When The Circus Is In Town: Jason Keyser of Origin


 

krisiun origin north american tour

Emerging from a sea of black t-shirts, Jason Keyser of Origin finds me standing mid-way through the venue’s pre open-door line.

“Oh, good it’s not a video recording,” Keyser says as we make our way around the corner to a quiet side of the street.

As we set down our gear on the sidewalk, Keyser greets wallet-chain wearing kids who recognize him.

“No, but this way, you can pose in the photos and fluff-out your hair,” I remark between his handshakes with fans.

“I’d rather you Photoshop me a lot,” he says as the crowd thins. “Give me a glow.”

Lindsay O'Connor of Ghost Cult with Jayson Keyser of Origin. Photo credit by William Williams

Lindsay O’Connor of Ghost Cult with Jason Keyser of Origin. Photo credit by William Williams

Although Keyser and crew are about halfway through their co-headlining slot on the Devastation Across the Nation US tour, he looks rested and already illuminated, so I skirt the suggestion.

“Tony Lazaro said it best: ‘I feel like an old carnie in an old circus,’” Keyser quips, referring to a remark the Vital Remains guitarist made while Origin toured with the band in 2011. Lazaro parlayed the jest while standing at his band’s merch table as he watched young kids run amuck. “There’s a new generation of fans, and we’re still holding on,” Keyser says. “But [Origin guitarist and vocalist] Paul Ryan is the only original member, and he’s still just as young at heart as you can imagine; it’s adorable—he’s a lifer!”

Although there are newer generations of Metal fans taking to the scene, Origin remains one of the well-respected staples, lauded for their blast-beat blitzkriegs and searing technicality. And while Origin isn’t touring in support of anything necessarily “new,” the band’s last album, Omnipresent (Nuclear Blast), remains innovative and relevant.

“We’re lucky we’re not big enough that we have to cater to a certain look or style,” Keyser says. “People still seem to dig it, dig what we do. It keeps it fresh. Our last album, [Omnipresent] was a little different from the last one before it, but how ever we’re feeling is how we express ourselves.”

<center><span style="color: #999999;">Origin, by Susanne A. Maathuis</span><center/>

Origin, by Susanne A. Maathuis

 

Would you ever take fans for a loop and put out a Funeral Doom album?

“Yeah, maybe—why not? Omnipresent featured a straight-up circle-pit, Thrash-Metal song, as well as a Black Metal song, so maybe we’ll put out an Origin Sludge album—slow it all down by 100 percent.”

Do you give a shit about what your fans think?

“If we could have sold out, we would have sold out a long time ago—I guess we are one of those bands that doesn’t “care” about what fans think, because if we did we’d be “selling out.”

I don’t think about it specifically like that, but…hmm, now that you broke it down, I’m going to have to think about it. “

Do you have plans for a follow-up to Omnipresent?

“After we’re done with the tour, we’ll have a lot of time off, and we’ll start pounding out a new [album] in early spring [next year].”

origin album cover

Now a-days, you have to keep pumping out albums to stay relevant—

There are some bands, however, that take a long time to put out an album, like Meshuggah.

“Meshuggah makes way more money than we do—we don’t have that luxury!

It is good to stay relevant; there’s a weird time period before the next album becomes a comeback—like, you have to put out new music before two years or after six, otherwise you’re lost in the abyss.

As far as a new album, though, I’m the last person whose input gets put in that consideration—my role comes last in that.”

Other than this tour, what do you have in the hopper you’re looking forward to?

“The tour is halfway done—I’m excited about it being all the way done, actually!

Ideally, we’ll be playing South America, and we’ll be playing a festival in South Africa too—I’m basically using the band as an excuse to travel around the world—good work if you can get it!”

Keyser and I make invisible oranges, before he disappears back into the club. Doors open, and my buddy and I make our way inside. We see Keyser sitting at the Origin merch table, fashioning a quiet grin, arms folded as he observes a carnival of young fans collecting in throngs before him.

 

Origin continues to co-headline the Devastation Across the Nation tour with Krisiun, and with supporting acts Aeon, Alterbeast, Soreption, and Ingested. The band is planning to head to the studio next year, so be on the look out for more information on their forthcoming activities online here:

LINDSAY O’CONNOR


To Your Death – Christine Davis of Christian Mistress


Christian Mistress To Your Death album cover 2015

Belting atop towering riffs and intentional strong writing, Christian Mistress chanteuse Christine Davis confesses that she’s “ready to fight,” on “Stronger Than Blood,” the second track off Christian Mistress’ new album, To Your Death. Judging by Davis’ powerful, indoctrinating wail, it’s a proclamation I doubt anyone who hears the new material would dare refute.

Since 2004, the Portland-based power Rock troupe Christian Mistress has championed un-ironic Rock and Roll—no slick or sticky packaging here, instead the band offers straight-up and true Heavy Metal ethos. At the helm of this searing sonic ship is Christine Davis, who with powerful conviction, brings a raspy and cool, raw and confrontational approach to the music.

Christian Mistress, Photo Credit: Greg Mason

Christian Mistress, Photo Credit: Greg Mason

 

“We gave [To Your Death] enough time to develop,” Davis said. “We’ve always been aware we have magic as musicians when working together, and on To Your Death, we were able to harness that.” Davis and I stood outside a club in Denver between an alley and awning; Christian Mistress had just come off a 12-hour drive from the last-night show in St. Louis, and were appropriately road-weary, yet looking spry.

“On To Your Death, we were able to create a record that pulled from influences we hadn’t had a chance to pull from yet, as well as a deeper understanding of each other as musicians.”

Christian Mistress, Photo Credit: Greg Mason

Christian Mistress, Photo Credit: Greg Mason

When speaking with Davis, one is privy to a self-assurance that cuts through bullshit and small talk; we skirted pointless prattle and instead purposefully dove into the details of the album.

“[We, Christian Mistress, were able to] really appreciate where each of us was coming from. [Moreover], we really tried to pay more attention to space. The lyrical content on To Your Death is about freedom—freedom of the soul—we wanted to keep the musical themes open as well, so there’s some space around it.”

Since forming in 2004 in Olympia, WA, Christian Mistress has released three studio albums and a demo, all of which reintroduced to Heavy Metal its raw roots. After the band’s 2012 album, Possession, Christian Mistress went on to write the tunes heard on their new third full-length studio release, To Your Death. The process found the band enduring a brief break and a line-up change, which helped refocus the song-writing efforts, reigniting Christian Mistress’ song-writing prowess. The result is heard on the album’s eight tracks, which offer an uncomplicated sophistication that still feels edgy, as well as an assertiveness that makes Christian Mistress’ brand of Heavy Metal heavy.

“We’re not a Death Metal band, [but] we’re also not a plain Rock and Roll band,” Davis said. “This kind of music is true Heavy Metal, with a lot of punk influence, which is what New Wave of British Heavy Metal is—[it was started] by players who were super Punk and raw, but were better musicians than just the three-chord harmony players (which is also great—I mean, I love The Ramones).

But playing this style of music is great because it gives us the space to do what we want and not get held back—if we had just said we were a Rock and Roll band, that’s great, but then where do screaming guitar harmonies fit? For me, I’ve never been in a band where we do just one thing, and with what [Christian Mistress does], we can always have the freedom to go beyond that.”

You fronted a Thrash Metal band called Buried Blood a little while back—how does fronting Christian Mistress, a traditional Heavy Metal band, differ for you in terms of performance and writing lyrics?

Christian Mistress, Photo Credit: Greg Mason

Christine Davis of Christian Mistress, Photo Credit: Greg Mason

“Super interesting question: I think my approach to writing lyrics is exactly the same—I sit in the park and think about poetry I’ve been mulling over and attach it to the riffs that [Christian Mistress guitarist] Oscar [Scarbel] writes, and I think the main reason this music is successful is because of the riffs Oscar writes. He and I working together is a great juxtaposition, as our approaches are so different, and it just works.”

“In [Buried Blood], I would listen to the music and write something around it. I think in the future [with Christian Mistress], however, I’d like to do more songs where we start with vocal harmonies, and then bring in other instruments.”

With To Your Death coming out soon (September 18th, 2015), and this mini tour underway, what is Christian Mistress most excited about?

“Right now, a very pure answer is to say that it’s fun to be on tour right when the record is coming out—Relapse Records did an amazing job with our artwork.

It’s been really fun to be actively on the same path as the promotional aspects of the record. Plus, we get to head to Europe next month.

We’ve come a long way from where we started, which was in a drunken, moldy basement in Olympia, and having no idea anyone would ever care or listen to our music, but it’s a sound we cared about, and to this day, one we still care about.”

 

WORDS BY LINDSAY O’CONNOR

PHOTOS BY GREG MASON


Human Bodies / Leather Chalice- Seven-Inch Split (Vinyl)


Human Bodies and Leather Chalice Split single cover 2015

Broken Limbs Recordings brings us this raucous Black Metal and Punk hybrid split seven-inch, with Boston’s Human Bodies and New Hampshire’s Leather Chalice.

Featuring two tracks from each band, this hallowed-out and thrashy LP takes you on a raucous ride through grimy streets, riddled with the echoes of Venom, Discharge, and drugs, and harkens back to the days when punk was still pretty dangerous.

Tracks one and two are donated by Human Bodies and are appropriately quick and dirty. Track one, entitled ‘Only the Sigh,’ and track two, entitled ‘Malice Prepense,’ are vitriol-fueled black metal and Hardcore hybrids curated by a little D-beat for immeasurably catchy shit.

New Hampshire’s one-man punk project known as Leather Chalice chimes in on tracks three and four with impossibly unpolished Blackened Crust. The project, which features Jann from Ramlord, takes to the extremes of the genre-meld, garnering hues of grime and gray, and garbage can tin-sounding percussion, and in sum, is the sound of impassioned, unimpressed, abandoned youth.

This mash up is due out September 22 on 7-inch vinyl and is released in cooperation with Prison Tatt Records.

Information on oerdering this split seven-inch vinyl can be found over at the Broken Limbs Records Website at www.BrokenLimbsRecordings.com.

6.0/10

LINDSAY O’CONNOR