ALBUM REVIEW: Carpenter Brut – Leather Terror


The second part of his ongoing conceptual “Leather” trilogy, Frank Huesco, the French darksynth artist better known as Carpenter Brut, follows up 2018’s Leather Teeth with the sequel, Leather Terror (No Quarter Productions/Universal Music/Caroline Records). Conceived during lockdown and featuring absolutely no electric guitars, this latest synth-driven piledriver serves as the soundtrack to an imagined 1987 horror movie about Bret Halford, a nerdy science student who resorts to somewhat dubious scientific methods to win a girl from her high school jock boyfriend. After his experiment turns unrequited love into disfiguration and madness, Halford becomes “Leather Teeth”, the scarred, peroxide blonde frontman of glam rock band Leather Patrol. Picking up the story at this point, Leather Terror uses its twelve tracks to show Halford taking his new serial killer rock star identity and wreaking revenge on those who abused him.

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ALBUM REVIEW: Perturbator – Lustful Sacraments


James Kent, based in Paris, has released several records since 2012 under the name Perturbator. His music under this moniker can be loosely defined as synthwave but, in reality, Perturbator’s evades such straightforward categorisation. Incorporating elements of early synth-based music, as well techno, gothic rock, ambient music, and metal, Perturbator has been compared to Kraftwerk, John Carpenter, and Nine Inch Nails, amongst many others.

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