Slipknot Confirms Identity of Tortilla Man


In a post to social media, Slipknot has confirmed the identity of percussionist Tortilla Man. As widely rumored, and in a story broken by Ghost Cult in 2019 based on reddit sleuthing and a popular YouTuber, Tortilla man is actually multi-instrumentalist Michael Pfaff, of M. Shawn Crahan’s Dirty Little Rabbits band, and The Snacks. Promoting his upcoming Reddit AMA, with Michael holding a handwritten sign in the picture that says: “I Am Michael Pfaff, AMA Wednesday 3/16/22, 2 pm CT”. Tortilla Man joined the band in May of 2019, replacing Chris Fehn, dismissed earlier that year, as the second percussionist in the band. His debut appearance in the band was the video for “Unsainted.”   

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Slipknot’s “Tortilla Man” Shares Unmasked Photo in Slovenia


While Slipknot continues to avoid answering the question: Who is “Tortilla Man”, he can’t help show his face and leave other clues about his identity. When Slipknot visited Postojna Cave, the most extensive cave system in Slovenia naturally made of limestone, percussionist M. Shawn “Clown” Crahan, drummer Jay Weinberg, and “Tortilla Man” appeared out of costume. Several photos from their visit can be seen below. Ghost Cult shared the news that a YouTuber broke the news last fall ahead of every other music site covering the band that “Tortilla Man.” is really multi-instrumentalist Michael Pfaff. Pfaff played keyboards with Crahan in the band Dirty Little Rabbits and is also a member of the Iowa-based duo The Snacks. Included in the image gallery is a picture of the page in the Postojna Cave, the unmasked photo of the band, and the visitors’ book signed by the three members of the band, with the middle signature appearing to contain the word “Pfaff”.

Speaking of masks, over at Lambgoat they recently created 12 AI-generated masked metal bands that might just give Slipknot a run for their money.

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Krokodil – Nachash


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For the past few months UK based riff lords Krokodil have been making all sort of headlines, most involving people referring to them as “Slipknot’s new bassist’s other band”, which is completely unjustified and harsh as it is hardly judging the band on its own merits. With all the coverage, the eyes of the metal world are on Krokodil as they prepare to unleash their debut album Nachash (Spinefarm) so it’s a very good thing that the album is rather bloody brilliant.

The band, which contains members from a menagerie of great British bands such as Cry For SilenceSikth, Gallows and of course the mighty A, as well as now Iowa’s own metal behemoth Slipknot, Krokodil sound like a well oiled riff making machine and from the sounds of Nachash the machine has been working overtime on this release.  With a heavy dose of Mastodon in its veins, Krokodil are a groove juggernaut that pummels all in its path with its three guitarists of fury, a decision that usually over complicates the material but in this case triples up the guitar tracks, like Helmet making it sound as heavy as a ten ton rhino that’s thinking of gaining a few pounds.

With a formula that blends groove based riffage with a later day Cancer Bats bounce and groove is a fantastic mix which keeps up the pace till the bitter end, this on top of the high quality production of the album which makes it sound colossal.  If the album does have a mild weakness it is that the vocals are a tiny bit one dimensional, the hardcore barks work well with the up tempo nature of the albums and work perfectly on the second track ‘Skin of The Earth’, but can come across as one note when the album gets into its final few tracks.

Overall, Nachash is a quality release from a band who deserve a lot more credit for their musical output and certainly do not deserve to be known simply as that other band with someone from Slipknot in, they’re not a DJ Starscream or Dirty Little Rabbits. As for this being the bands’ debut album, hopefully there will be even better to come from the band in the future, but for now Nachash is a cracking start to their career.  Its high tempo, riffy and most importantly contains quality throughout.

 

9.0/10

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DAN O’BRIEN