Pestilential Shadows – Ephemeral


pestilential shadows - ephemeral cover

 

If you ever need reminding how insular Metal has become, and how incomprehensible it can seem from the outside, tell a non-Metal friend that “Suicidal Black Metal” is an acknowledged sub-genre term and see how they respond.

Pestilential Shadows play the kind of slow, “atmospheric” Black Metal that trades aggression and chaos in for bleakness and stark melody. Long, meandering compositions based around sinister riffing and mournful shrieked vocals, Ephemeral’s (Séance Records) seven tracks offer no surprises but accomplish what they set out for with aplomb. This is music than can become dull and repetitive quickly, but Pestilential Shadows have a solid grasp of bleak melody which keeps their songs engaging and memorable – the soloing in particular is quite beautiful at times, and their riffs are genuinely catchy in the way that Black Metal bands often fail to be.

The biggest drawback to Ephemeral is the same as that of many of other Extreme Metal records – that there’s little to really set it apart from the other albums in its genre.  With a defined, formalised style and such a narrow emotional range, it’s inevitable that there’s little to distinguish Pestilential Shadows from their peers.  Without fresh ideas or a blurring of genre-boundaries only high quality could cause them to stand apart, and though they’re competent to a fault they’re not quite good enough for that. As lazy a journalistic cop-out as this is, Ephemeral is ultimately one of those if-you-like-this-kind-of-thing, this-is-the-kind-of-thing-you’ll-like albums – a worthy listen for anyone already sold on this very specific style, but not good enough to draw attention beyond its automatic fan-base.

6.5/10

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RICHIE HR


Woods of Desolation – As The Stars


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This one-man metal project that we know as Woods of Desolation comes from the intriguing mind of D., the Australian musician that has been playing an undeniable important role on the Down Under’s underground scene not only with his current project Woods of Desolation, but also with Forest Mysticism and Grey Waters. The road that was started with depressive black metal (the highest point being the debut full-length released in 2008, Toward The Depths) suffered what we can call a big change with the injection of shoegaze and more ethereal environments and soundscapes with Woods of Desolation’s sophomore album, Torn Beyond Reason (released in 2011). Three years after we have the third album which mixes the sounds of Forest Mysticism with the sounds of Grey Waters. It sort of works as a full circle for D., the musician in charge of this new album, As The Stars (Northern Silence Productions).  With the help of Vlad from the mighty Ukrainian band Drudkh and the countrymen Luke Mills on bass (Nazxul) and Old on vocal duties (Pestilential Shadows). Having the support and help of other musicians was probably what made this album be so damn rich in terms of guitar layers and tones. Every single track seems to take advantage of D.’s guitar work to levitate and finally rise in a spiral movement that is too fuckin’ strong to be stopped.

 

As Michael Gira (Swans) once told me, the main goal must be to achieve ecstasy. Well, As The Stars doesn’t have a problem achieving ecstasy, but rather a problem to let it go. Like a fuckin’ junkie never satisfied, Woods’ music on this new album is constantly trying to exceed itself. What once was depressive now it seems to be uplifting and hopeful towards positivity. But who really knows? It’s really hard to tell when you’re so fuckin’ high for almost thirty eight minutes and you’re not allowed to stop. Hopefully this album, and this band, will have the due credit and recognition. If you like stuff like Alcest, Lantlôs and Deafheaven… Why the hell would you not give a chance to Woods of Desolation? Don’t be afraid. Jump!

 

8/10

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TIAGO MOREIRA