Agent Fresco – Destrier


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Whatever is in the water in Iceland it should really be bottled and sold, as the island nation has been a hot bed for stunning and captivating music for a number of years. From the likes of Sigur Ros to more recently Solstafir pushing through their extreme metal underground roots to become rock mainstay, the wealth of talent coming from that corner of the Atlantic Ocean has proven particularly rich. Another addition to that list is genre melders Agent Fresco, who really are progressive with a capital P.

Five years from their debut, the sophomore release Destrier (Long Branch) comes on the back of great hardship for frontman and composer Arnor Dan Arnason, in which time he faced a late night attack which left him with a broken eye socket and emotional scars. With this comes an understandably melancholic tone throughout, as Arnason seemingly bears his pain clearly in public view, built on the conceptual idea of the medieval warhorse that bears the album’s title.

Musically it continues their trend of mind-boggling diversity which proves both complex but flowing and memorable, as it draws from a hugely diverse range of influences and styles. From comparisons to the likes of some contemporary Prog/Prog metal acts to signs of pop, indie rock, math rock and even shades of electronica, Destrier showcases a stunning range, but manages to do so with perfect cohesion and fluidity. Everything feels naturally embedded whilst all the while contributing to Agent Fresco’s core sound.

Produced in the wake of hardship and despair, Destrier is a magnificent effort that displays the pain behind it whilst simultaneously showing apparent light and positivity creeping through at times. With such a range of sonic influences at work Destrier is a genuinely rich and rewarding release which reveals more and more with each lesson, and one that actually proves definitely progressive.

 

8.5/10

 

CHRIS TIPPELL


Alright The Captain – Contact Fix


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Right off the bat, let’s be honest with each other. Everyone likes honesty right? This is a complete re-write of the review. Whilst that isn’t completely unusual, this is a complete re-write in the fact that the sway from negative perception towards positive has been massive. This is because Alright The Captain with Contact Fix (Independent/self-released) have created an album so bonkers and eclectic at points the only way to give it any real justice is to ensure you give it proper time.

The album is wholly instrumental, and like with so many other bands that have chosen to go down this unconventional route, the music simply HAS to be good. There’s no hiding behind the growls and screams of a big personality front man, instead there needs to be enough to grab your attention and maintain it – and one thing is for sure they’ve done this very well. The album is seven tracks long, and runs for just under 30 minutes. This compact running length encourages numerous playbacks, as you begin to listen intently for some of the smaller intricacies contained within each track. If you buy into the ‘Math-Rock’ subgenre title, then this is Math-Rock at its best. We’ve got synths galore amongst a combination between punk fuelled riffs and heavier moments.

At the absolute core of this music though is an unbelievable jazz influence. The drums in particular are testament to this, with both the opening track ‘Toaster Mouse’ and ‘French For Gnome’ the best examples. But this jazz influence isn’t solely contained within the music itself, but more the whole idea behind the album. You never really know which direction it is going to go, it sounds like an impromptu jam but it is actually a very well calculated beast. To be able to create this kind of impression is a skill in itself.

 

8.0/10

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TOM DONNO