The Darkness Within Part II- Thomas Gabriel Fischer of Triptykon


Triptykon Verftet 210214-7417

Outside of all his musical achievements, Triptykon’s Thomas Gabriel Fischer has managed to forge a more stable life for himself. Following a tricky divorce in 2004 the front man has formed a new group, got engaged to girlfriend Corinne Kühne and seems more at peace with himself than ever. The calm yet driven figure is certainly a world away from the demon with the kohl smeared eyes and rasping vocals which is unleashed upon the stage. In spite of all this positivity, Fischer experienced a tragedy in the death of his mentor, the great artist H.R. Giger, famed for his work inspiring the Alien movies. Visibly moved by the mention of Giger’s name, he recounts the influence the artist had upon him. “I am now assisting his widow who is managing his estate. I am still working for the museum, his sculptures are being manufactured and there was a documentary film which was released about him recently. His death was a great tragedy and I miss him very much. I am close to his circle of friends and I was honoured when they asked me to stay on after his passing. His absence is felt every day and I feel his presence even though I know he is gone. A lot of people know him for Alien, but that was just a fraction of his personality. He was a very generous and warm hearted person and you could talk about him about any topic. He was a very inspiring person. He was very shy and uncomfortable with the honours people bestowed upon him. I had to tell him what he meant to me and what he did for Celtic Frost and Triptykon.”

Looking to the future, while Fischer seems very comfortable with his own mortality, he intends to forge ahead with Triptykon’s work. “I see us all as perishing goods. I don’t feel it is so important that I make my mark on the world before I go. Should I live long enough I will make many more albums. I am writing the new material now and have a very definite idea of how I want it to sound. I started writing it six months ago and H.R. Giger and I worked on the album cover when he was still alive. I am honoured that this album will be the last to feature a cover by H.R. Giger! The new album will be more straightforward than Melana…. more raw and crunchy. I have always wanted to make the album that Hellhammer have never done. I am not sure if that is possible with Triptykon but let’s see what we can do!”

Triptykon-Melana-Chasmata-400x400

Tom is often portrayed by the media as being a shadowy, bleak figure yet behind this façade lurks a sense of black humour which has clearly seen him through the dark times. When describing his future plans, Fischer is keen to point out he has achieved all he could dream of in music but it is clear that the dark riff lord’s work is far from over. “Spring will be spent rehearsing in earnest. If I die before the next albums are released then my fellow young musicians will get rich beyond their wildest dreams! Century Media are always asking me to promote the record but my death would be perfect! We could put out a boxset with my ashes inside! We could pulverize the remainder of my diabetes medicine and include that too. Sooner or later it will end but if I am here we will do more albums. I detest the capitalist culture and greed that has harmed this planet. I am grateful I have got to make thirteen albums and tour the world. To want more would be egotistical.”

 

Triptykon on Facebook

WORDS BY ROSS BAKER


The Darkness Within – Thomas Gabriel Fischer of Triptykon


Triptykon 04It was an extremely difficult album to make. Melana Chasmata (Century Media) is a much more personal, sombre and intimate album than our debut. Several drastic changes in our private lives all happened during its conception.” Thomas Gabriel Fischer is a polite and charming gentleman with no air of pretention. Countless musicians have waxed lyrical on their personal demons, yet when Thomas does so; it is with disarming sincerity and conviction. Continue reading


Eindhoven Metal Meeting 2014:- Part I: Live at The Effenaar, Eindhoven, NL


Triptykon 04

In the dark days of December, the end of the year is approaching for us all. When families are getting siked up for Christmas and new years eve. Us Metalheads were looking forward to a weekend full of awesomely brutally bands. Metal and Eindhoven go together as the nice juicy cherry on a chocolate cake.Continue reading


Under the Surface – Underground Bands Spotlight


This month’s Under the Surface has us travelling from our friends in the great north, Canada to the comfortable confines of Boston all the way down to North Carolina and finally making our last stop across the world in New Zealand. This of course is all in the pursuit of the latest and greatest in unsigned or undiscovered metal music.

hirsute

We begin with one man wrecking crew Justin Chorley and his latest musical endeavor, Hirsute. Still Waiting is melodic doom metal of the highest order. It’s a bit baffling that there can be an act of this caliber that hasn’t already been nabbed by Relapse or Southern Lord. And this isn’t just fanboy hyperbole. Chorley singlehandedly may have brewed up the depressing lovechild of Opeth and Paradise Lost. Not unlike Deafheaven’s Sunbather, the key to Still Waiting is how it casts light and shade. In order to really appreciate the storm and soul-crushing riffs you need the quiet, introspective moments of songs like ‘Sang the Bird from its Cage’ and the title-track. But don’t take my word for it. Find Hirsute on bandcamp and see for yourself. You won’t be disappointed.

9/10

Hirsute on Bandcamp

pyramids on mars

From one man’s metallic vision we move to another’s in Pyramids on Mars. The instrumental brainchild of Hamilton Ontario’s Kevin Estrella, Pyramids on Mars focuses more on melodies and very clean/technical guitar passages. With no singing and drums only there to keep time, Estrella’s shredding is truly the marquee event here. When he shreds, he shreds. It’s the stuff that the John Petrucci hideous t-shirt crowd loves as evidenced on ‘Descending Saturn.’ But when we don’t have an abundance of fancy fret work and are only left with the thin sounding programmed drums and synths that’s when Pyramids on Mars starts to lose momentum. Come for Estrella’s axe skills, but he’s yet to find a reason for you to stay.

5/10

Pyramids on Mars on iTunes

chronologist demo

Following the more progressive metal route are Boston’s own, Chronologist. In the wake of Periphery and djent fever sweeping across all local markets it’s beyond gratifying and exciting to hear a new collective that isn’t just aping Meshuggah palm-muting and calling themselves “progressive” like every other band at the Palladium these days. It’s unclear if Chronologist will continue to move forward without a vocalist, but it’s working for them. Songs like ‘Bazooka’ and ‘San Juan’ have enough dynamics and intricate guitar work that it eliminates the need for singing. Going instrumental is something even more established prog-metal acts should consider (looking at you Dream Theater). To be around for barely over a year and have an instrumental Demo be better than most of your peer’s LPs is a strong start. Keep up the fine work, gentlemen.

8/10

Chronologist on Bandcamp

all hell album cover

All Hell’s The Devil’s Work is the kind of LP that sounds like it was released 30 years ago, conceived after many brews and bong rips. Down to the production and riffs, it’s an album that reeks of Venom and Hellhammer, yet it’s a power trio from Asheville, North Carolina. If you have a fine appreciation for early 80s metal particularly the darker side of the British Wave of Heavy Metal you can have some fun with The Devil’s Work. When it finds its pace it alternates between Show No Mercy and Orgasmatron. Which is awesome but when it teeters off it has a hard time figuring out if it’s an homage or if it’s just dated. Especially since today there are many young bands like Skeletonwitch and Toxic Holocaust who balance an old-school sound without sounding rehashed. Here for every rager like ‘The Reaper’s Touch’ you have to deal with a dud like ‘Firewalker.’ Dang shame that it’s inconsistent, but there’s enough thrash on The Devil’s Work to warrant still wearing your bullet belt.

7/10

All Hell on Bandcamp

son of man burn the witch

Lastly we have the new 7” Burn the Witch EP from Southern California’s enigmatic Son of Man. Since they refuse to play shows the only thing we can really determine based on their limited output is that they are angry and also have appear to have an affinity for metallic hardcore. Unlike All Hell, Son of Man is balancing some tried and tested genres (thrash, hardcore, doom) without sounding like you’ve heard it before. It hammers its point home quickly in similar fashion to Black Breath and leaves you wanting more. Actually it would have been nice if this was a proper LP with even more pummeling and properly timed breakdowns.

8/10

Son of Man on the web

HANSEL LOPEZ