandria is the latest guest of The Jasta Show Podcast, hosted by Jamey Jasta of Hatebreed. You can hear the podcast at this link or below:



 Asking Alexandria, by Bret B Photos

Asking Alexandria, by Bret B Photos

Be and his band just wrapped up The British Invasion tour with Bullet For My Valentine and While She Sleeps. In the podcast Ben and Jamey discussed the search for Asking Alexandria’s new singer, Sumerian Records, New Jersey, Danny Worsnop, radio, Kanye West, Scorpions, Robb Flynn, UFOs, programmed drums, backing tracks, and Ash Avildsen.

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