Morgoth – Ungod


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Another day, another reunion. For the unaware, German quintet Morgoth created a reasonable buzz back in the early 90s with the solid if unspectacular duo of Cursed and Odium. Then they went and spoiled it all by doing something stupid like releasing Feel Sorry for the Fanatic, a bizarre jaunt into experimental electronic territory which appalled fans and led to the band breaking up in 1998. However, like so many others they have returned from the grave and Ungod (all Century Media Records) is the fruit of their labours. Is it worth it?

On first impressions, the answer is a baffled “No!” as the naked Obituary rip-off of ‘House of Blood’ comes lumbering out of the speakers. New vocalist Karsten ‘Jagger’ Jäger sounds so much like John Tardy you’ll be wondering if there’s been a mistake at the pressing plant. Thankfully things improve on the catchy mid-paced ‘Voice of Slumber’ which makes good use of those morose yet subtle melodies that were just enough to give Morgoth their own identity back in the day. Further tracks such as the measured riffing and familiar satanic lyrics of ‘Snakestate’ and the more aggressive attack of ‘Descent into Hell’ are pretty much exactly what the doctor ordered; middle of the road, no-frills death metal that sounds exactly like it was recorded in Florida circa 1993.

Honestly, were you expecting anything different? It’s hardly surprising that Morgoth have retreated to their classic sound (comfort zone) after such a disastrous backfire all those years ago, and they certainly know how to pen a decent death metal tune. However, like Massacre’s comeback record last year which shamelessly traded on former glories, Morgoth seem to think that just turning up and acting like nothing’s changed will be enough. Unfortunately the world of extreme metal is a far more diverse, cut-throat entity than it was in their heyday and it’s difficult to see them standing out from the herd this time round.

6.5/10

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JAMES CONWAY


Audio: Gruesome – “Gruesome” and “Hideous”


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Gruesome is streaming their namesake track “Gruesome” here, off their forthcoming debut Savage Land, out in North America on April 21st, preceded by its European release dates, April 17th in Germany, Benelux and Finland and April 20th in the UK and rest of the world via Relapse Records.

Stream “Hideous” below.

Uniting members of Exhumed, Possessed, Malevolent Creation, Derketa and more, with Savage Land, the collective is humbly determined to keep the sound and spirit of Death alive as sincerely and authentically as possible.

Savage Land was recorded by Rios and Gonzalez at Riversound Studios in Fort Lauderdale, Florida, mixed by Jarrett Pritchard at Mana Studios in St. Petersburg, Florida, and features a guest guitar solo on “Closed Casket” by James Murphy as well as cover art by legendary illustrator Ed Repka (Death, Megadeth, Massacre, Athiest et el).

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Generichrist Streaming Taste of Death In Entirety


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Tampa, FL sleazy punk death thrashers Generichrist have released Taste of Death on February 10, 2015 via Horror Pain Gore Death Productions, and features a guest appearance by legendary horror Icon Bill Moseley (Texas Chainsaw Massacre 2, Army Of Darkness, The Devil’s Rejects), who has been on several of the bands past releases. Stream the entire album for free here.

Hailing from Tampa Florida, Generichrist was formed back in 2003 by lead vocalist Tony Anderson (Doomsilla, Fleshreaper, Skintomb), and their current line-up is stronger than ever featuring Ed Webb, formerly of Massacre and Diabolic. Generichrist’s sick, twisted blend of Punk/Thrash combined with Death Metal results in “Taste Of Death” becoming an experience in horror, sleaze and violence! This album also features a guest appearance by legendary horror Icon Bill Moseley (Texas Chainsaw Massacre 2, Army Of Darkness, The Devil’s Rejects), who has been on several of the bands past releases. An essential platter of splatter for fans of Abscess, The Accused, Autopsy, Blood Duster, Cryptic Slaughter, GISM, Goatwhore, High On Fire, Massacre, Morbid Angel, Napalm Death, Nunslaughter, Slayer and Terrorizer

TRACK LISTING:
1. Monsters And Myths
2. Taste Of Death
3. Kill Your Parents
4. Fuck To Get High
5. Nazi In Blue
6. Hexx
7. Eye Of Malevolence

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Maverick – Quid Pro Quo


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They say rock and metal is dead… If so no-one told the 10-legged monster of rock and metal from Northern Ireland that is Maverick who, in a true 80s cliché, are coming your way. The band’s début release on Massacre, Quid Pro Quo is a heady, high octane take on ‘retro’ rock.

Already familiar thanks to a video release ‘Paint By Numbers’ is a fist in the face of hipsters, scenesters, and fashionistas, but ‘Got It Bad’ is where listener has to make up their mind, and where some may shy away from Maverick. It is a great song, and had it been released in the mid-80s it would have been on constant rotation on AM radio in the US – itt’s as catchy as Ebola in Sierra Leone, while vocalist David Balfour showcases his range on ‘Snakeskin Sinner’ and ‘Electric’, and Ryan Sebastian Balfour’s tasteful, melodic soloing complements the sound throughout

But do we need another band who re-tread the sound of Ratt, Crue, MTV-era Whitesnake, Y&T etc? The love of music is at the heart of the Maverick matter and is dealt with on ‘In Our Blood’ as David declares when younger he would “put all my CDs on and have a concert in my room”. On the other hand the track ‘One More Day (Quid Pro Quo)’ deals with serious matters in a narration of the real personal toll the conflict in Northern Ireland took.

Whether it be the lusting or the longing; whether it is ranting or the wrongdoing of paramilitaries; or whether it is just heads down hard rockin’ Maverick know that telling the tale within each song is about composition and depth. Sure you can write off this release too easily as looking back at a lost time, this simply about declaring their love of the era that spawned so much modern rock and metal.Maverick have produced a chest thumping, raucous, powerful, pounding, melodic release oozing with passion as the Maverick monster pounds all into submission on Quid Pro Quo, as if the 80s never went away

9.0/10

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JONATHAN TRAYNOR


Terry Butler and Ed Webb Leave Massacre, Sit Out Upcoming Death DTA Euro Tour


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Veteran death metallers Massacre will no longer be on the Death DTA’s “Symbolic 20th Anniverary” European tour in late February/March 2015 leg. Their Swamp Leper Stomp ’14 tour in North America with DTA, Obituary and Rivers of Nihil had to be cut short by one show.

Massacre bassist Terry Butler and vocalist Ed Webb today issued joint statements indicating that they have formally exited the band:

Said Terry Butler:

“It’s with a heavy heart that I am announcing my departure from Massacre. I wish Ed, [drummer] Mikey [Mazzonetto] and [guitarist] Rick [Rozz] the best of luck with their future endeavors. I would like to thank the awesome fans for their support and loyalty and to those who labored to help bring the band back from beyond. Thank you as well….Arrivederci!”

Adds Ed Webb:

“After much thought and consideration it is with deep regret that I announce my departure from Massacre. This was not an easy decision to make but a necessary one. The last four years have had its share of both unbelievable times as well as some times I wish to forget. I want to thank all of the Massacre fans, those who accepted me as the new vocalist as well as those who didn’t. You guys gave me the desire to work harder than I ever had in the past. I also had the privilege to play some of the most incredible shows, do some killer tours and meet a lot of great people along the way. At this point, I am going to just concentrate on my two main projects [Generichrist and Destined To Ruin] as well as a few other projects I am working on. I want to endlessly thank Terry, Rick and Mikey for the opportunity to record an absolutely crushing CD and get to tour around the world with them. I wish them all the best in their future endeavors. I hope to see everyone in the future and thanks for letting me do what I live to do!”

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Massacre On North American Tour With Obituary, Rivers of Nihil, Euro Tour in February


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Veteran Florida death metallers Massacre will be taking part on the Swamp Leper Stomp North American Tour 2014 with Death (DTA), Obituary and Rivers of Nihil, as well as an upcoming European run in February 2015. Dates are below.

The band released Back From Beyond, their first record in nearly 20 years, with Tim Vazquez of CGM Studios recording and mixing. Massacre features original members, guitarist Rick Rozz along with bassist Terry Butler (Obituary, ex-Death, Six Feet Under), vocalist Ed Webb (ex-Diabolic, Eulogy) and drummer Mike Mazzonetto (ex-Pain Principle). Check out the official video for Back From Beyond here.

MASSACRE- live in North America 2014:
Nov 11: The Rail Club Fort Worth, TX (w/OBITUARY, RIVERS OF NIHIL)
Nov 13: LVCS – Las Vegas, NV (w/OBITUARY, RIVERS OF NIHIL)
Dec 20: TBA – Mexico City, Mexico https://www.facebook.com/events/375627912589617/

DEATH (DTA), OBITUARY, MASSACRE, RIVERS OF NIHIL – Swamp Leper Stomp North American Tour 2014:
Nov 14: Club Nokia- Los Angeles, CA
Nov 15: Mainstage – Ramona, CA
Nov 16: DNA Lounge – San Francisco, CA
Nov 18: Studio Seven – Seattle, WA –
Nov 19: Rickshaw Theatre – Vancouver, BC *
Nov 21: Mac Ballroom – Calgary, AB *
Nov 22: Riddell Centre – Regina, SK *
Nov 23: Park Theatre – Winnipeg, MB *
Nov 24: Amsterdam – Minneapolis, MN *
Nov 25: Metro – Chicago, IL
Nov 26: Agora Theatre – Cleveland, OH
Nov 27: Phoenix Concert Hall – Toronto, ON
Nov 28: Le National – Montreal, QC
Nov 29: Brighton Music Hall – Boston, MA
Nov 30: Best Buy Theater – New York, NY
Dec. 03: Empire – Springfield, VA
Dec. 04: Tremont Music Hall – Charlotte, NC –
Dec. 05: Masquerade – Atlanta, GA
Dec. 06: Tampa, FL – The Orpheum
Dec. 07: Grand Central – Miami, FL
*=plus UNTIMELY DEMISE

DEATH (DTA), MASSACRE, ABYSMAL DAWN, LOUDBLAST – Symbolic European Tour 2015:
Presented by: Metal Hammer, Legacy, Slam Magazin, metalnews.de, Noizeletter. BLAST
Feb 27: Matrix – Bochum (Germany)
Feb 28: Dynamo – Eindhoven (The Netherlands)
Mar 01: Trix – Antwerp (Belgium)
Mar 02: Electric Ballroom – London (UK)
Mar 03: Academy – Dublin (Ireland)
Mar 04: Club Academy – Manchester (UK)
Mar 05: Trabendo – Paris (France)
Mar 06: Alte Kaserne – Zürich (Switzerland) –
Mar 07: Theaterfabrik – München (Germany)
Mar 08: Rockfabrik – Ludwigsburg (Germany)
Mar 09: RnR Arena – Milan (Italy)
Mar 11: Rockhouse – Salzburg (Austria)
Mar 12: Szene – Wien (Austria)
Mar 13: Fabryka – Cracov (Poland)
Mar 14: B 90 – Gdansk (Poland)
Mar 15: Progresja – Warsaw (Poland)
Mar 16: K 17 – Berlin (Germany)
Mar 17: Posthalle – Würzburg (Germany)
Mar 18: Markthalle – Hamburg (Germany)
Mar 19: Sticky Fingers – Gothenburg (Sweden)
Mar 20: Klubben – Stockholm (Sweden)
Mar 21: Vulkan – Oslo (Norway)
Mar 22: Amager Bio – Copenhagen (Denmark)

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Neurotic Deathfest: Day 3 – Live At 013, Tilburg NL


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The Sunday started a little bit late due some technical problems with my mode of transportation. But luckily enough Grave was there to cheer me up. Grave gives you a full force band with the strength of a bulldozer. The filled up room might have given them that little bit of extra energy, to give us a hell of a show. Although Grave can sometimes disappoint you because of the typical show they put on, they pumped you up with their well known classics, they didn’t live up to their reputation at all. It was the best show in ages, according to the voices all around me.

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Misery Index is a known force at the Neurotic Deathfest and didn’t surprise me at any point. But they did interest me and this is a very good live act! For those who don’t know this band, they are pretty versatile with their sound and play with different styles in the death metal genre. The biggest mistake for me was to stand in front of the pit, that hurt.

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Just like Misery Index, Severe Torture is a name that you can find often on the bills from previous years. I am proud we have these kind of bands from the Dutch grounds and we see that we do take part in the death metal scene. I am not proud that the following band named Pestilence comes from the same land. I heard of their bad live reputation but I wouldn’t believe it. I have to admit they were right. I am sorry for being so negative, but I cant find a single positive thing about this band. They sucked, and this needs to be said. If you read this and you are in a band, don’t follow Pestilence’s example. This band was known for their awesome shows and good songwriting, but with this new lineup, they are on the edge of extinction. They only float along on their former pride.

Once again the national memorial of casualties of the second world war fell on the same date as the Neurotic Deathfest. Strange enough this was one of the most epic moments of the whole festival, all death metal fans were quiet for a moment of silence (exceptions for some nitwits that just can’t keep their mouth shut). It gave me shivers. This is the example that it doesn’t matter how brutal you can look, you can still have some decency. The bands also took part of it and that is why Pentagram Chile started a little bit later than they should have. They gave us a whirlwind of a show with a guitar sound that was beyond recognition. Their debut album came out last year which is pretty late for a band started from the 80s. They played a nice mix of thrash/death with a sound that clearly evolved since the early days of this band.

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Pentagram were a pretty good lead in to the final band of the Neurotic Deathfest, which is not a death metal band at all, Dark Angel. They gave us some much needed thrash metal. The band around Gene Hoglan seemed to be a welcome guest at this death metal festival, unfortunately the drums were pretty loud in contrast with the guitars which was a bit of a downer for this show. Luckily after a few songs the sound guy woke up and set things straight. After that we were happily surprised by some nice high quality thrash metal. All hell broke loose when the front man Ron Rinehart turned the venue into a party zone where beer was flowing richly. After this we left the festival with a smile on our faces.

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WORDS: KAAT VAN DORMALEN

PHOTOS: SUSANNE A. MAATHUIS


Massacre – Back From Beyond


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It has been 23 years since Rick Rozz and Terry Butler last released anything of note under the banner of Massacre, and that two decades plus hiatus has allowed their debut From Beyond to achieve the legendary status its Bay Area-meets-Death quality deserves, a great collection of straight down the line death metal songs that set the tone for literally millions of bands to follow.

With such an iconic release in their catalogue, but with years of less than stellar activity individually, expectations for Back From Beyond (Century Media) are mixed. The first thing that strikes is the powerful production as guitars barrel out of the traps (once the pointless intro has meandered on by) into ‘As We Wait To Die’. New vocalist Ed Webb does a decent enough job, sounding like (the heavier of) Burton C. Bell (‘s voices), but lacking the distinctive and charismatic tones of non-returnee Kam Lee.

While Massacre always leant to the thrashy, (pre-Chaos AD) Sepultura end of American Death Metal, it’s interesting to see how much groove and chug metal is in their newer sound; ‘Hunters Blood’ wouldn’t be out of place on a Lamb of God album. That isn’t to say the trademark Massacre DM has been abandoned, as ‘Ascension of the Deceased’ throwback like a Thursday, ‘Shield Of The Son’ thrash-snaps the neck, while ‘Evil Within’ and ‘Beast With Vengeance’ pay homage to Chuck.

Sticking resolutely in the mid-tempo and to a simple but effective riffing style with only the odd venture out of their stomping ground, Back From Beyond settles into a pattern of mixing late 90’s groove with old school Death Metal riffing. In the main, with each track in isolation, it works to good effect, but as a whole due to a lack of dynamics and colour, no track to rival a ‘Cryptic Realms’ and an overly long running order (14 tracks!? You have to be amazing to stay interesting for 14 tracks!) Back From Beyond is an enjoyable, solid yet unspectacular return. Nothing to rival From Beyond but serves as a better follow-up than (the-Massacre-album-that-shall-not-be-named).

7/10

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Steve Tovey