Taking Back Sunday (TBS) made dancing to heartfelt Emo music a pastime. It is crazy to think that it has been twenty years since the Long Island natives introduced us all to ‘Cute Without The E’ and the dynamic that would become one of Emo’s most beloved staple: Tell All Your Friends (Victory). To celebrate those two decades that came up so quick, the band has gathered nineteen of their repertoire and two new songs into a greatest hits album perfectly titled, Twenty (Craft). Continue reading
It’s a sell-out. This won’t come as any surprise to those who have followed the rapid, upward trajectory of Brighton’s Black Peaks but this is, as they say, a bit of a “moment” for a band that many have got justifiably excited about. This current tour, a showcase for their second album, the widely admired All That Divides (Rise Records), will see the band traverse the UK, but this stop off in the capital, on the same day that Marmozets are playing up the road and Crossfaith playing down the road still has touts asking (and getting) silly amounts of money outside the tube station is proof positive that this band have engineered more than a little bit of excitement about them. Continue reading
The self-titled album is an interesting concept. Where the eponymous opus is not a debut, it is usually installed into a band’s canon as a way of stating that a specific album is either a summation of everything that represents a band – their pinnacle and natural conclusion of a journey of sound – or a launch of a bold new chapter, a “look at me now” redesign and rebranding. Fourth album in, and Australian Alternative Rock act Dead Letter Circus have opted to go down that route as a way of combining both those factors – a presentation of all that they have been, and a refocusing and refining of direction. Continue reading