The Last Will of Sacramento: A Visual and Sonic Manifesto at Channel 24

Sacramento’s Channel 24 was pushed to its absolute structural limits on the night of February 22, 2026. While the venue has seen its share of high-energy performances since opening its doors, the arrival of the “Last Will and Testament” tour felt less like a standard concert and more like a visceral, sonic beating. By the time the house lights dimmed, the 2,150-capacity room was nearly at its breaking point—a sweltering, shoulder-to-shoulder mass of bodies that testified to the enduring pull of the Swedish progressive vanguard. Continue reading →